A Writing Taboo: Never Begin Your Story With Weather

I was surprised the first time I heard someone say, "And, whatever else you do, never, ever, begin your story with weather!"

Roz Morris disagrees and here's why:

That summer, the summer all the rules began to change, June seemed to last for a thousand years. The temperatures were merciless: thirty-eight, thirty-nine, then forty in the shade. It was heat to die in, to go nuts in, or to spawn. Old folk collapsed, dogs were cooked alive in cars, lovers couldn’t keep their hands off each other. The sky pressed down like a furnace lid, shrinking the subsoil, cracking concrete, killing shrubs from the roots up…

That's an excerpt from Liz Jensen's book, "The Rapture," and I thought it worked beautifully! Read Roz's article to find out why some weather scenes work and some don't: Never begin your story with weather – a writing taboo examined.Thanks to the Passive Voice Blog for the link.

Roz linked to an old article (July 2009) by Joe Konrath where he lists some things writers shouldn't do. He'd just finished judging a writing contest and was in recovery. Here's his list:

DO NOT START A STORY WITH WEATHER
Yes, you can work weather into the scene. But I don't care that it was sixty-five degrees on a spring morning, and if you make that your first sentence you're going to remain unpublished.

DO NOT START A STORY WITH CHARACTER DESCRIPTION
Your protag may be named Bob McTestes, and he was born in Sunnydale, Ohio in 1967, but you need to work that into the body of the story and not make it the first sentence. Better yet, don't work it in anywhere.

DO NOT START A STORY BY ADDRESSING THE READER
"You'll never believe what happened on July 2, 1943." You're right. I won't believe it, because I just stopped reading.

DO NOT START A STORY WITH PREMONITION
"Phil Assmaster didn't know he was going to die that day." But Joe Konrath knows you're not going to win this contest.

DO NOT START A STORY WITH THE PROTAG WAKING UP
Frankly, it shocked me how many stories began like this. More so than any other way I'm warning against. Opening your eyes because you had a bad dream or heard a strange noise is a quick way to put the reader to sleep.

DO NOT START A STORY WITH CLICHES
Once upon a time. A long time ago. This is a true story. Ugh. Next time, save me the trouble and put the story in your own recycle bin.

DO NOT START A STORY WITH SETTING DESCRIPTION
"Moronville, Ohio was a town of 8371 people originally founded in 1872 by Quakers." Hopefully, one of those Quakers has a gun and will shoot me.

DO NOT START A STORY WITH TELLING
"Josh felt terrible." Really? How am I supposed to picture that? Maybe I picture Josh's stomach aching, his head throbbing, and the hole where his heart is supposed to be. If I'm picturing that, perhaps you should have as well and written it that way.

DO NOT START A STORY WITH ANY DESCRIPTION
I don't care if you're describing a person, place, thing, era, or whatever. I want to read about conflict, not helper words.

DO NOT USE HELPER WORDS
Force yourself to pare away every adverb, and half your adjectives. Also kill any speaker attribution other than "said" and "asked."

DO NOT START A STORY WITH A PROLOGUE
Your short story doesn't need a prologue. Your novel probably doesn't either.

DO NOT USE EXCLAMATION POINTS!
Especially a bunch of them!!!!!!!

DO NOT USE THE SAME FARUQING WORD TWICE IN THE SAME FARUQING PARAGRAPH
Get the faruquing point?

GRAMMER AND SPELING SHOULD BE PREFECT
If you don't care, why should I? Ditto annoying dialect spelling. Y'all get a-ight wit dat sheet, 'kay?

And finally:

DO NOT MAKE YOUR MAIN CHARACTER AN ANIMAL
Ever.

Are there exceptions to these rules? Of course. There are always exceptions. But I didn't see any in the 2000+ stories I had to endure.

You can read the rest of Joe Konrath's article here: How Not To Write A Story.

Those are good rules of thumb to keep in mind, as long as you feel free to break them if you have a reason.

Good writing!

Other articles you might like:
- 8 Tips For Blogging Success
- Ursula K. Le Guin On Academic Criticism & Philip K. Dick
- 19 Ways To Grow Your Twitter Following

Photo credit: Anonymous

The Secret Of Learning To Write Well: Write

Anyone who reads this blog regularly knows I'm nuts about Seth Godin. The man has the best ideas!

Today Seth blogged that the best way to learn marketing is to market. Makes sense! I think this is true as well:

The best way to learn to write well is to write.

I read somewhere that the most important asset a writer can have is an eye for good writing, or at least for what he or she likes. I think many writers have this and that's exactly why it's so painful in the beginning. You know your writing falls far short. (Keep in mind, though, that if you're comparing yourself to someone like Margaret Atwood ... well, just don't. No ego can survive that!)

Having an eye for good writing allows us to spot mistakes in our own work. Perhaps in the beginning we just know that a certain passage is aweful without knowing why or what would fix it. That's fine, we put it away and keep writing new things, we continue reading, then, eventually, we can look at what we've written and have an idea WHY it feels clunky and what we can do to fix it.

Perhaps surprisingly, I've found reading prose which grates on my nerves helps me discover what, exactly, doesn't work for me.

Kinda seems magical, doesn't it? Just write, and read, and you'll become a better writer. But writing is a skill, and like any other skill, one has to practice to get better. Perhaps this is a silly example, but when I started typing I used to fantasize about the day I wouldn't have to look at my keyboard and could type more than 40 words a minute. Today I don't even think about typing, it has become second nature. What did it take? Lots and lots of practice!

Slowly, painfully slowly, the understanding of what works for us and what doesn't becomes part of who we are and we begin to write less clunky prose. Or at least that's the idea, I'm afraid I can't tell you since I'm not there yet! ;)

Keep writing!

Other articles you might like:
- Seth Godin on Creativity, Childhood and Heroes
- Fifty Shades of Alice In Wonderland: Sales Peak At $1,000 Per Day
- Amanda Hocking's Unusual Writing Schedule

Photo credit: foxrosser

Authors Speak Out Against Fake Reviews & Sock Puppet Accounts

Ian Rankin and dozens of other authors spoke out against the practice of writing fake reviews. The following is from an open letter published in the Telegraph:

We condemn this behaviour, and commit never to use such tactics. But the only lasting solution is for readers to take possession of the process. The internet belongs to us all. Honest and heartfelt reviews, good or bad, enthusiastic or disapproving, can drown out the phoney voices, and underhand tactics will be marginalised to the point of irrelevance. No single author, however devious, can compete with the whole community.

You can read the rest here: Authors condemn fake internet reviews.

I think that's a great idea! Everyone outraged by these fake reviews should go to their favorite on-line book store and write a review.  I've reviewed only a tiny fraction of the books I've read. For instance, on this blog I've written again and again how much I love Jim Butcher's Dresden series but I've never given him a review.

Time to change that!

Other articles you might like:
- Book Promotion: Where's The Line?
- John Locke Paid For Book Reviews
- 8 Tips For Blogging Success

Photo credit: Dick Penn

And Now For Something Completely Different

Yesterday I watched this YouTube video in which Jonathan Harris, Co-Creator of We Feel Fine, Founder of Cowbird, talks about his creative life. One of his many richly imaginative projects struck a resonant chord with me.

The Ephemera Project

Beginning when JH was 30, he blogged once a day taking as his subject one of his photos. In addition, he would share whatever thoughts or feelings were related to the picture. (At least, that's how I understand it.) His musings could include poetry, or a part of a story, or ... well, anything. The goal was to preserve a memory. He said he stopped the project abruptly when he began to feel like an observer in his own life as opposed to an active participant.

While I have no plans to alienate myself in my own skin, I thought this would be an interesting project, though not for this blog. And not everyday! I have a blog over on my website, http://site.karenwoodward.org, where I'll be posting these odd reminiscences as well as other irreverent and irrelevant details about my life as an independent writer living in Vancouver BC.

Other articles you might be interested in:
- 8 Tips For Blogging Success
- Indie Authors: Don't Give Anyone Ownership Of Your Work
- Stephen King's Latest Book: A Face In The Crowd

Photo credit: Jojo372

Orlando Figes, Award-Winning Historian, Wrote Fake Reviews

It seems that, ever since the New York Times article about buying reviews was published, the one which revealed indie bestseller John Locke had bought reviews, the floodgates have opened.

Every day a new writer with an, as Sir Humphrey Appleby might have said, 'a creative interpretation of the facts,' is brought to light. What is perhaps most notable about the latest dramatic revelation is that it doesn't involve an indie author. This comes from The Telegraph:

Orlando Figes, the award-winning historian, has admitted writing derogatory reviews about his fellow writers' work.

Apparently Dr. Figes even "threatened to sue a fellow historian for libel when his name was linked to the online reviews."

But not only did Dr. Figes rubbish the work of his colleagues, he heaped praise on his own:

The reviewer [Figes] meanwhile described The Whisperers, Prof Figes's latest book, in more positive terms.

"Beautifully written ... leaves the reader awed, humbled yet uplifted ... a gift to us all," he said.

A spokesman from Birkbeck College said of Prof Figes: "He's on sick leave and we're offering our support."

You can read the article here: Award-winning historian Orlando Figes: I posted anonymous reviews on Amazon. Thanks to the Passive Voice Blog for posting a link to this article.

I must admit I'm stunned by the apparent ubiquity of the problem; I'm guessing this could be the tip of a very big iceberg.

Other articles you might like:
- Book Promotion: Where's The Line?
- John Locke Paid For Book Reviews
- 8 Ways To Become A Better Writer

Photo credit: A miniature painting of the Baum des Todes und des Lebens (The Tree of Death and Life), by Bertold Furtmeyer for the Missal of Archbishop Bernard von Rohr of Salzburg, a handmade miniature manuscirpt commissioned by him around 1481 and now in the Museum of the Bavarian State Library (Bayerische Staatsbibliothek), Munich, Germany.

8 Tips For Blogging Success

1. What's your angle?
Since you're reading this chances are you're going to blog about writing. That's terrific! There are SO many sub-topics no one can adequately cover even a fraction of them.

2. Narrow your focus
There are many ways to blog about writing. For instance:

- Authors: blog about your books, your book tours, the progress you're making on your current manuscript, where you get your inspiration, your process, writing tips, and so on. Kim Harrison's blog is a great example.
- Writing News: What's going on in the writing/book publishing world. New markets (e.g., Kobo's Writing Life), new reading devises, trends in the industry, who is in court for what (e.g., the DoJ lawsuit), etc.
- Writing 'How-To': Give writing tips, interview writers, editors, book publishers. Talk abut different writing systems (eg. Michael Hauge vs Christopher Vogler vs Blake Snyder), etc.
- Book blog: This is an idea for the brave. Post the unedited first draft you're working on, day by day. Or, serialize a longer story. Could do this with several authors contributing.
- Book Review Blog: These are sorely needed, especially for independently published books. Involves reading books and given an honest opinion.

3. Search Engine Optimization (SEO) matters
Choosing a blog name
I think everyone, even writers that hole themselves up in a cabin, 100 miles away from the nearest hint of civilization, know the importance of optimizing their website and/or blog for search engines. Hands down, the most important part of SEO is your choice of name.

This deserves a post--heck, a series of posts--all on its own but the rule of thumb I keep in mind is to use a name that is going to be relevant to nearly every post you make. (For instance, "Karen Woodward" is the name of my blog and each post includes the line: "posted by Karen Woodward". That's a very simple way to make sure the title of your blog is always linked to the content of your posts.)

If you're going to be setting up an author blog then you've got the name of your blog, it'll be the name you write under. Otherwise, try to pick something that exemplifies what your focus is. For instance, David Gaughran named his blog after one of his books, "Let's Get Digital" which also nicely summarizes the theme of the majority of his posts. And I think "Let's Get Digital" works especially well because it is easy to remember.

Choosing a domain name
Having decided what you're going to name your blog you now need to hope that it's available as a .com or, if not, a .net or .org.

Even if you won't be using your domain name right away--this may be the case if you're starting your blog over at Blogger.com or Wordpress.com--you still want to grab your domain name before someone else does. It only costs about 10 dollars a year and is well worth the investment.

4. Read great blogs
This probably should have been my first point. Just like writers have to read the work, both good and bad, of other writers so bloggers need to read other bloggers.

Naturally you're going to read other blogs--lots of other blogs--in your area, but you also want to read successful blogs outside your area.

For instance, I love Penelope Trunk's blog. I don't always agree with her--wouldn't that be boring--but I like reading what she has to say. She's engaging. And she shares what she has learnt from blogging, what has worked for her, what hasn't. Great stuff.

5. Commit to your blog
I feel as though my blog is like a child, or at least a needy cat. Through it might not seem like it in the beginning, having a blog is quite the committment and, like any committment, it can be stressful.
It helps--and it helps your blog to grow--if you have a set writing schedule. For me, I post 2 blogs each weekday and 1 on Saturdays and Sundays. That said, you also have to be flexible. For instance, last week I spent 6 hours on one post so I only posted one blog that day.

I think the single biggest factor in growing a blog is the number of posts per day. That and the quality of the posts. The second most important factor is consistency. Even if you blog only once a month, make sure you are consistent. That said, sometimes to need to ignore all the rules and do your own thing. Whatever works.

6. Learn what your audience wants
Blogger has analytics/stats you can use to see which of your posts was the most popular. You can also find out which of your posts were the least popular. This will give you an idea what your audience is interested in. If you're not set up on blogger (I think wordpress.org & wordpress.com also have built in analytics), or even if you are, I highly recommend using Google Analytics. It's free and it'll tell you everything you ever wanted to know about your blog traffic. I also recommend linking your Google Analytics account with your Google Webmaster Tools account.

7. Connect your accounts
Don't forget to, at minimum, tweet your posts. I would also advice cross-posting to Facebook. Even if you're like me and you don't use Facebook much, enough people do that it's probably worth it. Also, make sure your readers can subscribe to your feed and give them the option of having your posts emailed. Feedburner is great for this.

8. Guest posts
I've had wonderful experiences with guest posters. Not only have I received fantastic content for a fraction of the work, but I've made connections within the writing community. I want to put up a page with guidelines for guest posts in the hope this will encourage more of my readers to submit content. For instance, do you accept guest posts (yes please!), what topics you'll accept, how long the posts should be, how much lead time you need (this is important for folks doing promotional posts for a new book), and so on.

Okay, gotta run! I hope you've found something helpful in this post and best of luck to you. If you have a blog please do leave a link to it in the comments. :-)

Other articles you might like:
- Ursula K. Le Guin On Academic Criticism & Philip K. Dick
- Are You Writing The Right Book? 5 Ways To Find Out
- Fifty Shades of Alice In Wonderland: Sales Peak At $1,000 Per Day

Photo credit: Geoff Campbell

Snake Oil Salesmen And The Indie Author

I know I posted about this yesterday, but this article by Kris Rusch is excellent. Kris talks about companies that charge for things like editing, formatting, etc., and then ALSO take 15 or more percent of the author's royalties.

In one of my previous blog posts I called these companies Vanity Presses because the moniker seemed to fit, but no one else is using that name. To make things easier I'm going to call these companies Snake Oil companies, because not only are they selling authors something they don't need, they're selling something which can harm them.

Judging from what I'm hearing in the community and from friends, as well as friends of friends, it seems that more authors are turning to Snake Oil companies to put their books online. I had thought, though, that these scams appealed mostly to writers who didn't have the money to pay a flat fee for cover design, etc., but it seems I was wrong. Kris writes:

This writer has multiple New York Times bestsellers published at more than three per year for at least twenty years. She has sold 35 million copies of her books. She can afford to pay someone a flat fee to put her out-of-print backlist up as e-titles. She can afford to pay someone with real experience to handle her social media for her.

Instead, she gave it all to a start-up for 15% of royalties earned.

That’s not the scary part. The scary part is the Terms of Use that she had to agree to in order to go with this company.

.  .  .  .

And then this POS [the Terms of Use] gets even worse. Let’s say  you do cancel. Do you get the e-pub or MOBI files of your e-book, the one that  you paid for through 15% of your royalties? Nope. Those files are proprietary to this service.

By the way, the service doesn’t pay for copyedits or proofreading, and so you get charged for those services by a flat fee separately. If you read the bestselling romance writer’s supposed Facebook post, you can see why this service doesn’t do copy edits. But really, there’s no one at the service who knows how to design covers either, certainly not covers worthy of a New York Times bestselling author.

And speaking of that author, she’s spending thousands for a service she’s tied to at 15% of royalties earned. If she cancels, she gets nothing.

To read Kris Rusch's article in full click here: The Business Rusch: A Warning To All Writers Who Need Help Indie Publishing.

There are many reputable companies who charge a flat fee for things like cover design, formatting, and so on. Joe Konrath has links to the folks he uses (you may need to scroll down the page) and John Locke has recommended Telemachus Press and still uses them to format and publish his work.

This is from the landing page at the Telemachus Press website:

Telemachus Press is a "work for hire" author services epublishing company. What makes us different than a vanity press? You keep 100% of your royalties and receive complete sales reporting. All material that we create on your behalf belongs to you — it's your property. We store all working copies of your book (interior and cover files) on a secure FTP site where you have access to your work 24/7. You don't need our permission to retrieve a copy of your files. We set up all eBook accounts in your name. It's your book - access sales reports and keep all royalties. Some of our channel partners are listed below. We work for you.

I've never used Telemachus Press, but that's the sort of information you need to ask about when you're shopping around for someone to help you put your book online.

Best of luck to you. And, remember, don't get so caught up with these publishing details you forget to write!

Other articles you might like:
- Writer Beware: The Return Of The Vanity Press
- Indie Authors: Don't Give Anyone Ownership Of Your Work
- Book Promotion: Where's The Line?

Photo credit: en.wikipedia.org

Indie Authors: Don't Give Anyone Ownership Of Your Work

Over the past few months, like mushrooms after a rain, scammers have sprung up offering to help indie authors publish their work.

These companies charge the moon for everything from editorial services to formatting to custom design work, and then, ON TOP OF THIS, they take a percentage of your royalties! Here's what Dean Wesley Smith has to say about these people:

I can hear the questions. “But I can’t do covers, so shouldn’t it be all right to trade the work on the cover for a percentage of the sales?”

NO!!!!!!!!

For some strange reason, smart writer after smart writer seems intent on wanting and fighting to give away ownership percentages in their work, both with agents, with traditional publishers, with small presses, and with indie publishing “helpers.”

Some writers "believe it's fine to exchange work for a percentage of their property". It's not.

For example, you have a gardner come to your house to mow your lawn. But instead of money, you decide to give the gardner a percentage ownership in your home.

No one would consider this, so why do we find it so easy to do in the case of our manuscripts?

Companies that “Help” indie publishers.

There are two types of these companies. The Good and The Scam.

You always know The Good company when they never ask for a percentage of your work. The fees are up front for the work you need and stated, not hidden. And you always retain all rights to your work and the money goes directly to your bank account.

They work off of what is called a “menu” of services. They are, for the most part, the good. You decide how much you want to pay up front and either pay it or not.

The Bad company tries to hide any fees from you, tries to get you to give them a percentage, wants to handle your money before it goes to you with every sale, even tries to get you to sign up in their online agreements before you can even look at their site.

Solution: Run!!!!

I checked out a few of these companies because I wanted to find out how egregious their sins were. I found that many of them were up front about the amount of money they charge for services. One company publicly listed publishing packages costing up to--I kid you not--$10,000!

I pretended to be interested in this company's $5,000 package, one which included a website--I used to be a website developer--and asked to see an example site. Folks, these were the plainest, straight out-of-the-box, websites imaginable. The company was using free open source software to create the websites, something anyone with zero skill could do, and it only takes 5 minutes. Most hosting companies will set one of these sites up for free. That's right. For free! AND this company was demanding authors give them a cut of their royalties as well. My gosh! The nerve of some people, it's astonishing.

The Best Case Scenario
Let's say, for the sake of argument, that you find a company, a small press, that does a great job with cover art, and formatting, and editing, etc., and let's say they take somewhere between 15% and 50% of your book in lieu of charging you for the services they provide. Here we're talking about a traditional publisher, but a very small one run by one person, sometimes two.

Here's what Dean has to say:

So you sign up with some small press publisher or some agent “publisher” who promises to get your book into electronic print, and then pay you FOR THE REST OF YOUR LIFE PLUS 70 YEARS 15% every month of everything that comes in.

Yeah, that’s going to happen and if you believe it will, I’ve got a very old bridge to sell you.

Imagine your grandkid trying to chase the grandkid of the agent sixty years after you die to get money and you start to see how really silly that idea is.

You all know how difficult it is to stick with something. Writing a book for instance! Your book is important to you, right? You love it (or at least you did in the beginning!) and yet it is so very easy to put down. We say things like, I've been so busy, one of my kids got sick, and so on. And there's nothing wrong with this. Life happens.

Imagine what it's like running a small publishing company in your spare time. The owner/publisher will likely wear more than one hat. They are responsible for acquiring manuscripts (a LOT of reading), negotiating contracts, doing cover art, line editing, formatting and uploading manuscripts and paying authors on time. AND they will probably do all the customer relations. Talk about stress!

How many of these small publishers do you think will still be around in a year? Two years? Five years? Not many. Consider: A medium sized publishing house probably has a few people on staff so if one person needs a break, if life intervenes, then someone else can step in and take over. Generally this isn't so with a small press.

So what happens when a small publisher folds? They've published your ebook and you don't have access to their accounts, and they'll likely have an account on Amazon, Barnes & Noble, Kobo and Smashwords just to name a few.

How do you get control of your book? The best case scenario is that the publisher will unpublish your book and send you the artwork they used for your cover along with the electronic file of your manuscript. But even then, because your book was unpublished, all the reviews your book received will be gone. You'll have to start over from square one.

And that's the best case scenario.

So what do you do? Dean writes:

— First, never, ever allow anyone to work for you for a percentage, either of income or ownership.

— Second, start learning how to indie publish your own work. It’s scary at first, but fun after that, and it gives you a sense of intense freedom. That way you can be clear-headed on signing a deal with anyone else.

— Third, make sure every contract you sign has a set date where the exclusive rights return to you. Period. Never sign a contract with a “speed limit” or a dollar figure of sales. Just set a date and if the publisher wants the work after that date, they can negotiate a new deal with you.

That's good advice. And it does get easier with practice. Read the rest of Dean Wesley Smith's article here: Killing the Sacred Cows of Publishing: The Myth of Giving Away 15% Ownership in Your Work.

Other articles you might like:
- Book Promotion: Where's The Line?
- John Locke Paid For Book Reviews
- Fifty Shades of Alice In Wonderland: Sales Peak At $1,000 Per Day

Photo credit: marfis75

Joe Konrath: Selling Your Books To Libraries

Joe Konrath and Blake Crouch are going to sell their entire ebook catalogues to the Harris County Public Library. These are their terms:

1. Ebooks are $3.99

2. No DRM.

3. The library only needs to buy one ebook of a title, and then they can make as many copies as they need for all of their patrons and all of their branches.

4. The library owns the rights to use that ebook forever.

5. The library can use it an any format they need; mobi, epub, pdf, lit, etc. And when new formats arise, they're’re free to convert it to the new format.

In short, the library buys one copy, and never has to buy it again.

Joe and Blake said they'd extend these terms to any library.

That's a petty good deal! I don't know much about this area but I believe that the usual practice with ebooks is only a certain number of copies can be loaned out at a time and each book can only be loaned out a certain number of times before the library has to renew the license.

Here's how the librarians at the Harris County Public Library put it:

Accessibility
Libraries are not able to purchase all of the eBooks we would like to purchase due to publisher and author concerns about copyright protection in the digital format.  Only two of the big six publishers will sell eBooks to libraries, and those pricing models either limit us to a low number of checkouts or charge us more than twice the retail price for a book.  Very few picture books are available for us to purchase, even though small children are a large part of our customer base and we often use digital books in storytimes.  With adult fiction titles, we can’t always offer complete series because of format availability or publisher restrictions.  Some publishers would even like to implement a plan that would force people to come to the library to check out eBooks, rather than being able to do it online, which kind of defeats the purpose.  Librarians are also making the adjustment to focus on providing access for our customers through leasing or subscription, rather than only owning items to be a permanent part of a collection.

Better Public Experience 
Because of the way we have to purchase electronic content, our customers often have to jump back and forth online through multiple access points, instead of simply finding a book and clicking to check it out.  This can make the borrowing experience quite confusing and complex.  Then add the confusion about which formats match which devices.  We’re not just providing materials for one type of device, our customers use Kindles and Nooks and iPads and cell phones and devices we probably haven’t heard of yet.  We are constantly learning about all of these devices because we are now free tech support for the public.  Our customers show up with their new eReader in a box, and we teach them how to use it.

I would urge everyone even the least interested in how libraries have changed over the years and the pressures they are under to read the entirety of Joe's post. I've only excerpted from the letter the librarians at the Harris County Public Library sent Joe and it's well worth reading in it's entirety: Ebooks For Libraries

Other articles you may be interested in:
- Stephen King's Latest Book: A Face In The Crowd 
- Fifty Shades of Grey - Oh My!
- Book Promotion: Where's The Line?


Photo credit: Friar Balsam

Stephen King's Latest Book: A Face In The Crowd

I'm late to the party! Hodders released Stephen King and Stewart O'Nan's ebook, A Face in the Crowd, August 21st. A Face in the Crowd is also available as an audiobook in MP3 and CD form. For more information on purchasing options, read Stephen O'Nan's blog post.

Here's a link to an excerpt from the audiobook version: A Face in the Crowd.

STEPHEN KING & STEWART O’NAN
A FACE IN THE CROWD
A New Story Coming August  21, 2012

We are delighted to announce a chilling new story entitled A FACE IN THE CROWD. Set for release on August 21st, the original eBook and simultaneous audio digital download marks a second collaboration between Stephen King and Stewart O'Nan (Faithful).

What if you were watching your favourite sport on television and the camera swung to a familiar face in the crowd?  Someone who couldn't possibly be there?
Dean Evers, an elderly widower, sits in front of the television with nothing better to do than waste his leftover evenings watching baseball. His adopted Florida baseball team, the Rays, are going strong. Suddenly, in a seat a few rows up beyond the batter, Evers sees the face of someone he knows from decades past, someone who shouldn’t be at the ballgame, shouldn’t even be on the planet. And so begins a parade of people from Evers’s past, people he has wronged, all of them occupying that seat behind home plate. Until one day, he sees someone even closer to home…

A FACE IN THE CROWD is a beautifully written story about grief, loneliness and revenge.

To read the rest of the announcement, click here:  A New Story Coming August  21, 2012 from Stephen King & Steward O'Nan.

The publication of this book came as a complete surprise to me--I try to keep up on all things King. Looks like a good story, I'm anxious to read it.

It's nice to have something to tide us over until the release of Joyland and Doctor Sleep next year. You'll recall that the announcement of Joyland caused a stir because King wasn't releasing an ebook version. With A Face in the Crowd he's releasing an ebook but no print version. I think this confirms what I've long thought: King's an innovator. He's trying out new things. 

I hadn't read any of Steward O'Nan's work before but after looking over his bio I'm wondering why that is. I love it when I find a new authors (well, new to me, he has been writing for some time).

Happy reading!

(I was about to hit the "publish" button when I remembered the last post I did. Ed Robertson opined that $3.99 was the best price for an ebook. King and O'Nan are selling this book in the UK for 2.99 which comes to $3.48 in the US Amazon store. Seems like Stephen King agrees!)

Other articles on Stephen King you might enjoy:
- Stephen King: 15 tips on how to become a better writer
- Neil Gaiman Interviews Stephen King, King talks about Dr. Sleep
- Stephen King Reads An Excerpt From The Dark Tower