Thank you to my friends: an update about my Dad

A few weeks ago I posted about my Dad's illness and you've all been so very supportive, I can't thank you enough. You've been great.

My Dad is in the hospital again and it doesn't look good. Strangely, he seems to be taking the news better than I am!

Anyhow, I wanted to tell you how grateful I am for the support you've given me in the past and to thank you in advance for your patience in the days to come. This is for you:

A cure for the blogging blues

Remember the food pyramid? Did you know that it can help a person not only have a healthy body but also a healthy blog? Suitably tweaked, of course.

I'll let Ariel Hyatt tell you about it.

It happens to me all of the time when I teach artists social media.The face goes blank, the frustration begins to settle in and then the artist says it:

“I just don’t have anything interesting to say.”

REALLY?

I’m shocked by this every time. You are an artist; you do things we mere mortals are totally enamored by: you PLAY MUSIC, you write songs, you perform them in public!

So PHLEEASE, do not tell me you have nothing interesting to say. I ain’t buying it.

All you are missing is a System for Social Media Success.

Luckily, unlike sheer god-given musical talent, social media is a learnable skill.

As I was teaching my system to a client in my kitchen a few weeks ago over coffee and bagels and it HIT me… and so I created:

THE MUSICIAN’S SOCIAL MEDIA FOOD PYRAMID!
Remember that chart they brought out when we were in 2nd grade to show us how to eat well-rounded meals? I have re-tooled it for you so you can now participate on Social Media healthily! And you won’t even have to think about it – just follow along…

You wouldn’t eat only bagels all of the time. They are a treat once in awhile, but they are not healthy to eat every day – and a diet of only bagels would be boring!

Most artists are only serving their audiences bagels all of the time. Plain bagels. Over an over again.

Uninteresting.

We want a burger, or a giant green healthy salad, we want some candy, give us protein!

But you keep serving bagels, bagels, bagels!

These are five things that when used in concert with one another can help you ratchet up your social media effectively and manage it easily.

To read the rest of Ariel Hyatt's awesome post, click here: The Musician's Social Media Food Pyramid

For those of you who don't feel like clicking, here's the gist:

1. Network
It isn't all about blogging, it's about making a personal connection.
Frequency: 3 or 4 out of 10 posts.
- Facebook: Leave a comment (or comments!) and become involved.
- Twitter: Chat up your network! Send messages to people & use their twitternames.
- Blogs: Read other blogs and LEAVE COMMENTS!
- YouTube: Find videos you like, subscribe to the channel and make your own video comments.

2. Promote others
Treat others as you would like them to treat you.
Frequency: 3 out of every 10 posts
- Share profiles, photos and links to interesting articles on your Facebook page and your blog.
- Tweet others as you would have them tweet you (sorry, couldn't resist!) Participate in #FF (Follow Friday) and retweet others tweets. Review books or albums and talk about what effect they've had on you and your work.

3. Curate Content
Frequency: 2 or 3 out of every 10 posts
- RSS feeds: This is my favorite! Every day I prowl through my RSS feeds using Google Reader and select the articles I think are the most interesting and share them.
- Food: You don't have to blog about the same thing all the time. Share recipes or talk about your favorite restaurants. Are you a secret addict of any food reality shows? (me --> Diners, Drive-ins and Dives)
- Media: write a review, whether of a book, a movie or some music.
- Talk about something your audience is interested in. Parenting, sports, technology (the iPad!)

4. Pictures!
Take photos and share them.
Frequency: 2 out of every 10 posts
- Twitter: Use twitpic and yfrog.
- YouTube: Dive in! Instead of posting video replies (see above) post your own video. If you're shy, you can post videos others have made.
- Blog: It makes your blog more visually interesting if you add a photo or two and the best photo is one taken by you that has some personal connection to you. It doesn't have to be OF you -- although it can. People are naturally curious about others. What does the view out your window look like? What does your writing desk look like? Your readers want to know!

5. Promote yourself!
Frequency: 1 out of every 10 posts
Do you have a book coming out? A short story? An album? Tell people about it!

That's it! Oh, but before I end this post, two very important things.
1. Most important blogging tip ever: Whenever you post on your blog or on Facebook, tweet a link to your post!
2. My thanks to the marvelously talented Deborah (www.thelandofdeborah.com) who sent me the link to Ariel's article. Her voice is completely amazing, check out her YouTube channel and her Facebook page. You can also find her on iTunes.

I hope you found something that will help inspire your blog posts. Cheers!

Viddy: Twitter for videos

Viddy wants to be the new twitter, but for videos. Or, to put it another way, Viddy is to YouTube as Twitter is to blogging. With Viddy, you get 15 seconds to tell your story. Only 15 seconds!

But perhaps that's a blessing. Twitter has shown us how expressive we can be in 140 characters, perhaps this could revolutionize our videos. And for those of us who haven't uploaded a video to YouTube, Viddy can be a much less daunting alternative.

Right now, to help make your first video fun and painless, you can put one or the Muppets in your video. Being a huge fan of the show, I had a lot of fun and it didn't take long, less than 5 minutes. My Muppet video contains absolutely nothing writing related, but it does star my (very grumpy) cat.

Jason Boog used the Kermit pack (it was free) to make a short book trailer: How to put the in your book video. (Thanks to Passive Guy for the link!)

Cheers!

Links:
- Is New Viddy App Too Much Like Instagram, But For Videos?
- Viddy Launches Twitter for Video Mobile App

Story structure: What is it and why should I care?

I started this post intending to write about Kristen Lamb's article Structure Part 7–Genre Matters. Kristen's posts are always marvelous, but it got me thinking about the importance of story structure and I decided to talk about that instead.

In my opinion, one of the best books on story structure is The Writer's Journey by Christopher Vogler. Vogler tells a story about about how, when he worked for Disney, he wrote a memo that became wildly popular. He had no idea his memo had been attracting a lot of attention until people from other studios called him up to request a copy! This memo eventually became The Writer's Journey.

Why was Vogler's memo so popular? He says he was able to identify "a set of principles that govern the conduct of life and the world of storytelling like physics and chemistry govern the physical world. (The Writer's Journey, ix)" Be that as it may, it clearly worked for many people, and it's something that I try to use in my own writing. I find it especially helpful when I'm stuck, or I feel that my story has gone off the rails.

What is Vogler's formula? He insists that it's a form not a formula, but, that said, here are the basics:

Vogler divides all stories into three acts: Act 1, Act 2 part one, Act 2 part two, Act three. Act one involves the hero's (when I say "hero" I mean someone either male or female; the hero is basically the protagonist of the story) ordinary world, their call to adventure, and their accepting that call. Act two shows the hero in a new world, one where he is tested, where he meets both allies and enemies. The hero goes through an ordeal and seizes a reward; in fairytales this is often depicted as an elixir. In act three the hero is shown back in the ordinary world, having returned with his reward/the elixir. Commonly, the hero's victory isn't just a personal victory, it is a victory for the tribe as well.

That's the outline. Perhaps I've played fast and loose with Vogler's account and the outline certainly doesn't do justice to the complexity of Vogler's book, but hopefully I've captured the gist.

For my next post in this series, I plan to go into more detail about Vogler's system, and perhaps talk more about other kinds of story structures and how they compare to one another.

The story structures I'm most familiar with are those used by Christopher Vogler, Michael Hauge and Dan Wells. If anyone can add to this list, please let me know in a comment! :-)

Interesting Links:
- Writing and the Archetypes: Are They the Best for Developing Characters?—Part 1
- Story Structure, because even a three ring circus is organized. I think the pdf is from storyfix.com.

Don't committ professional suicide: protect your writing time

When I read this article I felt as though the author was speaking directly to me. Every day I plunk my posterior down and write blog posts. I've made that a priority, and I usually succeed in writing at least one. I was hoping that NaNoWriMo would help me sort me out as concerns my fiction writing -- but that was kinda like believing I could buy a chocolate bar and not eat it. It sounded good, plausible even, but it didn't have snowball's chance in hell of coming true.

Here is the article, curtsey of The Script Lab.

I talk about this a lot – simply because a lot of the time, people just don't do it. And that is professional suicide. You have to schedule your writing time and protect it like you would your own child. Then stick to it – like crazy glue. Because the writer's schedule is the writer's salvation.

Almost everyone who is really good at something finds that success because they practice their profession daily. It's not like the Olympian just shows up for the race. Four years of preparation can go into a single sprint that lasts less than ten seconds. Dedication is the key. You must show up every day and do it – whether it's the 100-meter dash or the next "Great American Novel". Being a writer – paid or not – is absolutely a job, so treat it like one. Be accountable. Be responsible. Be on time. Don't call in sick. Show up and write - Everyday!

This is no secret. Most of the best authors schedule their writing, and it's that dedication that makes them good. Even the "Father of American Literature" Mark Twain famously wrote every day between 8:30AM and 5:00PM from his writing studio at his home in Hartford, Connecticut, reading what he wrote each day to his children and wife after super. Apparently, Twain needed critical feedback too.

Now I understand that structuring a 40-hour writing workweek may be a fantasy for most people, but everyone has at least one hour a day. You just have to decide what you're willing to sacrifice. Watch TV a little less, get the kids in bed on time, and yes, try waking up earlier and knock out a few pages before the sun rises. Whatever you decide, you must make it routine.

Just think, without that kind of discipline, we may never have been blessed with some of the treasures Twain completed during his seventeen years at Hartford: The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1881), Life on the Mississippi (1883), Adventures of Huckleberry Finn (1884), and A Connecticut Yankee in King Arthur's Court (1889).

Obviously, we must give credit where credit is due – Mark Twain was a colossal talent, but it was his writing schedule that allowed him to maximize that talent. It's easy to thank Twain for his writing, but what we should really be thankful for is Twain's dedication to his writing schedule.
- Safeguard Your Writing Time

I'm going to do something Rebecca Bollwitt (miss604.com) suggested during her workshop at the Surrey International Writers' Conference: keep a detailed daily diary. I manage to make it to my day job on schedule, I should be able to write (at least!) an hour a day.

How to set up a Google+ page

It's amazing the things you find on the internet! I was researching a recipe for blackberry ice cream and ended up reading an article about how to set up a Google+ page for your band.

Hmmmm, Until Death as a Band, I wonder what that would look like ...

Okay, now that I have that out of my system. ;)

I don't have a band -- although I've always had a secret ambition to die my hair purple and play the drums -- but what's true for a band page could be done as an author page. Right?

Well, I thought so. If you want to see my Google+ page, click here: Karen Woodward's Google+ Page. It's nothing much to look at. It would be nice if I could use dlvr.it to hook the RSS feed from my blog up to my Google page the way I can with my Facebook page.

Here's the article with information about making a band page: DIY Update: Introducing Google+ Pages and How To Set Up Your Band Page. Good luck! :-)

12 reasons why commenting on blog posts will make you a happier, move fulfilled, person

Okay, maybe not a LOT happier, or MUCH more fulfilled, but I've been fortunate to make quite a few connections to other readers/writers by leaving comments. I've also been lucky enough to connect to some of my favorite authors through leaving comments (yes, I walked around my apartment with a goofy smile for about half an hour afterward; I'm such a nerd!).

But don't take my word for it. Here are Bruce Sallan's 12 most self-serving reasons to post blog comments:

1. Yes Fred, it will make you happier
Commenting is a happiness guarantee. You will have more interaction with people. People will like you. You’ll get auto-post thank yous. But, you’ll also begin meeting really great people because you’re going to comment on great blogs, right?

2. No Sally, it doesn’t take too much time
Every comment does not have to be a brilliant essay! So, stop with the excuse that it’s too time consuming! Sometimes we “desperate-for-any-feedback-insecure-writers” just love an “‘ataboy!” Not me, of course, since I’m totally secure. You like me, don’t you?

3. Yes Robert, you will get more followers
Do you want real followers or just numbers? I know there are some great programs that will increase your numbers, but if you want more quality peeps, start commenting.

4. No Herb, you don’t have to have the answer all the time
A question is posed in a post. You think you don’t have the best answer, so you don’t bother commenting. Just ask a question back.

5. Yes Karen, your Klout will improve
A lot of people measure their worth by Klout. IF you care about this sort of stuff, you probably will get a higher Klout score via commenting as you’ll just generate more of the metrics that they measure, though it makes NO sense to me!

6. No Joanna, it won’t hurt
“I don’t have time.” “If I do yours, I’ll upset him/her if I don’t do theirs!” “C’mon, I have work to do.” What’s your B.S. excuse? It won’t hurt, it won’t deprive you of needed TV time, and in fact you can do it in front of the TV!

7. Yes Jack, commenting is good for your blog
You comment. They comment. Simple. To gain loyal readers, comment on good blogs and those writers will comment on yours. I know this is complicated, but you do for me and I’ll do for you. It’s called Quid Pro Quo… and Life!

8. No Roberta, I won’t stalk you any more than I already do if you comment on my blog
I love Roberta. I follow everything she says and does. She’s afraid I’m going to show up at her home. NOT, NOT. Stop worrying, just comment.

9. Yes Norbert, I learned everything from #blogchat
I’ve written about how much you can learn from Tweet Chats, and I learned the value of commenting from #blogchat. Other than “Content Is King,” that has been the most consistent evergreen recommendation for better engagement. So, listen to the blogging pros and comment!

10. No Cynthia, all the comments don’t have to be how swell the blog is
But, it may be better to be nice. You can start incredible discussions with a probing comment, even a provocative one. I wouldn’t suggest dissing the blog or the writer. It’s bad karma.

11. Yes Carla, it helps you improve your writing
To comment, you have to read. The more you read, the more your writing will improve. You might even learn something. This is called Win-WIN!

12. No Warren, I won’t miss participating in your great community ’cause I’m always commenting
Again, we come back to time management. That is the ironic struggle we all go through with the advent of the computer. It was supposed to ease our burdens. All it did was give us more to do. So, begin slowly. Start by commenting once a day. Make it a habit and then you won’t have to miss your friends!

Okay, ready to comment? Convinced? You can start below. I will respond to EVERY ONE! I always do…
- 12 Most Self-Serving Reasons to Post Blog Comments

The same goes for me! :-)

Amanda Hocking Joins The Amazon Kindle Million Club

Amanda Hocking is the second self-published author to join the Kindle Million Club, the first being John Locke. The other authors are: Stieg Larsson, James Patterson, Nora Roberts, Charlaine Harris, Lee Child, Suzanne Collins, Michael Connelly, John Locke, Kathryn Stockett, Janet Evanovich and George R.R. Martin.

As with John Locke before her, Amanda Hocking sold the majority of her 1 million Kindle books independently using Kindle Direct Publishing (KDP). Since its launch in 2007, KDP has provided a fast, free and easy way for authors and publishers around the world to make their books available in the Kindle Store. In addition to the more than 2 million books sold by John Locke and Amanda Hocking, 12 KDP authors have sold more than 200,000 books and 30 KDP authors have sold more than 100,000 books.

“Our customers love reading all kinds of books on their Kindle, and it’s thanks to them that the Kindle Million Club keeps growing so quickly,” said Russ Grandinetti, Vice President of Kindle Content. “It’s exciting to see both long-time Amazon best-selling authors from the traditional publishing world and independently published authors join the club.”

"I’m thrilled to be a member of the Kindle Million Club,” said David Baldacci. “EBooks are leading the way in more people reading and it’s great to be part of this revolution." David Baldacci is the internationally best-selling author of more than 20 novels that have been translated into over 45 languages and sold in more than 80 countries. His most recent books include the best seller “The Sixth Man” and the Kindle Single “No Time Left.” His newest novel, “Zero Day,” was published on October 31.

"I’m so grateful to everyone who has bought one of my books, and to Amazon, for giving me a place to share my books,” said Amanda Hocking. “None of this would have been possible without you. Thank you!" Amanda Hocking got her start independently publishing her books and is now the best-selling author of 10 books, including the My Blood Approves series and the Trylle Trilogy, which has been optioned for films. Hocking has been featured in the New York Times, Los Angeles Times, Entertainment Weekly, Huffington Post and Forbes.

"I know for a fact that this is the most awesome club I’ve ever been allowed into,” said Stephenie Meyer. “Of course I owe it all to the readers – thanks for continually making me cooler than I actually am. And thanks Kindle, for making it so much easier to bring 25 books with me on vacation.” Stephenie Meyer is the author of six novels, including the best-selling Twilight Saga series. “Twilight” was named an Amazon.com Best Book of the Decade So Far, and the series has become a global phenomenon that has been published in 50 languages around the world with over 116 million copies sold worldwide. The movie version of the final book in the Twilight Saga, “Breaking Dawn – Part 1,” hits theaters November 18.

Kindle books are “Buy Once, Read Everywhere” – on Kindle, Kindle Touch, Kindle Touch 3G, Kindle Fire, on the web with Kindle Cloud Reader, and free Kindle reading apps for iPad, iPhone, iPod touch, PCs, Mac, Android phones and tablets, BlackBerry and Windows phones.
- David Baldacci, Amanda Hocking and Stephenie Meyer Join the Kindle Million Club

Kristen Lamb: Are you butchering your creativity?

Kristen's blog is on the (rather long) list of things that I love, and her last blog post is an excellent example of why.

Not too long ago one of my biggest problems (as a writer at least!) was that I killed my voice during the editing process. I pounced on any deviation from English Grammar -- for instance, a sentence fragment -- and either deleted it or re-worked it. But the result never had as much oomph as the original. My critique group helped set me straight, but if you don't have one, or if you just need a reminder, Kristen's post is a must read!

Kristen Lamb writes:

Premature editing is very dangerous for three reasons:

1. Premature Editing Uproots Subconscious Seeds—Our subconscious mind is an amazing machine. It sees the big picture in ways the conscious mind cannot. As we write, our subconscious mind is planting seeds that, when viewed in a microcosm of one or three chapters, will likely seem to make no sense. Duh. That is like an acorn trying to envision life as a 100 foot tall oak tree.

These seeds need time to gestate. When we edit prematurely, all we see is a hunk of something smooshy. We don’t realize that a possibly mind-blowing idea is trying to germinate and take root in the fertile soil of our story. By editing too early, we can possibly cripple our novel. By the end of the first draft, however, we will be able to look back and see sprouted weeds, which we can feel free to uproot. But the sprouts will be mature enough to distinguish from seedlings that need to be nurtured to their full potential.

This is especially true for those of you who did at least a basic plot of your main narrative points. When we do this, we have basically told our subconscious we need to make it from Point A to Point B (Inciting Incident to Turning Point Act One). Sometimes, our subconscious will want to show off and can dazzle us with how creatively it can make the trip.

So let it alone. Your subconscious could surprise you.

2. Premature Editing Makes Us Mistake Busy Work for Real Work—Premature editing indulges our fears. Many times we writers do not continue forward due to subconscious fear. Deep down we might know our original idea is flawed, or not strong enough, or convoluted, or unclear. We may know that we don’t have a solid outline or framework to support a 100K words. We may realize our characters have problems, but it is going to take work and honesty to fix them. Or all of that might be just fine, but we fear failure or even success. We fear writing the gritty stuff because it leaves us exposed and vulnerable, or we fear writing real conflict because our human nature is to avoid it.

Premature editing gives us a false belief that we are being productive, when in fact it is sabotaging our work and reinforcing our fears by permitting us to procrastinate. Fears can only be conquered by facing them, and premature editing keeps us “busy” and gives us justification to stay mired.

3. Premature Editing Can Discourage and Keep a Writer from Finishing—This is another reason that traditional critique groups can be counter-productive. Again, other writers are seeing our work in a microcosm, and that limits how well they can critique. This is why I suggest using the techniques we discussed earlier. Just make notes.

Our fellow writers are invaluable, but we have to appreciate that they are seeing our work from a limited point of view. Their opinions may be dead-on (We HATE your protagonist and hope he dies), but they could be far off-base and serve only to uproot those subconscious seeds we discussed.

If we continue to go back changing things chapter by chapter, changing, changing, changing, either due to critique group feedback or our own self-edit, what happens is that we KILL our forward momentum with a big ol’ red-penning, back-spacing bone saw. Do that long enough, and it becomes hard not to be discouraged and ultimately give up. If you have been reworking the first act of your book for months, it can very easily end up in the drawer with all the other unfinished works.

When it comes to NaNoWriMo, the point is to write 50,000 words in thirty days. That’s it. You can’t do this if you over think your work. If you hit a wall, just keep writing. Sometimes our brains are like water pumps. We need to prime them and get through the goo before the creativity flows. Just write. You can fix it later. Or, you can start over.

Doesn’t matter.

This is an excerpt of Kristen's article, which I would encourage you to read in its entirety here.

SiWC 2011: Character and POV: The Voice of Your Story, by Bob Mayer

I love Bob Mayer's writing! I've read his (excellent!) blog, Write It Forward, for the past year or so and was eagerly looking forward to taking this workshop. I was not disappointed.

I should apologize in advance; my notes are sketchy in places because sometimes I put down my pen and just listened.

As always, any mistakes and distortions in the following are completely my fault, not Bob Mayer's.

"I'm convinced fear is at the root of most bad writing."
Stephen King

How do you get great reviews? Great blurbs for the front of your book? You network. Networking is very important.

Also, character is everything.
- What is your character's core need?
- What is their pathological maneuver?

Emotion is more important than logic.

Your characters must want something concrete. This concrete thing, though, can in turn illustrate an abstract need/want.

Motivation
- Every character thinks the story is about them.
- Everyone has a core motivation. Motivation can be anything.

Peel away what the character wants and then find out what they need.

The protagonist goes up Maslow's hierarchy while the antagonist goes down.

Both your antagonist and protagonist need blind spots. Needs produce blind spots.

Do not name a character unless the character is important.

What if your protagonist fails? The answer will tell you what is at stake in your book.

Your protagonist has to overcome their fear even though their fear is their primary motivator.

(Book recommendation: How To Write The Breakout Novel, by Don Maass. KW: This book was recommended at almost every workshop at the conference.)

Character Description:
- Keep it brief and distinctive
- You're not writing a personal advertisement
- Don't have your character look in a mirror when it comes time to describe what they look like! One thing you can do is use other points of view to describe other characters.

The stages of change:
- Denial
- Anger
- Bargaining
- Depression
- Acceptance
=> Have your character go through these stages, don't have them suffer a loss and, the next moment, be okay with it.
=> How do we know when someone, say a friend, has changed? We see it.
=> At the end of the story we need to see our protagonist do something emotional they weren't able to do at the beginning of the story. This will show that they've changed.

Point Of View
1st person: I am sad.
2nd person: You are sad.
3rd person: She was sad.

The 2nd person destroys the 4th wall.

One advantage of 3rd person limited is that you can't info-dump.

What voice should you write in? The voice you enjoy reading.

What should you write about? Write about the thing you're most afraid of. Put it on the page and out there for people to see.

When should you break the 'rules of writing'?
1. Know the rule.
2. Know when you're breaking the rule.
3. Take responsibility for breaking the rule.

That's it! Hope you found something useful. :)

These are my notes from other workshops I attended at the SiWC this year:

- Don't Flinch, Robert Wiersema
- The Psychology of Plotting, Michael Slade
- The Inner Journey, Donald Maass
- Getting Started and Heading in the 'write' direction, by Robert Dugoni
- SiWC 2011: Writing for the Web, Rebecca Bollwitt