Writing in 2013: Bend don't break

I'm loving Dean Wesley Smith's new series for writers on how to set yourself up for success in 2013.

Over the past couple of weeks, Dean talked about writing basics:
- The difference between a dream and a goal.
- How to create goals that have a chance of fulfilling your dream.

In his latest installment--The New World of Publishing: How To Keep Production Going All Year--Dean talks about how to work through failure to meet a goal.

Everyone Fails

What is failure? Obviously, on one level, it's pretty clear cut. If, for example, you set the goal of completing one short story a week and fail to complete a story one week, you've failed.

Dean points out, though, that sometimes failure isn't a bad thing. If your goal spurs you on to write more than you would have otherwise, it was worth it. For instance, if a writer sets the goal of writing one short story a week but misses a few and only writes 47 that's still pretty great!

Dean gives this example: A couple of years ago he set himself the goal of writing 100 short stories. Life intervened, and he didn't get 100 stories done, but he did get over 30 finished before the end of the year. Not bad!

Would Dean have written that many short stories without his goal of writing 100 stories? Probably not.

Technically, he failed to meet his goal, but working toward that goal still helped him, and that's why we set goals in the first place.

The trick to succeeding: If you see that you're NOT going to be able to meet your goal, don't stop altogether. Just do as much as you can.

What To Do When You Fail

Failure is inevitable. The trick is not to let it stop you. Dean writes,

So here are my suggestions when life derails you and you miss your short-term goal.

1… Don’t even once think about catching up. Can’t happen and will make things worse.

2… Climb back onto your production challenge or weekly page goal as soon as you are able.

3… If life alters so much as to make the original weekly pace impossible, stop and reset a new goal for the year and for each week and then stick to that.

4… Somehow, with help or with some mechanism, remember these suggestions.

Great advice! Now I just have to live it.

Other articles you might like:

- Merry Christmas! Giving Your Stories As Gifts
- Christmas Eve And Lee Child's Jack Reacher
- Writing And Publishing In 2013, How To Survive And Thrive: Part Two

Photo credit: "Little One" by Sukanto Debnath under Creative Commons Attribution 2.0.

Merry Christmas! Giving Your Stories As Gifts

I slept in this morning, it was glorious!

That was followed by an exchange of gifts and, of course, the consumption of ungodly amounts of delicious melt-in-your-mouth chocolate.

And there was talk. Talk of Christmases when we were kids, and that got me thinking about gift-giving.

Have any of you written a story as a Christmas gift?

I have. Sometimes it turned out well, sometimes not so well (read: spectacularly terrible). It turns out sometimes folks like tangible gifts and don't see the value in several pages of paper covered in ink. (Note to self: Horror stories are NOT appropriate for the holidays!)

But that's okay. Sometimes the pleasure of the gift is in the giving, or the creating, and I find this especially true for stories.

If you haven't given a story as a gift I should warn you. In my experience it works best if you do both. Get the recipient of your generosity the best gift you can afford--even if that turns out to be a candy bar from the local 7-Eleven--in addition to your story.

If they like the story, great! And if not, they have another gift even if it isn't a lavish one. Hopefully they'll be of a mind that it's the thought that counts.

I'm curious, have any of you written stories for friends or family? How'd it turn out?

Merry Christmas!

Other articles you might like:

- Writing And Publishing in 2013: How To Survive And Thrive
- Getting Ready for 2013: A Writer's Guide
- Christmas Eve And Lee Child's Jack Reacher

Photo credit: "Marry Christmas to all of you!" by rennes.i under Creative Commons Attribution 2.0.

Christmas Eve And Lee Child's Jack Reacher

I hope you're having a wonderful Christmas Eve!

No long blog posts today. I'm going to take a break, stretch out on the couch, read Jim Butcher's latest Dresden Files novel, Cold Days, and start on Guy Kawasaki's book APE: Author, Publisher, Entrepreneur-How To Publish A Book.

After that I'm looking forward to reading/devouring the second of Lee Child's Jack Reacher Novels, Die Trying. When the crowds die down I'm going to see the movie. Here's a clip:

Before watching this video I had thought the Reacher movie was based on Killing Floor, but it's based on One Shot. I might still try to read the Reacher books in order, just quickly. (grin) I can think of worse things to do over the holidays. ;)

In case you want to join me, here is the reading order for Lee Child's Jack Reacher books, courtesy of Goodreads:

    The Second Son (0.5)
1. Killing Floor
2. Die Trying
3. Tripwire
4. The Visitor (aka Running Blind)
5. Echo Burning
6. Without Fail
7. Persuader
8. The Enemy
9. One Shot
10. The Hard Way
11. Bad Luck and Trouble
12. Nothing to Lose
13. Gone Tomorrow
14. 61 Hours
15. Worth Dying For
16. The Affair
      Deep Down (16.5)
17. A Wanted Man

Tomorrow I'll cook turkey, stuffing (featuring bacon and spicy sausage--my philosophy is that the best thing with meat is more meat!) and all the rest of it. I'll drop by to say "Hi" and wish you well, and then I'll post about writing again after Christmas.

What are your plans for the holidays? What are you reading? I'm always looking for suggestions. :)

Other articles you might like:

- Writing And Publishing in 2013: How To Survive And Thrive
- Writing And Publishing In 2013, How To Survive And Thrive: Part Two
- How Many Drafts Does It Take To Write A Novel?

Photo credit: "Christmas #19 - The Timberland Santa" by kevin dooley under Creative Commons Attribution 2.0.

Writing And Publishing In 2013, How To Survive And Thrive: Part Two

This is the second part of a two parts series about how to survive and thrive as a writer in 2013. The first part is here: Writing And Publishing in 2013: How To Survive And Thrive.

4. What Should We Write About? 

What should we write in 2013? Non-fiction, mainstream fiction? Genre fiction? If so, which genre? Paranormal romance? Urban fantasy? And what's the difference between the two? (See: What's The Difference Between Paranormal Romance And Urban Fantasy?) Or perhaps something genre-bending like a romantic western comedy on Mars? (I jest)

These days we're spoiled for choice.

Write what you love

Kris Rusch had an excellent post on this topic last week, and I agree with her 100%: Write what you love.

[A writer] should write the best story she can possibly write. She should be stretching her wings, trying harder with this book than she tried with the last book. If she feels safe and comfortable in the knowledge that the book will make all of her readers happy, she’s probably not trying hard enough.

In her creative office, every writer should feel like she’s on a high wire twenty stories off the ground over a major highway with no net to catch her if she falls. She should worry that this book is beyond her skill level, that she might not know enough to write this one, that she might not be good enough to pull this off.

At the same time, she should be having fun—but an adrenalin-junkie kind of fun, an I-can’t-believe-I’m-up-here-trying-this kinda of fun. (The Business Rusch: Where Art Meets Commerce)

It used to be that writers would scramble over themselves to get on email lists editors frequented in the hope that mention would be made of what kinds of stories were being accepted.

No one can predict what will be 'hot' in the future

For instance, at a conference I attended three years ago I was told, confidently, by a senior editor at a large publishing house that angels were the new vampires. "Three years from now," she said, "we're not going to be reading about vampires". Riiiight.

People read what they love, so writers should write what they love.

5. Diversity Is Your Friend

Publish Your Stories In Different Formats: Electronic, Audio, Video, Print

Why? To maximize exposure. Some readers prefer print, so set your book up at CreateSpace or Lightning Source and provide a print on demand (POD) version. Head over to Audio Creation Exchange (ACX) and do up an audiobook (you can pay to have this done by professionals or do it yourself at home).

In an article talking about how her Kobo sales have taken off, Lindsay Buroker writes:

Canada-based Kobo wasn’t on my radar at all in 2011 (my earnings were fairly negligible there), and it wasn’t until Mark Lefebvre, Director of Self Publishing and Author Relations at Kobo, sent me a note in early 2012 (as a result of my woefully neglected self-publishing podcast) that I started following them more closely.

Nice! The point is, one can never tell which seed is going to germinate, sometimes it's the unlikely ones. I think the best approach is to try everything and see what works for you.

But don't stop at podcasting! Doing a video can be scary, but try reading a scene or two from one of your stories and then uploading the file to YouTube (or a similar service). Provide a link to your blog or wherever listeners can find out more about your work.

Lightning Source vs Createspace:
Jen Talty: Amazon's CreateSpace Vs LIghtning Source
Recording an audiobook:
How To Record Your Own Audiobook: Setting Up A Home Studio
Making a video:
7 Reasons Why Writers Need To Start Using Video For Book Promotion, Joanna Penn

Publish Yourself in Different Formats: Electronic, Audio, Video, Print

You want to help readers find you as well as your work. Last week I wrote about blogging and I feel that blogging is a great way to connect with folks, but don't leave it there. (And, yes, this is a 'do as I say not as I do' moment!)

What is the advice we're given about writing? Engage as many senses as possible! But this doesn't just apply to writing. It applies to everything, including self-promotion.

What is your goal when you sit down to write? What are you trying to do with your story? You're attempting to reach out to whoever is reading it and engage them, make them care. How do we do that? Through the senses: sight and hearing among them.

Videos and podcasts, as well as blogging, help make a connection with others. And it's free.

Joanna Penn was one of the first writers to take advantage of the possibilities YouTube afforded writers. In fact, that's how I first heard about her, because of one of her video interviews. And, as I mentioned above, Lindsay Buroker has had folks discover her through her podcasts. Those are just two examples, I know, but I do believe that video and podcasting are two ways of reaching out to an audience that are worth exploring.

6. How Much Time Should I Spend On Social Media?

I've heard folks say that for every hour of social media time one should spend 3 hours writing, and that's not a bad idea, but I think it misses something obvious: Every writer is different. It depends on what your goals are.

Let's talk about goals. Everyone's different, but it takes me at least four hours of editing for every hour of writing.  Since I write about 1,500 to 2,000 words an hour that means every 2,000 words of finished manuscript represents five hours of work.

2,000 finished, publishable, words a day would get me 730,000 words a year or a little over nine 80,000 word novels.

Not bad!

That was all calculated on one hour of writing and four hours of editing.

By the way, I'm not talking about editing the writing done that day. If you're anything like I am, that would be inviting disaster--I'd never get through the first draft!

Also, I'm not suggesting you spend one hour writing per day and spend the rest editing--though that wouldn't be a bad idea.

Every writer is different and many--myself included--like to write a fast first draft which means writing for two or three weeks straight and then editing. Do what works for you. If you're not sure what that is yet, experiment.

So where does this leave us with social media? If you're writing full-time (say 10 hours a day) you still have five hours left in your work day. (I know I haven't accounted for breaks or days off. These figures are approximate.)

Let's say you spend an hour and a half of those five hours doing administrative tasks like sending your previous work out to new markets or publishing your work yourself, answering writing related email (invitations to do interviews, guest posts, asking other writers to do the same for you), and so on.

Another hour and a half could be spent on stretching your wings into new markets. Try out podcasting, video blogging, whatever. Try something new. If it doesn't work, fine! But something will. Eventually.

Sooner or later something will catch and chances are it'll be the least likely thing you did. Hugh Howey is a great example of this.

That leaves two hours for social media. I use Twitter, Google+, Pinterest and a little bit of Facebook, but whatever social media appeals to you, use it to your hearts content for two hours.

This is what a 10 hour day would look like:

Writing: 1 hour
Editing: 4 hours
Administrative tasks: 1.5 hours
Stretching yourself: 1.5 hours
Social media: 2 hours

That's approximate. I'd probably spend more time writing and editing--or at least I'd like to. Administrative tasks seem to eat up most of my time.

What you can accomplish writing 1 hour a week

I think the overwhelming majority of new writers don't write full time. So lets look at a schedule for someone who can only write two hours a day, five days a week.

Monday
1 hour writing
40 minutes administrative
20 minutes social media

Tuesday
1 hour editing
40 minutes administrative
20 minutes social media

Wednesday
1 hour editing
40 minutes administrative
20 minutes social media

Thursday
1 hour editing
40 minutes stretching your wings
20 minutes social media

Friday
1 hour editing
40 minutes stretching your wings
20 minutes social media

This is a rough approximation. The schedule will look vastly different depending on the writer. Also, in the beginning you likely won't have to spend as much time on administrative duties since you won't have as much work to send out, as much email, and so on. Also, if you can fit your social media tasks into odd moments of the day (waiting in line at the bank, buying lunch, riding the bus, etc.) you'll have more time to write.

How much work could a person using this schedule produce in a year? Let's take a look:

2,000 words per week times 52 weeks is 104,000 words per year! That's one 80,000 word book and a novella. Or it could be two 40,000 word novellas.

Not bad for one hour of writing a week!

My point: how much time you should spend on anything depends on your goals. When do you want to accomplish your goals by? What do you need to do to accomplish those goals? That's going to tell you how much time you should spend where.

You are the expert on you.

What are your goals for the new year? How are you planning on stretching yourself as a writer?

Other articles you might like:

- How Many Drafts Does It Take To Write A Novel?
- Writing Goals Versus Writing Dreams: How To Get From One To The Other
- The Structure Of Short Stories: The Elevator Pitch Version

Photo credit: "Grandpa" by conorwithonen under Creative Commons Attribution 2.0.

Writing And Publishing in 2013: How To Survive And Thrive

I've been reading various pundit's predictions for 2013, what the New Year has in store for writers.

Today I was going to write about Mark Coker's predictions for 2013 and take a closer look at what future the large traditional publishers have, especially after they tied themselves to the millstone of Author Solutions.

Somewhere along the way, between draft and finished piece, I lost heart. Avarice isn't new or interesting; on the contrary, it's relentlessly depressing. That a business only cares about he bottom line is hardly news. So let's talk about things we--whether we're traditionally or independently published--can do to help ourselves, and each other, in the coming year.

What follows are my opinions. You may have different opinions and that's great! I'd love to talk to you and find out what they are. The fact is, I've changed my mind about a couple of things this year. That was partly a response to the world changing and partly a result of talking to other writers and being persuaded by the evidence.

1. Where Should We Sell Our Books: Is Amazon KDP Select Worth The Price Of Exclusivity?

Yes, I think so. In certain cases.

If you are a writer just starting out, you have no following. If no one has the slightest inkling who you are then I can't think of a reason not to take advantage of Amazon's KDP Select program.

That said, I believe it would be a mistake to put all your books into Select and leave them indefinitely. There is a lot to be said for not putting all your virtual eggs in one basket. Also, writers don't want to alienate any potential readers. We don't want to require them to jump through hoops to buy our work, and forcing readers to buy from only one store is a pretty big hoop.

If you already have a following, the benefit of Amazon's KDP Select program is going to be markedly less. If you are releasing the first book of a series or if you are branching out into a previously unexplored genre, you might think about releasing the book with Select to pick up a few readers. After the three months are up, though, you'd probably want to pull it out of Select and make your book available on all platforms.

Other articles on the price, and benefits, of exclusivity:
- Does Amazon KDP Select Drive Away True Fans?
- Amazon's KDP Select: The Best Long-Term Strategy?
- Amazon's KDP Select Program Has A Lot To Offer New Writers, But What About Established Ones?
- Kobo Becoming a Player for Self-Published Ebook Authors, Lindsay Buroker

2. How much should ebooks sell for?

I don't think you should price your ebook under $2.99.

You'll probably want to try experimenting to see what the best price point is for you. I think $2.99 is the minimum you should offer your ebook for, but the maximum is up to you. I've seen indie published books for as much as $9.99 selling relatively well.

That's not to say you can't make a book free, or dramatically lower its price, for brief periods of time as part of your marketing strategy.

Also see:
- Writers: How To Use Permanently Free Books To Increase Sales

3. Should I Blog?

The answer for me was: Yes!

Before I started blogging it was difficult to write every day. I knew that in order to get better one must write but it was difficult to find the "butt-in-chair" time I needed. When I made the commitment to post one blog post a day--then two--writing every day became part of my life.

Blogging Helps Newer Writers

I think blogging benefits newer writers more than established ones. Old pros have their community, they have their routine, and they've written well over 1,000,000 words.

1,000,000 Words And Competency

There's a notion that in order to learn to write saleable fiction one must first write 1,000,000 words. That's an approximation, certainly, but 1,000,000 words is ten 100,000 word books. That seems about right. But there's another way of looking at it: One thousand 1,000 word blog posts! If you did two 1,000 word blog posts a week by the end of one year you'd have written about 100,000 words.

Blog posts count toward your 1,000,000 words, so after one year, just by blogging regularly, you'd be 1/10 of the way there!

Your Blog And Serials

I can hear someone say, "But wouldn't it be better to use those 100,000 words and write a book?"

There's no reason blogging and writing fiction can't be combined. I think one of the big things in 2013 will be serials. Every week you could do one non-fiction blog and and one episode of your serial. Start building up an audience for your fiction writing, get more eyes on your blog, and then--when your story is finished--publish all the episodes on your ebook platform of choice.

A number of writers are taking up the challenge of writing serials. Recently I had the pleasure of making the acquaintance of one of them, Ben Guilfoy. Ben wrote an excellent article about his experience with the art form as well as how he structures a serial.

Here are a couple more articles on the subject of serials:
- Serial Fiction: Is It Profitable?
- Is Serial Fiction Profitable? Hugh Howey Says: Yes! Even With Absolutely No Promotion

To Be Continued ...

It turns out this post is going to be a bit like a serial! I try and keep my word count under 1,000 so I'm going to break off here and finish my list of 'things writers should do in 2013' tomorrow. (Update: Click here for the rest of the list: Writing And Publishing In 2013, How To Survive And Thrive: Part Two)

In all things, do what seems right to you. If something I wrote resonates with you, great! If not, that's fine. It was nice having you stop by, I hope you'll come again. :)

Other articles you might like:

- Writing Links: Blogs For Writers
- Ready. Set. Write!
- How Many Drafts Does It Take To Write A Novel?

Photo credit: "Another Pillow!" by CarbonNYC under Creative Commons Attribution 2.0.

Writing Links: Blogs For Writers

Yesterday someone asked what blogs I read. "Ah hah!" I exclaimed, frightening the cat trying to drape itself over my keyboard, "That would make an excellent subject for a blog post!"

These are the blogs I read most often. (Links are listed in no particular order.)

Blogs On The Craft Of Writing

- A Newbies Guide to Publishing
- Dean Wesley Smith
- Kris Writes
- The Passive Voice Blog
- Elizabeth S. Craig (Elizabeth also tweets links to fantastic articles about writing.)

More Blogs On Writing

- The Other Side of the Story
- Lindsay Buroker
- The Creative Penn
- Jim C. Hines
- Storyfix (screenwriting)
- The Script Lab (screenwriting)
- Writer Beware Blogs
- Terribleminds (Chuck Wendig is a terrific writer--and his blog is worth reading for that alone--but Chuck's posts are rarely PG 13.)
- Writer Unboxed
- Nathan Bransford's Blog
- John Ward (This isn't a link to a blog, it's to John's Google+ feed. John doesn't always post about writing but he has great content. He is head of a sprawling, very active, Google+ community of writers.

Blogs About Topics Related To Writing

- Penelope Trunk's Blog (What I like most about Penelope's blog is that she gives lots of links and they are almost always quirky and interesting.)
- Seth Godin's Blog

I'm sure I've missed many great blogs. If I missed yours, sorry!

Which writing blogs to do you read? Where do you get your inspiration from?

Other articles you might like:

- Ready. Set. Write!
- The Structure Of Short Stories
- Getting Ready for 2013: A Writer's Guide

Photo credit: "READING A BOOK.." by LUNARIX-PIX under Creative Commons Attribution 2.0.

Ready. Set. Write!

Today I decided to combine this lovely picture with the subject of my blog--writing!--and create a writing prompt. (See: Writing Prompts: Defeat Writer's Block And Generate Ideas)

A Writing Prompt: The Girl In A Mask

This young lady is gorgeous isn't she? I wonder what she's thinking, I wonder where she is and whether she wants to be there. What do you think?

Here are some more questions about the girl in the picture. Try to answer at least two:

- What does she most desire?
- What is her greatest secret?
- Does she love anyone? If so, who?
- Does anyone love her? If so, who?
- What does she like most about herself? What does she dislike most?
- Does she hate anyone? Why?
- Who or what does she fear?
- What makes her angry? Embarrassed?
- Is she jealous of anyone? Why?
- Does she like to laugh? Has she laughed recently?
- What is her favorite food? Favorite book?
- Why is she wearing a mask?
- What is her name?

If you'd like to share your answers, please do! :-)

I think she's at a party planning to do something scandalous as payback for a past slight. Which, naturally, won't go as she thinks and will, instead, bring about a disaster of epic proportions.

Other articles you might like:

- How Many Drafts Does It Take To Write A Novel?
- The Cost of Balance
- If Instagram Can Sell Your Photos Without Your Permission, What Is Next?

Photo credit: "try to look behind my mask; there are a woman" by MahPadilha under Creative Commons Attribution 2.0.

How Many Drafts Does It Take To Write A Novel?

How many drafts does it take to write a novel? It depends on the writer. For the overwhelming majority of us it takes more than one. Probably more than two. As Beth Shope writes:

Some never rewrite, but those who manage to produce something publishable after a single, unrevised draft can probably be squeezed in among the dancing angels on the head of that proverbial pin. (True Writing is Rewriting)

Two Draft Writers

For every rule there is an exception.

Holly Lisle has a terrific system she calls One-Pass Manuscript Revision which I'll write about in more detail at some point in the near future. Her method requires a printed copy of your manuscript, a spiral notebook, pens, a cat-free table, good lighting and nerves of steel.

You'll go through your novel scene by scene: Is it clear what your protagonist's goal is in this scene? Is it clear whether she attains her goal? Does the scene advance the story? And so on.

At the end of the process you'll have a notebook filled with things to do/change and a manuscript marked up to within an inch of its life (you can see the pictures here).

As you do the revisions if snappier dialogue occurs to you, include it! If better character descriptions occur to you, use them! But if different character arcs, entirely new characters, new goals, and so on, come to mind write them down in another file and use them for the next book. As Holly writes:

The point of a novel revision is to finish this book. I guarantee you that as long as you’re willing to keep piddling around with the same manuscript, you’ll find ways to make it different. You don’t want to make it different. You just want to make it as good as it can possibly be, and then get it out the door.

Why? Because the definition of a writing career is: Write a book. Write another book. Write another book.

Nowhere in that description is included: Take one story and make it a monument to every idea you ever had or ever will. (One-Pass Manuscript Revision)

Three Draft Writers

The most common answer I've heard for the question, "How many drafts does it take you ...?" is, "Three. But new writers might do more".

For instance, Stephen King wrote in On Writing: A Memoir of the Craft that he does a first draft then lets it sit for about six weeks. During this time he writes other things such as novellas and short stories. After the six weeks are up he re-reads the manuscript, thinks about theme, and so on, then writes draft number two. He sends this draft out to beta readers, takes their feedback into account--especially those points more than one person raised--and writes the third draft.

Or something like that. The above is more a summary of what a number of traditional writers have written about their process.

Multiple Drafts

Lisa Gail Green asked a number of writers how many drafts they complete before pronouncing their manuscript finished. (See: How Many Drafts Does It Take To Get To The Query Stage?) Their responses ran from 4 to 13. For instance, Leslie Rose wrote:

Here are my drafts:
1 - vomit draft - let it fly baby
2- Story arc pass - main story subplots - overall structure
3- MC & supporting character arcs - including character development & embellishment
4- grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice)
7 - Hard copy read - make corrections
8 - Kindle read - make corrections
OUT TO BETAS
9 - Including Beta notes pass
10 - Holistic read - wearing my audience hat
11 - Corrections from Holistic read
QUERY TIME 

Sarah Skilton gives great advise when she writes:

[W]hen you can't stand it any longer and you're absolutely certain your novel is ready to go out into the world, wait. Give it another week before you hit "send." Take a break. Go on a walk. Wait just a teensy bit longer, and give it fresh eyes for typos. It's tough to do, but the person reading it will thank you.

Kris Rusch On Drafting

For some reason I had the idea that Kris Rusch (she'd probably laugh if she read this!) sat down and did a very clean first draft and that's it. Done! Apparently not, or at least not always. In The Business Rusch: Where Art Meets Commerce, Kris writes:

When I write fiction, I am constantly struggling to improve my craft enough to get what’s in my head on the page, every single time.

Failure is an option. If the manuscript doesn’t work, I redraft—in other words, I throw out everything I did and try again. Yes, that means I write sometimes two or three times more material than the readers will see in print. And yes, that means I sometimes toss out more material than I publish.

I figure it’s the price I pay to tell the story I want to tell.

My haphazard, follow-the-story writing method is one of the many reasons why I always balked when one of my editors in traditional publishing asked me for an outline of a book. I can write a damn good outline, one that will make an editor want to buy the book sight unseen. That’s what good outlines do.

But then I’m tied, in some way, to that story, the one communicated in the outline. And I hate being tied to anything. If I get deep into the writing of something and realize that my heroine is just too mean to be a credible protagonist for the romance I’m writing, I want to be able to start over and make her the villain of the piece.

An outline won’t let me do that. I’ve had to do all kinds of machinations to make sure that I’m not trapped by an outline, all the way down to writing the novel first and writing the outline second.

.  .  .  .

If you want to get technical about it, my early drafts are my outlines, and my brand-new second or third draft (done from scratch) are me trying to follow those outlines.

But even that metaphor breaks down when you get into the nitty-gritty of my writing process.

Every writer is different, and every writer has preferred methods of working. Some writers are lucky enough to have organized minds and can create a story in outline form before they ever write the first fictional chapter. Other writers make me look organized in the extreme.

Because, at its core, what we do is an art form. The fact that many of us choose to make a living while committing art makes for some difficult moments—made more difficult by “shoulds” and “have-tos” and “this-is-how-it’s-dones.”

None of that is true in creative mode. There are good ways to work and better ways to work, but mostly, there’s your way to work. And if what you—the writer/artist—are doing works for you (meaning you finish work regularly and get it ready to market regularly), then keep doing that, no matter what anyone says.

I'm a bit like Kris in that--while I do create an outline in the beginning, one that is more of a suggestion, a starting point--I get my real outline from my first draft.

In the end, use whatever works for you. The tough part is that you'll only find out what that is after you've done this a few times! If this is your first time through do as many drafts as feels right and, if you're in doubt, ask your writing buddies what they think.

Whatever you decide I like Sarah's advice to, after you feel your manuscript is finally, completely, done, to put it away for a week, or even a month, and then read it one more time with fresh eyes. If you're anything like me, you'll be glad you did!

What I Do

I generally do 7 drafts. In the beginning I outline my ideas and do character sketches. Then I write the first draft. This usually takes two or three weeks.

I let my first draft sit for at least a week (ideally, I'd leave it for six) and then do a complete read-through without editing. As I do the read-through, on a separate piece of paper, I create another outline from my first draft. After I have my more-or-less finished outline I see how it flows (I think about the monomyth, etc.) and make adjustments. (See: 11 Steps To Edit Your Manuscript. Edit Ruthlessly & Kill Your Darlings)

Once I have my finished outline I go back to my first draft and 'slot' scenes into the new, polished, outline. My second draft is spent filling in scenes that are in my outline but that aren't in my first draft and I prune out any scenes that no longer fit, or that are weak, etc. I print that all out and give it a read.

For my third draft I make sure everything flows, I look at grammar, spelling, prune out weak words ("very", adverbs ending in "ly", etc.) and then hand it to a trusted beta reader, someone I know well and who has given me good honest feedback.

After I get my manuscript back from my first beta reader I generally have to dig in and do revisions, sometimes extensive revisions. That's draft number four.

Once I've completed my fourth draft I give it back to my first beta reader but also hand it off to a trusted group of beta readers--my wonderful writing circle. I find that often my first beta reader--since the big issues have been dealt with--notices several minor issues that need to be addressed. Then my reading group rolls up their sleeves and gives me a whole new perspective. Really, I can't thank these literary angels enough. Any story they have commented on has been enormously improved by their feedback.

After I get my last feedback and make whatever changes are needed (this is the sixth draft) then I let the manuscript sit for as long as I can stand. At least a week! Then I give it one more read-though and call it done. I'll send it off to a line editor at that point. After I get my manuscript back I make whatever changes are indicated and, that's it. It's finally, finally, done. My seventh draft is the final draft (* knock on wood *).

There is no one 'right' way to draft, everyone is different. How many drafts do you do?

Other articles you might like:
- The Cost of Balance
- If Instagram Can Sell Your Photos Without Your Permission, What Is Next?
- The Cure For Perfectionism

Photo credit: "Saturday Evening Room Service @ The Hilton Dublin Airport // Rep. of Ireland : ENJOY!" by || UggBoy♥UggGirl || PHOTO || WORLD || TRAVEL || under Creative Commons Attribution 2.0.

The Cost of Balance

"The point is to have balance in life."

I've heard that often enough and I've even said it a time or two, but is it true? Can we have a balanced life and be a success as a writer?

The Unbalanced Life

I'd like to think so. Sure, when I was in university the cost of earning good grades was not having anything even vaguely resembling a balanced life. I would stay up all night studying, guzzle coffee and eat junk food.

Also, it was difficult keeping in touch with old friends because I was too busy studying to spend time with them. The only friends I had were my study partners!

Is that what is required to be a professional author?

No.

Or at least I hope not! There's another expression: Older and wiser.

The Key To A Balanced Life: Prioritizing

The number one thing a writer must do is write. Anything that is not writing takes a backseat. Even editing. 

Editing is important, absolutely, but one needs to write to have something to edit.

Over the past couple of days I've started to record the amount of actual writing time, as well as editing time, I put in. The results were sobering. I spend more time doing other writing-related tasks than I do working on my stories. (See: Getting Ready for 2013: A Writer's Guide)

I need to streamline my schedule so that I can accomplish the same things but in a more efficient way. I need to prioritize, accomplishing the most important tasks first and leaving the less important for the end. That way I'll at least accomplish the most important things.

Have you made any writing resolutions for the new year?

Other articles you might like:

- If Instagram Can Sell Your Photos Without Your Permission, What Is Next?
- 19 Ways To Grow Your Twitter Following
- How To Design A Great Looking Book Cover

Photo credit: "Kindness is like snow" by Lel4nd under Creative Commons Attribution 2.0.

If Instagram Can Sell Your Photos Without Your Permission, What Is Next?

I'm sure you've all heard that Instagram was going to change their Terms of Service. After January 16, 2013 Instagram wanted to sell its users' photos without their permission and without compensation. (See: Instagram says it now has the right to sell your photos)

Instagram has since backed down and has pledged to remove "language from its legal terms that would have let it sell users' photos or use them in advertisements" (Instagram apologizes to users: We won't sell your photos).

Instragram Backed Down But Who Will Be Next?

Nevertheless, it boggles my mind that a company felt it had the right to suddenly change its Terms of Service to give them the rights to sell their users' creations without their permission and without any form of remuneration. That is brazen.

As Nathan Bransford writes:

WordPress shouldn't be able to publish books pulled from people's blogs. The makers of canvas and paint don't own a painting. Providing the platform shouldn't mean the company then owns and profits from the creation.... [I]f there's money to be made directly off someone's content, it should accrue to the creator. (Instagram reminds us that we are the product for sale)

Think if suddenly Wattpad announced they were changing their Terms of Service and now had the right to publish any story hosted on their servers without the author's consent and without compensating the author?

Wattpad isn't doing that, and as far as I know isn't going to do it, but the idea that it is possible for a company to make such a brash move is disconcerting to say the least.

Do you use Instagram? Perhaps I'm overreacting. What is your take on this issue?

Other articles you might like:

- The Cure For Perfectionism
- The Value of Google+ As A Writer's Platform
- The Benefits of Handwriting

Photo credit: "Water and Fire..... and a cold morning" by Sukanto Debnath under Creative Commons Attribution 2.0.