Monday, August 6

Amazon UK: Ebooks Are Outselling Paper Books

Amazon and the future of the digital revolution
The Jetsons

From TheGuardian:
Amazon said ... customers are now buying more ebooks than all hardcovers and paperbacks combined. ... [S]ince the start of 2012, for every 100 hardback and paperback books sold on its site, customers downloaded 114 ebooks. Amazon said the figures included sales of printed books which did not have Kindle editions, but excluded free ebooks. (TheGuardian, Kindle ebook sales have overtaken Amazon print sales)
But that's not all:
The company said ... British Kindle users were buying four times as many books as they were prior to owning a Kindle, a trend it described as a renaissance of reading. (TheGuardian, Kindle ebook sales have overtaken Amazon print sales)
That's why Amazon can sell it's ebook readers at a loss. And I'm betting people use them to buy a whole lot more than books.

The World Has Changed
80 percent of the billboards I saw yesterday were for various brands of cell phones, and every single add I saw displayed a domain name. I remember a time when the average person wouldn't have known what to do with a domain name or URL.

The digital revolution has radically changed the world we live in, how much further is it going to go? Are we, eventually, going to order everything from online sites like Amazon? Will stores evolve into storefronts only? When I bought my MacBook Air I was surprised to learn I couldn't have it shipped to my local Apple store, nor could I return my drive there, although the Apple associates were very nice and helped me ship it back free of charge.

Some have envisioned a world where bookstores are subsidized by publishers and kept as storefronts. You wouldn't be able to bring books home from the storefront. You would visit the storefront, browse the books, make your selections, order them online and have them delivered to your home (or wherever). Or your could buy the ebook and have it delivered instantly.

What do you think? Which would you prefer, store or storefront?


Further reading:
- Penelope Trunk Discusses Time Management
- How To Sell 100 Books Per Day: 6 Things You Need To Do
- Writers: Register Your United States Copyright

Photo credit: Wikipedia

Sunday, August 5

J.K. Rowling's Next Book, The Casual Vacancy, On Sale Sept 27, 2012


J.K. Rowling's next book, The Casual Vacancy, will be released at 8:00 am British Summer Time, so no midnight release and attendant parties as with her Harry Potter books.

The Casual Vacancy seems quite the departure from her previous work; for starters, it was written for adults and is described as "blackly comic". Here is how her publisher, Little Brown Book Group, describes it:
When Barry Fairbrother dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty facade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils…Pagford is not what it first seems. And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations? (Wikipedia, The Casual Vacancy)
J.K. Rowling is a marvelous writer and I admire her striking out into a different area. I expect The Casual Vacancy will be every bit as well written and engaging as her Harry Potter books. I'm looking forward to reading it.

Other reading:
- 10 Tips For Decluttering Your Life and Increasing Creativity
- The Lawsuit Against Harlequin In Plain English
- Ripley Patton: The Self-Validated Writer

Saturday, August 4

50 Shades Trilogy Has Outsold Harry Potter on Amazon UK


Wow! That's when you know you're popular. Apparently in only 4 months EL James has become Amazon UK's biggest selling author OF ALL TIME. Again, wow.

And to think that E.L. James started out as a self published author. Yep, I'm smiling.
E L James Fifty Shades trilogy has out-sold J K Rowling’s seven-book Harry Potter series on Amazon in the UK, the online retailer has announced.

Although James’ erotica books have only been on sale since March 2012, they have sold over four million copies in print and digital, making James the bestselling author ever on Amazon in the UK.

Rowling’s final book in the Harry Potter series, Harry Potter and the Deathly Hallows, is being outsold by the first book in the James trilogy, Fifty Shades of Grey, by more than two to one.
To read the entire article click here: James 'has outsold Potter' on Amazon UK.

Related articles:
- Fifty Shades of Grey - Oh My!
- 50 Shades Of Alice In Wonderland: Another Indie Success Story
- 19 Ways To Grow Your Twitter Following


Photo credit: theilr

Friday, August 3

10 Tips For Decluttering Your Life and Increasing Creativity


I don't know about you, but my life is too cluttered with things I never use that get underfoot.

Part of the problem is I try and see the usefulness in everything; it seems rude to say to the cardboard packing case my wonderful new computer came in: You are no longer useful to me, begone! I mean, with the right tablecloth, perhaps a few flowers, it could be a fashionable side-table. Maybe. (Sometimes creativity can really come back to bite one in the posterior.)

The following tips for decluttering your life and channeling your energy in creative yet productive ways are from Sara Rauch.

1. Say no.

To invitations and purchases, to guilt about disappointing others and items you don’t need. We all have our weaknesses—mine is shoes, my partner’s is helping people—but learning to say no, is really the first step in simplifying your way back to creativity. It isn’t selfish to honor your creative self; it’s self-care.
.  .  .  .

3. Keep the editor away.

The editor has her place in creative “work”—like when I write book reviews or polish stories for publication—but she has no place in the creative sphere. Figure out a way to keep her busy or send her packing, and only call on her when her not-picky voice might actually be useful.
.  .  .  .

5. Expect and embrace imperfection.

Perfection is creativity’s enemy.
.  .  .  .

8. Keep it simple.

Don’t run out and buy anything you think you need to be creative. Creativity isn’t about items—though you may need brushes or a pencil or paper—it’s about the act. Start small, start with what you have.
.  .  .  .

10. Make it a routine.

This might sound anathema to creativity—it’s all about inspiration right?—but it’s actually the key. The grass doesn’t get green from the occasional heavy watering. It gets green from regular tending.
Creativity is the same: Attend to it everyday—the results are worth the effort.

I don't want to list all of Sara Rauch's tips so I've only given 5 here, the rest are listed in her excellent blog post: 10 Tips to Nurture Your Creative Life: Making Time and Space. Thanks to C.G. Cameron for the tip!

Other reading:
- Penelope Trunk Discusses Time Management
- Writers & Blogging: Should You Host Your Own Blog?
- How To Sell 100 Books Per Day: 6 Things You Need To Do

Photo credit: Rebeca Stovall

Non-Compete Clauses And A Writers' Career


Kris Rusch on non-compete clauses:
In reality, it’s a “do-not-do-business-without-our-permission” clause.

I did write about this in last year’s article, but I was a bit more lenient toward publishers than I am now. What changed? I certainly didn’t. I believe that writers should protect their rights as much as possible.

What changed is this: publishers have started requiring non-compete clauses in almost all of their contracts, and are making those clauses a deal breaker from the publisher’s side. In other words, the publisher will cancel the deal if you do not sign a non-compete.  The choice you are given is this: either you let the publisher control your entire career just because you sold that publisher one book for $5000 or you walk.

If that’s the choice you’re given, walk. Hell, run.
You can read the rest of Kris' article here: The Future And Balance (Deal Breakers 2012).

If you're thinking about signing a book contract I recommend that you get an IP attorney to look it over.

Other articles:
- 99Designs.com: How I Solved My Book Cover Dilemma, and How You Can Too
- Derek Haines: Are Free Ebooks A Good Marketing Strategy?
- 50 Shades Of Alice In Wonderland: Another Indie Success Story

Photo credit

Thursday, August 2

The Lawsuit Against Harlequin In Plain English

Harlequin, Lawsuit Explained

Joe Konrath hit another home run, this time by explaining the lawsuit against Harlequin in terms anyone can understand. That make his post sound dull but I assure you it's anything but. Here's Joe's summary of his summary:
Recap in layman's terms: Harlequin assigned rights to itself, which I'm pretty sure is a no-no legally, and it licensed those rights below fair market value, which is another no-no, and then it sold ebooks on its website without having the rights to them, yet another no-no.
I highly recommend reading Joe Konrath's entire post: Harlequin Fail Revisit.

Laura Resnick also did a darn good job of explaining this and you can find that post here: The Harlequin Class Action Lawsuit Explained.

Other reading:
- 99Designs.com: How I Solved My Book Cover Dilemma, and How You Can Too
- 8 Ways To Become A Better Writer
- Changes In Publishing, Signs Of Hope: A speech by Stephanie Laurens

Photo credit: carbonated

Ripley Patton: The Self-Validated Writer


I am honored to have another guest on my blog! Ripley Patton is soon publishing a young adult paranormal thriller, Ghost Hand. Her book has everything: ghosts, the paranormal and it's a thriller! What's not to like?

Ripley: I always thought I would get published via the traditional route. After all, I had been writing and successfully publishing short stories for seven years. I had been nominated for an award multiple times and won once. I already had a strong author platform, blog following, and fan base (in both hemispheres). I was pretty sure I was an agent or publisher's dream client. But, apparently, that was not the case.

When I began to shop my YA novel Ghost Hand around in the traditional manner, I didn't even get a nibble. Beta readers had loved it. I had revised it savagely three times. A well-published, award-winning novelist had read the manuscript and thought it was both well-written and marketable. Still, I got form rejections and finally a "no" from a major agency on the full manuscript.

A dark cloud descended over my dream. No one wanted what I had spent two years writing and polishing. I won't lie that I found myself in a dark place. I was depressed. I couldn't believe that all those years of people enjoying my writing were a lie, or something that had suddenly dried up and blown away. My one passion in life was to be a writer, but I had hit a serious road block. Maybe it really was all over.

Then I went to a Con, because that tends to cheer me up. And there I was, sitting in the audience at a panel on women in the gaming industry when some woman I don't know said something I will never forget. She said, "As women, we are always waiting for others to validate us. We want to be told we've done a good job or made something worthwhile before we will ever believe it ourselves. It is time for women to rise up and self-validate. It is time for us to take our place and toot our own horns."

I don't think this concept applies only to women. I think it applies to writers as well. The entire traditional publishing industry is an endless gauntlet of seeking the validation of others. We seek the validation of our peers. We seek the validation of an agent. We seek the validation of a publisher and an editor. We seek the validation of reviewers and sales. And last, but most importantly, we hang on the edge of our writerly seats, waiting for the daily validation of our readers. Traditionally, an author who wanted to get published had to run that gauntlet of spanks and paddles before they could ever reach their readers.

But not anymore.

And when that woman said what she did, I had an epiphany. I realized I had already circumnavigated the gauntlet. My writing had already been validated numerous times through contest wins and awards won and publications accepted. I had readers. I had a fan base. I had people who loved my writing. Yet, there I was lining up for a tunnel of punishment when I didn't have to.

That was the day I decided to self-publish Ghost Hand. That was the day my depression lifted, and I got really excited about being a writer again.

Of course, the self-publishing route isn't easy. It isn't any easier than the traditional route, though it certainly has been much more enjoyable for me. I love being a self-validated writer. 


Recently, I commissioned a professional cover design for Ghost Hand and that was a blast. Then I realized I was going to need money to pay for a quality professional edit, and I turned my eye to Kickstarter. Right now I am running a Kickstarter Project for Ghost Hand, and it has been very validating. My family, friends, and fans have gotten behind me. At the moment, I am nearly half-way to my goal. When I reach the half-way mark, I will be doing a BIG Unveiling of the Cover of Ghost Hand, so head on over and be a part of that by backing me today.

One thing I like about Kickstarter is that it isn't charity. Every backer receives a reward related to the creative project they are backing, and payment is made securely through Amazon, so if you have an Amazon account, you're all ready to go.

Want to join me in validating Ghost Hand? The first two chapters can be read on my website HERE. Two more chapters can be acquired by sending a request to my Ghost Hand mailing list. And of course, I hope you will go to my Kickstarter and back Ghost Hand with your financial support.

Karen: Thanks Ripley! I love your writing style and I can hardly wait to read Ghost Hand. By the way, for anyone interested in reading a great essay on agents I highly recommend Ripley's article, When Agents Fail.

Related posts:
- 50 Shades Of Alice In Wonderland: Another Indie Success Story
- 19 Ways To Grow Your Twitter Following
- How To Sell 100 Books Per Day: 6 Things You Need To Do

Wednesday, August 1

Google Wallet And Writers

Here's Google Wallet Overview, from YouTube:



You've probably heard about this. Rather than carry around a bunch of plastic you just carry around your smart phone which, chances are, you were going to take with you anyway. Rather than store a gazillion credit cards in a bulgy wallet you just use your phone to make purchases.

You might be wondering: Okay, but so what? This is a blog about writing and the publishing industry, not about new apps no matter how nifty.

It seems this technology could help change the way indie authors sell books. I don't know much about it, I've just watched a couple of Google videos, but wouldn't it be great if it made setting up an online store easier? Or at least gave us more options, more ways for folks to pay?

Wouldn't it be great if it made selling paper copies of our books easier? Just get your customer to use their phone to log into your online store, make the purchase, you'll be emailed a confirmation, and there you go! No more expensive wireless credit card machines.

Or am I on the wrong track? What do you think?

Related reading:
- 99Designs.com: How I Solved My Book Cover Dilemma, and How You Can Too
- Derek Haines: Are Free Ebooks A Good Marketing Strategy?
- My New MacBook Air: The Adventures Of A PC Gal In The MacBook World


Joel Friedlander Interviews The Passive Guy/David Vandagriff


Ever seen David Vandagriff, aka The Passive Guy (PG)? Here's your chance! Joel Friedlander just put up an interview he did with PG--I'm going to continue calling him that--and introduces us to the man behind the The Passive Voice blog. Warning: It's over 40 minutes long, but I thoroughly enjoyed it.

Here are the highlights:

Joel asked PG something I've been wondering: Why so many posts? PG publishes 6 to 8 posts a day. Granted, curating an article--especially one without commentary--takes less time than writing 1,000 words (trust me, I know!) but it's still a significant investment of one's time. Thus the question: Why do it?

I enjoyed PG's answer. Joel came up with the image of an 'information whale' taking in information about the world of publishing just as a whale strains skims plankton from the ocean. Like me, PG has dozens of Google alerts and a huge list of blogs in his RSS reader, and he posts those few articles that catch his attention, that he thinks are remarkable or interesting in some way.

For those of us who have blogs and find it interesting to talk about where we get most of our traffic from, I thought it was interesting that both PG and Joel said Twitter accounts for a good percentage of their pageviews each day. PG said it accounted for at least 25% while Joel mentioned that it is his second biggest source of readers. My experience is similar.

Conclusion: If you're not tweeting your blog posts on Twitter you're missing out on potential readers.

At the end of his interview PG gave four tips for anyone thinking of publishing their own work:

1. It's not hard
It's one of those things that I'd say was simple but not easy. For instance, how to lose weight is simple: eat less, but it's far from easy to do that. Publishing your own work in the same. What you need to do can be explained simply enough, but seeing the process through to the very end is far from easy.

2. You can control everything
I often hear authors say that they hate the cover their publisher chose for their book. This never happens when you self publish because you are in charge of all those details. As Mr. Monk might say: a gift and a curse.

3. It's fast!
In traditional publishing it is common to wait a year or more before your book is published. PG's wife got her edits back and her book was up for sale on Amazon a week later. Her editor (who used to be her publisher) was astonished, that sort of speed is unheard of in the traditional publishing industry.

4. You can fix your mistakes
This is a boon of biblical proportions for perfectionists. Time and again it happens that an author's book is published and then you find a typo. Sometimes on the first paragraph. The author cringes, the fans cringe, but what can you do about it? In traditional publishing you can't do anything, not even with the ebook version. It has been published and that's that. Not so if you're the publisher. Just correct the typo and upload the new version of your book. It's as simple as that.

To see the PG's interview for yourself read Passive Guy Speaks over on Joel's blog, The Book Designer.

Tuesday, July 31

99Designs.com: How I Solved My Book Cover Dilemma, and How You Can Too

Ryan Casey, What we saw

I'd visited Ryan Casey's blog a few times to read his posts, so when he approached me about doing a guest post I was thrilled!

And curious. "What," I wondered, "would he write about?" I imagine this might be a bit like turning your car over to one's teenager for the first time. You are proud and terrified all at once.

As it turned out I needn't have worried. As with all his other articles I was entertained and informed all at once. One can't ask for better than that.

Ryan: Shall we get the elephant in the room out of the way, then? Okay, here goes: a lot of self-published books look ugly.

Before you sharpen the pitchforks and start declaring me a traitor, bear with me. I too am a self-published author, or at least will be when my debut novel, What We Saw, drops this Autumn. I also believe that we’re in the midst of a revolution, and that there really has never been a better time to be an independent writer.

But, I think we need to start taking responsibility for ourselves. We can begin by setting some basic standards with regards to design.

About that cover…
Didn’t you get the memo? Unfortunately, people do judge books by their cover, it seems. Actually, I say ‘unfortunately’ lightly, because I don’t think it’s such a terrible thing. Having something aesthetically beautiful really adds to that sense of achievement upon novel completion, after all.

So, be honest with yourself. Are you a Photoshop pro? Then give it a spin, and see how it goes. If not, then don’t kid yourself. It’d be much wiser to employ a designer to do the work for you.
‘But designers are so expensive, and don’t necessarily understand my vision. What should I do?’
I’m going to argue for a somewhat unpopular stance in the design community. I held a design contest with 99designs.com to find my winning What We Saw cover.

Have a look at it…

What we saw, Ryan Casey

It’s not bad, is it? It cost me £199. That’s… around $300 dollars; much cheaper than some of the ‘premium’ alternatives.

How it works
I’ll explain how 99design’s unique interface works: you pitch an idea, and write a brief for your project. You pay the money, which acts as a cash prize. Designers from around the world read your brief, and enter a design of their own into a competition. You work with your favourite designers to create something truly eye-catching, and can ask for revisions at any time. Often, they are more than willing to co-operate.

Eventually, you pick your finalists, work closely with them, and choose a winner. You both sign a copyright agreement, and the rights are transferred to you, 100%. The designer receives their cash, and everyone is happy. Oh, and if you don’t like any of the designs, you get a full refund. It’s perfect, right?

The flipside of the argument

Well, apparently not so, for designers anyway. I can see the argument: imagine if someone were to put hours on end into a design, only to find themselves shot down by a harsh 1-star rating, just because it doesn’t quite match your vision.

Also, the winning designer might receive a cash prize, but they lose control of their work as soon as you sign that agreement. That technically means that you can ‘claim’ you designed the piece yourself, if you’re a real ass.

However, the internet is a changing landscape. Sure, some designers will complain, but nobody has to take part in a design contest. If you’re looking to set up your own service, then go ahead. I’m just saying that, as an author, the sheer amount of designs that came my way in a 5 day period was overwhelming to say the least. For an approximate figure: well over one-hundred.

And, now I’ve used it, I don’t think I’ll ever turn back. Holding a design contest taught me that there are hundreds of talented designers out there, but not all of them match my own personal vision. By being able to see a myriad of designs, it enabled me to work out just what my vision was, and actually also helped strengthen my synopsis. Think about it: if your designers keep incorporating something completely off the mark, then aren’t your readers going to get the wrong impression from your blurb too?
I don’t speak for designers, because I don’t pretend to be one; I can’t even draw a four-legged animal. But for authors looking for options, at a competitive rate, a design contest might just be the way to go.

And no, I won’t show you my sheep drawing.

How do you go about creating a good cover for your book? Have you had any good or bad experiences hosting a design contest?

Karen: Thanks Ryan! I'd encourage you all to take a look at Ryan's blog, Ryan Casey Books, and sign up for his free Top Ten Tips For Writing A Mystery Novel.

Ryan Casey is a 20-year old author from England. He is set to launch his debut childhood mystery novel, What We Saw, in Autumn 2012. He offers writing advice, social media guidance, and documents his writing journey over at Ryan Casey Books.

You might also like:
- 50 Shades Of Alice In Wonderland: Another Indie Success Story
- Marketing Strategies For Writers
- 8 Ways To Become A Better Writer