Thursday, May 3

Character Names: How To Create Them


Dan Schmidt, over at The Write Practice, has excellent tips on how to pick character names.

I don't know about you, but I find choosing character names agonizing, so I love reading advice on the subject.

Without further ado, here are Dan's tips (I'm paraphrasing):

1. Mine Your Contacts
Dad suggests using the names of the people around you. Your friends, relatives, acquaintances, the pizza boy, your waiter. I try to keep a notepad with me at all times in case I get inspired on the bus. After this, when I hear a name I love -- and I'm guessing we've all had this experience -- I (hopefully!) won't just think, "Wow, that would make a great character name" and then forget all about it, I'll write in down.

Dan suggests changing the name in subtle ways so it's not obvious where it came from, just in case the person we received inspiration from reads our story one day. Excellent advice! Especially in the case of a villain. I can think of a time or two someone ticked me off and I thought of them when writing an unattractive character, best not to make it too obvious.

2. Interesting Street Names
I had never thought of this before, but Google Maps provides oodles of street names from all over the globe. At the very least, looking at maps would be a great way to get inspiration for naming.

3. Movie Credits
Again, this was a point I'd never thought of, but Dan recommends studying the names of the cast and crew listed at the end of a movie. Awesome tip, and something I'm definitely going to do after this. Or try to do, I have a memory like sieve.

4. Think Outside The Box
Dan mentions the name of one of his favorite characters came from a length of PVC piping. This is awesome advice, to be constantly on the lookout for anything we can incorporate into our stories.

5. First and Last Names Don't Have To Go Together
Dan suggests keeping different lists for first and last names. He mentions using index cards, but I imagine that computer files would work just as well (he sounds much more organized than I am!).

6. Create A Cast List: Make Your Names Work For It
Don't accept any old names, put them through their paces. Write a list of all the names in your story and check to see that most of them start with different initials, that they have a different tone and that the name has a realistic feel.

7. Read the names out loud
Your book may one day be an audiobook, so someone may have to read all the names you've used. Make sure they are pleasing to the ear (or not, depending on the kind of character they name). Vowels are you friend. Dan advices asking a friend to read all your character names aloud. This is great advice, but if you can't manage that, I often like to have my stories read back to me by text-to-voice programs. The first time I did this I was amazed by the number of typos I caught.

8. Google it
You don't want to a real person as your arch villain, at least I wouldn't! Especially not if it's someone I might actually meet. Awkward.

I hope this list will be of some use. It's based on Dan Schmidt's post here: 8 Tips for Naming Characters.

Links:The Write Practice

Photo credit: Webdesigner. (I generally try to have some kind of connection between the topic of my post and the image I use, but today I couldn't find anything so I chose a Pirate. Why? Because Pirates are cool! Aarrrgggg.)

"Character Names: How To Create Them," copyright© 2012 by Karen Woodward.

Wednesday, May 2

Amanda Hocking: An Update


In her latest blog post, Amanda Hocking tells us how she feels about signing with a traditional publisher (St. Martin's Press), how her traditionally published books are selling and what her future plans are.

For me, one of the most interesting comments she makes is this:
Some people have been speculating that I'm not doing so well based on my Amazon rankings - which aren't terrible, but none of my books are in the Top 100 right now. They think this means that I'm not selling and the books must be doing poorly.

But one of the biggest reasons I went with a publisher is because I wanted to expand outside of the pool of Amazon readership. I know ebooks are continuing to grow, and I know that right now Amazon controls the largest share of ebook sales (they account for roughly 60% of my self-published ebook sales, with Barnes & Noble covering the vast majority of the other 40%).

And you cannot discount the fact that I sold nearly a million books copies of the Trylle books before I went with a publisher, and a large portion of those were through Amazon. I thought I'd already mostly tapped out the Amazon audience, so the fact that my books are doing as well as they are (Switched is ranked in the #1,000s of the Kindle store at the time of this writing, and Ascend is ranked #325) is impressive to me.
- Amanda Hocking, How Am I Doing Now?
Statistics on how well books sell on Amazon versus Barnes & Noble are difficult to come by, so I appreciate it when authors choose to share their numbers (Joe Konrath is wonderful this way). Amanda Hocking sold about 60% of her books through amazon and, I'm guessing, about 30% through Barnes & Noble.

Some might say, "Who cares?"

These numbers are relevant to writers trying to decide whether to enroll their books in KDP Select because that program requires authors to sell their ebooks exclusively through Amazon. I'm not suggesting that Amanda Hocking's numbers are representative, but with so little information about this sort of thing, every little bit helps.

Thanks Amanda!

Related Articles:
Amanda Hocking Joins The Amazon Kindle Million Club
The Secret of Amanda Hocking's Success Amanda Hocking's Story Amanda Hocking, Barry Eisler and Mark Coker: Legacy publishing versus indie publishing

Links:
Amanda Hocking's Books on Amazon
Amanda Hocking at Macmillan Books
The World of Amanda Hocking
How Am I Doing Now?
KDP Select

Photo credit: Thinking About Books

"Amanda Hocking: An Update," copyright© 2012 by Karen Woodward.

Tuesday, May 1

Mur Lafferty: How to Podcast


Here are some terrific tips how-to tips on podcasting from Mur Lafferty, a finalist for the John W. Campbell award for best new writer.
Mur Lafferty is an author and podcaster, creator of the podcasts I Should Be Writing and the Angry Robot Books podcast.

She is the editor of Escape Pod, the premier SF podcast magazine. She has written for the gaming magazine Knights of the Dinner Table, Games Quarterly, Suicide Girls, and Anime Insider. She is also the editor of the new Worldbuilder project for Angry Robot Books.

Called the "podcast SF doyenne" by Cory Doctorow, Lafferty has been bringing award-winning commentary and SF to the podcasting sphere since 2004.

Based in Durham, NC, She enjoys running, kung fu (Northern Shaolin five animals style), Skyrim, tabletop games, and the Durham Bulls.
- Writertopia, Profile of Mur Lafferty
Without further ado, here are Mur Lafferty's tips, taken from Jim C. Hines's interview with the author:

 6) You run or work with several different podcasting sites (Escape Pod, I Should Be Writing, Princess Scientist’s Book Club, and the Angry Robot Books Podcast), and have podcast at least one of your novels as well. What is it that draws you to podcasting?

I was drawn to podcasting in the beginning, 2004, when it was a new medium - that excited me. I wanted to play with all the new ways of storytelling. I didn’t need NPR to publish essays, I didn’t need the BBC or a US radio station to do an audio drama, and I didn’t need a publisher to make an audiobook. I was able to build an audience for my work well before I got a book deal. Podcasting has been instrumental for building my career, when I never expected it to.

7) For anyone who might want to get into podcasting, what resources would you recommend, and what’s the most important lesson you’ve learned about doing a successful podcast?

Microphone: Start small. A  $20 mic from the store will do just fine.

Software: Windows - Audacity is free. Mac - Garageband is free. (Aside - Audacity is also available for the Mac, but crashed a lot for me, so I got Amadeus Pro, which is quite affordable and much like a stable Audacity.)

Host: Libsyn.com - The first podcast host, designed to handle the greater demands of large audio and video files.

Other resources: Tricks of the Podcasting Masters, by Lafferty/Walch (Come on, I had to!), Podcasting for Dummies, by Morris/Terra

Advice: Interact with your listeners. Give them a place to contact/follow you and respond to them; when your voice is in peoples’ ears, it creates an intimacy not found in providing text.
-- Cambell Interview: MurLafferty

Thanks to a friend who, very kindly, sent me a link to Mur Lafferty's interview.

Related Articles:
Joanna Pen: How to Podcast
Podcasting on the iPad
How to record an audiobook at home

Links:
Campbell Interview: Mur Lafferty
The Thackery T. Lambshead Cabinet of Curiosities: Exhibits, Oddities, Images, and Stories from Top Authors and Artists
  Jim C. Hines

Photo credit: Podible Paradise

"Mur Lafferty: How to Podcast," copyright© 2012 by Karen Woodward.

Monday, April 30

Writing: The Starburst Method, Part 8: The Rough Draft & Narrative Drive


In the final installment of the Starburst Writing Method we're going to take the scenes we created in the last two installments and use them to write our rough draft. We want to be true to the characterization and plot we have so lovingly developed over the past few weeks, while being careful to maintain and develop narrative drive.

So, first things first. Let's discuss narrative drive.

Narrative Drive
What is narrative drive? Larry Beinhard in How To Write A Mystery says it best:
Narrative Drive is what sells books: To agents, publishers, readers. We all know near-illiterate, insultingly dumb books that (a) have made the bestseller list to our incredulous envy; and (b) have had us reading them even as we say to ourselves, "My God, why I am reading this brain-damaged idiocy?"

What is narrative drive? The best way to discover narrative drive is to read material that you can't put down, but you don't know why. It should not have literary merit (whatever that is) or have real and fascinating characters or be informative about subjects that interest you.
I think of narrative drive as that indefinable something that grabs you by the throat and pulls you -- at times kicking and screaming -- through a book. For me Stephen King's Misery is a prime example of this. Please don't misunderstand, I think King is a fabulous writer and Misery was probably one of his best works. It's just that I hate the particular kind of psychological terror he portrayed in the book and yet I couldn't stop reading. It was the last horror story I read for a good long while.

Now we know what Narrative Drive is, let's move on to the important bit: How do we infuse our stories with that quasi-magical quality that will keep good folks up far past their bed-times?

I don't think there's any recipe for imparting narrative drive to ones story, but one of my writing instructors had this to say:
Begin and end each scene with a question that the reader will be compelled to answer and they will be hard pressed to put your book down.
 An Example
Here's the opening sentence of J.K. Rowling's first Harry Potter book, Harry Potter and the Sorcerer's Stone:
Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.
For me that sentence raises the questions: Who is it that Mr and Mrs Dursley are comparing themselves to? Who is it that isn't normal and what is it about them that makes them this way?

Here's the last sentence of that same chapter:
He [Harry Potter] couldn't know that at this very moment, people meeting in secret all over the country were holding up their glasses and saying in hushed voices: 'To Harry Potter -- the boy who lived!' 
 I'm left wondering why people need to meet in secret, what happened to Harry Potter and why he is so important to so many people.

Not a bad way to start a book!

Wrapping Up
By now, if you've been following along, you should have a rough draft of a story and I find that's often the hardest part. The next hardest part is finishing the darn thing!

I think the real trick of being a professional writer is simply finishing what we start. We all feel at a certain point that what we're writing is complete drivel but the professional writer battles through the feeling, revises, rewrites and ends up with something they're proud of where the rest of us (and I'm too often in this camp!) become discouraged and  bury our effort in the bottom drawer of a desk drawer, or under our bed, where it will languish for the next few decades.

This series of articles on the Starburst Method has been a rough draft for a book I'm putting together. The book will include more material -- for instance, I'd like to have said something about pacing.

 The Starburst Method, Part 1: A one sentence summary
The Starburst Method, Part 2: Developing our one sentence summary
The Starburst Method, Part 3: Creating a five paragraph summary
The Starburst Method, Part 4: Developing characters
The Starburst Method, Part 5: Creating a five page summary
The Starburst Method, Part 6: Developing scenes
The Starburst Method, Part 7: The character grid
The Starburst Method, Part 8: The rough draft

Further Reading:
Writers Despair
Writers: Don't Despair

"Writing: The Starburst Method, Part 8: The Rough Draft & Narrative Drive" copyright© 2012 by Karen Woodward.

Sunday, April 29

6 Rules of Writing from John Steinbeck

John Steinbeck and his six rules of writing

I love reading the writing advice of great writers. I hardly ever follow it, but still ...

Here are John Steinbeck's six rules of writing:
1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.

2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.

3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.

5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.

6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
For myself, I am constitutionally unable to keep from revising as I go, but find it interesting, enlightening even, that nearly every professional writer, blogger, etc., I've ever read on this subject has expressed the sentiment in (3) -- write for one particular person. It can be an idealized person or it can be a real person, but write to someone.

Rule number six I am definitely going to try!

Cheers. Take care and thanks for reading. :-)

Links:
- The six rules I list are taken from Maria Popova's marvelous article, "Six Tips on Writing from John Steinbeck".
- I just came across this article: George Orwell's 5 Rules for Effective Writing.


"6 Rules of Writing from John Steinbeck" copyright© 2012 by Karen Woodward.

Friday, April 27

Self publishing on Smashwords

smashwords

Of all the publishing platforms, Smashwords is my favorite.

I'm not saying you'll earn the most through it, the jury is still out on that one, though the race seems to be between Smashwords and Amazon.

One of the reasons I like Smashwords is because they give your ebook a great marketing boost by putting it on their front page. Granted, this lasts only for a minute or so, depending on the number of writers publishing their ebooks at the same time, but -- and this is coming from a gal addicted to Google Analytics -- that's enough to give your digital baby a nice introduction to the world. It's difficult to build a platform even if you're willing to spend a lot of money, and Smashwords is offering offers writers a helping hand, and for free.

But that's not the number one reason I like Smashwords, this is: they are, hands down, the best distributor of e-books in the world. They will distribute your intellectual property through literally dozens of channels.

The following is from Smashwords Distribution Information Page.
Once your book is accepted into the Premium Catalog, we automatically distribute it to major online retailers such as Apple (distribution to iBookstores in 32 countries), Barnes & Noble, Sony, Kobo, WH Smith in the UK and FNAC (both powered by Kobo), the Diesel eBook Store,  eBooks Eros (operated by Diesel), Baker & Taylor (Blio and the Axis360 library service), and other distribution outlets coming soon.
and
Atom/OPDS Catalog (Reaches Major Mobile App Platforms): This catalog contains all the books for sale at Smashwords.com. Sample distributors include Stanza on the iPhone and Aldiko on the Android mobile device platform. These two e-reading apps alone reach millions of readers combined. The catalog is also distributed to the Word-Player and FBReader apps, and to the Inkmesh ebook search engine.
Of course there are conditions. You have to get your book into the premium catalog at Smashwords, but that isn't hard to do. Just make sure it's formatted property, has a decent cover, and doesn't violate any of Amazon's content guidelines. I've published a few books through Smashwords under pen-names and haven't had any difficulty getting all of them into the Premium Catalog. If you'd like to read more about how to get your book into the Premium Catalog, I've put some links at the bottom of this article.

Amazon's KDP Select Program
One more thing. KDP Select is a program available to folks who have elected to publish through Amazon. It's the name for Kindle's lending library. In 2012 a fund of about six million dollars will be divided up between the authors of books that were lent out.

The advantages of KDP Select are clear: if one enrolls in KDP select one gets some money, one's book is still for sale in the Kindle store, and your books gets exposure through the lending program that it wouldn't have gotten otherwise.

Now, for me, the idea of having my book in the library, any library, sends me into fits of ecstasy. Okay, maybe that's an overstatement, but only slightly. Like many writers, when I was a kid my local library was my hang-out and the school library was my refuge. Knowing a new generation of readers was borrowing my book from a library would mean the world to me. AND I might get some money from it . What's not to like?

Here's the catch: If you enroll your book in KDP Select you must sell your book exclusively through Amazon. This is from the KDP Select website:
When you choose KDP Select for a book, you're committing to make the digital format of that book available exclusively through KDP. During the period of exclusivity, you cannot distribute your book digitally anywhere else, including on your website, blogs, etc. However, you can continue to distribute your book in physical format, or in any format other than digital.
In other words, you can't publish your books through Smashwords and, by so doing, take advantage of their mammoth book distribution system.

The 60,000 dollar question: How much more money would an author make by publishing their book with Barnes & Noble, Smashwords, Amazon, Sony, and so on, than if they only published through Amazon?

I don't have any answers. I haven't been able to find statistics on this, but I am doubtful that the average author would earn enough through the lending library to justify signing the exclusivity clause with Amazon. That said, if anyone reading this has information to the contrary, please let me know. I'm willing and eager to be proven wrong.

Thanks for reading, your comments are always welcome.

Further Reading
How to Self-Publish an Ebook with Smashwords: 32 Authors Share Their Tips and Tricks
Publishing with Smashwords
Self Publishing on Amazon: Kindle Direct Publishing
How to self-publish on Barnes & Noble

Links
Smashwords.com
Smashwords Premium Catalogue
Amazon KDP Select
Smart Self-Publishing: Becoming an Indie Author, by Zoe Winters

Photo credit: Smashwords.com

"Self Publishing on Smashwords" copyright© 2012 by Karen Woodward 

Wednesday, April 25

Writers: Don't Despair


At nineteen they can card you in the bars and tell you to get the fuck out, put your sorry act (and even sorrier ass) back on the street, but they can’t card you when you sit down to paint a picture, write a poem, or tell a story, by God, and if you reading this happen to be very young, don’t let your elders and supposed betters tell you any different. Sure, you’ve never been to Paris. No, you never ran with the bulls at Pamplona. Yes, you’re a pissant who had no hair in your armpits until three years ago – but so what? If you don’t start out too big for your britches, how are you gonna fill ‘em when you grow up? Let it rip regardless of what anybody tells you, that’s my idea; sit down and smoke that baby.
- Stephen King, The Darktower 1: The Gunslinger, Revised Ed.
Yea!

At the end of the 2010 Surrey International Writer's Conference Robert Dugoni gave a rousing speech entitled, "This Day We Write!" based on the one Aragorn gave at the Black Gate. Close to 1,000 writers were on our feet stamping, clapping, hooting and chanting. There were even some tears. But, mostly, there were face-splitting grins. We left that conference the most inspired we had been in our lives!

One of the things good writing can do, something that is often ignored, is this: It can inspire.

Today I was going to do a follow up on an article I wrote some months ago, Writers Despair, which was about how traditional publishing has changed over the years and how this change has effected writers, especially midlist writers.

But I'm not going to do that.

It's true that many writers despair, and with good reason. Their series have been dropped by publishers, their contracts haven't been renewed, their new work hasn't been accepted. It's not hard to find these stories and it's not hard to find credible predictions that the trend is not only going to continue, but accelerate.

But wait! There's good news. Actually, there's good news and there's great news.

The good news is that good writing will always have an audience. Heck, as Stephen King would stay of James Patterson, it doesn't even have to be all that good! (BTW, I've read a few of Patterson's books and enjoyed them. Personally, I'm rooting for the man, it's great to know a writer can make the kind of money even the CEO of a multinational corporation would be envious of.)

That was the good news, here's the great news: writers now have the ability to create our own audience, one that the vicissitudes of the publishing industry can't cut us off from. We do this by putting up our own websites, by blogging and by being open to the possibility that a self-published book or two could get us exposure and some money without making us a pariah in the industry.

What could we publish? A professional writer usually has a backlist, and it's generally not the case that all those books/short stories/articles are in print. Too often it has been the case that fans have wanted a book but they can't get it. Also, every writer I've met has manuscripts wedged into shoe boxes languishing under beds. Granted, many of those works were first attempts and should stay in exile, but many times they have been rejected, not because they weren't good, but because the publisher couldn't figure out how to market them. Joe Konrath has made hundreds of thousands of dollars selling books his publisher rejected.

I'm not saying that if others can do it then so can you. I'm saying: If others can do it, then why not try? What's it going to cost you? A bit of time and money.

I want to make it clear that I'm not bashing publishers. I know being a traditional publisher is one of the highest risk endeavors on the planet. Restaurants are notoriously high-risk but when restaurant owners get depressed they say to themselves, "It could be worse. At least I'm not a publisher." Traditional publishers, especially small or medium sized publishers, are in business because they love books and are passionate about writing. A few years ago I took a publishing course taught by the owner of a small literary press, one of the most successful small presses in the country, and he approached his work with an evangelistic furor. These men and women are dedicated to their craft.

Unfortunately, though -- and small and medium sized traditional publishers would be the first to tell you this -- it is vanishingly unlikely that the overwhelming majority of writers who are published by them -- not those who submit their work, but who are accepted and published -- will be able to live on what they are paid.

But that doesn't mean you can't make a living as a writer. Times have changed and we must change with them.

This pep talk was as much for me as for anyone else. I think, really, it comes down to this:
Write what you are inspired to write, get what you've written out to people however you can, through any medium you can, and eventually success will follow.
I believe that.


Recommended Reading:
Stephen King: On Writing

Other blog posts of mine you might like:
Writers Despair
How To Publish On Amazon
The Starburst Method

Links:
Stephen King's Greatest Lesson For Writers
Surrey international Writers Conference
Robert Dugoni

Photo credit: Recruiterpoet's Blog

"Writers: Don't Despair!" copyright© 2012 by Karen Woodward


Monday, April 23

Writing: The Starburst Method, Part 7: The Character Grid


Welcome to part 7 of the Starburst Method! We're almost finished this series. I had planned to wrap things up this week, but when I sat down to write the last installment I realized we hadn't covered character grids.

Before we get started I should mention that this article is part of a series and, in case you'd like to look at the previous articles, I've put links to them at the bottom.

Diagramming Scenes
I love Kim Harrision's blog -- she writes urban fantasy (Dead Witch Walking was the first book in her Hollows Series) -- one day I noticed she had written a few blog posts about her writing process. I love learning how other authors write. I think I've learnt more that way than from all the conferences I've attended!

That was the first time I had seen anyone use a character grid. I think of a character grid as a visual representation of a plot. It was great! At a glance, I could see which characters were in which scenes and determine, among other things, whether one character was being over or under used. I don't know about you, but once I've written a few chapters it's easy to forget which characters were in each scene.

An Example
Rather than me rattle on about this, let me show you the character grid template I work from:
character grid for how to write series


If you compare my template with Kim Harrison's you'll find they are similar, but I like to put the archetype I think the character most exemplifies on the far right. Sometimes it's hard to get everything to fit and I have to use two pages, or go to legal size paper. Do whatever works for you, with the office supplies you have at hand.

In my character grid template character names occupy the far left column, a description of the scenes runs along the bottom and the place the scene takes place runs along the top. Instead of "day 1", "day 2", and so on, you'll put the dates your story takes place. I love Kim's practice of having each chapter take place on the same day. That way it's easy to remember when your scenes are taking place and if there's ever a question of the appropriateness of something -- like lilacs blooming in August! -- you can just glance at the date the scene takes place and look it up.

A good character grid can save you a lot of frustration. The only thing is: you need to keep it current, and that can be frustrating, but I think it's well worth the effort.

I hope something in here will be of use to you! Next week we will wrap up this series by talking about your rough draft. Till then, happy writing!

The Starburst Method, Part 1: A one sentence summary
The Starburst Method, Part 1: Creating a one sentence summary
The Starburst Method, Part 2: Developing our one sentence summary
The Starburst Method, Part 3: Creating a five paragraph summary
The Starburst Method, Part 4: Developing characters
The Starburst Method, Part 5: Creating a five page summary
The Starburst Method, Part 6: Developing scenes
The Starburst Method, Part 7: The character grid
The Starburst Method, Part 8: The rough draft and narrative drive

"The Starburst Method, Part 7: The Character Grid," copyright© 2012 by Karen Woodward.

Photo credit: Funny Pet Wallpapers

Links:
Kim Harrison's character grid
Kim Harrison's post about her character grid

Friday, April 20

Stephen King Reads An Excerpt From The Dark Tower

The wind through the keyhole, stephen king
I love it when authors read their own material, it often gives it a peculiar life no one else can. Stephen King has narrated the audiobook of the next release of his Dark Tower series and this snippet is a teaser for what we can expect.



By the way, it seems that King is a huge audiobook fan. I listened to a lot of audiobooks a year ago and then began to feel that listening to an audiobook ... well, that it just wasn't the same as reading. And, of course, it isn't! You're not reading it, you're listening to it, but I began to feel that it was somehow lesser. Well, after reading what King has to say about audiobooks, I think that's changed.

Here's an excerpt of an article, Hail to the Spoken Word, King wrote.
There are problems with audiobooks, sure. It's annoying to be on a long road trip when disc 12 of the latest Nelson DeMille has a nervous breakdown (this actually happened to me in North Carolina; somewhere between Nowhere and Nowhere in Particular, the reader, Scott Brick, developed the world's worst stutter). It's more annoying when a bad reader is paired up with a good book (a fate that has befallen every audio junkie at least once). Most annoying is when you have a certain book in mind and can't find it at a retail outlet, a thing that happens a lot. Once you get past the classics, the latest political bloviators, and Agatha Christie, audio pickings are apt to be mighty slim.

....

But man, when these things are good, they are really good. A Charles Dickens novel read by the late David Case is something you can almost bathe in. A suspense novel is more suspenseful — especially in the hands of a good reader — because your eye can't jump ahead and see what happens next. When I heard Kathy Bates reading The Silence of the Lambs (an abridgment, alas), I was driving at night and had to shut off the CD player, even though I knew how the story went. It was her voice, so low and intimate and somehow knowing. It was flat creeping me out.
If you haven't read King's article in its entirety, I'd encourage you to regardless of how you feel about audiobooks. He's one of my favorite authors because of the things he can do with words. An awkward way of putting it, perhaps, but I'm not Stephen King!

I'd like to thank Mary Burkey for her excellent article, Stephen King Narrates The Wind Through The Keyhole, and for the link to King's 2007 article, Hail to the Spoken Word.

"Stephen King reads an excerpt from The Dark Tower," copyright © 2012 Karen Woodward.

Thursday, April 19

Self Publishing on Amazon: Kindle Direct Publishing

Kindle Direct Publishing

Would you like to be an author? Writing a book is hard but getting it published doesn't have to be, not with the opportunities that now exist for self-publishing. Last week I wrote about how to publish your book through Barnes & Noble, this week I'll be discussing how to self-publish on Amazon.com through Kindle Direct Publishing (KDP).

When I published my book, Until Death, I was nervous. What if I did something wrong? In that sense, it was one of the most daunting things I've done, but it turned out to be easy! So, if you're like me and you are letting your fear prevent you from publishing on Amazon, don't! Although the process can require a great deal of patience (for example, getting the formatting just right), publishing a book through KDP takes little time.

Let's step through the process together.

First, take out an account at Amazon Kindle Direct Publishing (KDP). Unlike Barnes and Noble, you don't need to be a publisher to sign up with KDP. Just enter your name -- or, if you are a publisher, your company's name -- your geographic information, and so on. Another difference between Amazon and Barnes and Noble is that to publish through Amazon you do not need a US address, credit card or bank account.

Section One: Your Book

I'll admit, I felt daunted when I first saw the form you have to fill out to publish a book with Amazon! But I needn't have been. Amazon gives top notch help all the way through, including "what's this?" links. If, at any point, you don't understand what information Amazon wants from you, just click one of these links and all will be explained in great and glorious detail.

Let's go through this step by step.

1. Book Details

a. Book Name
Amazon Kindle DirectThis one's easy! Just give the title itself, nothing else. Some folks like to pad the book title with keywords or extra information about the book, tell readers it's part two of a series, etc., but Amazon would much rather you just gave the title.

For instance, if your book, Death's Door, is part two of your Jaws of Death series they don't want you to write: Death's Door (Part 2 of Jaws of Death)

They want: Death's Door

Besides, in another box just below, you have the opportunity to indicate that your book is part two of a series and to even give the series title and volume number.

b. Book Description
If you've sent off a query letter for your book then you've already crafted a description (just keep in mind it can't be over 5000 characters)! If you haven't crafted a description of your book then I'd suggest taking a look at some of Nathan Bransford's posts on the subject. Here's a link to my post: How to write a query letter. At the bottom I've included links to a few of Mr. Bransford's posts, the ones that I found most helpful in this respect.

In Query Letter Mad Lib, Bransford gives the following formula:
[protagonist name] is a [description of protagonist] living in [setting]. But when [complicating incident], [protagonist name] must [protagonist's quest] and [verb] [villain] in order to [protagonist's goal].
I've found that template be an excellent point to start from when writing a description of a story.

c. Book contributors
This is pretty much what it sounds like. If you wrote the book by yourself and no one illustrated the book, and so on, then just put your name down. If someone helped you with the illustrations, or if there was more than one author, then list those people. Next!

d. Language
That's self-explanitory. Just tell Amazon what language you used when you wrote your book.

e. Publication date
I published my book through Smashwords a day or two before I published it on Amazon so I used the Smashwords publication date here. However, if this is the first time you've published your book, then use the current date.

f. Publisher You don't have to be a publisher to publish your book on Amazon, but if you are a publisher then you can put your company name here.

g. ISBN number
Your book doesn't have to have an ISBN number for Amazon to publish it. If you do want your book to have an ISBN number then note that only publishers can purchase ISBN numbers. Also, if you have published this same title in a print edition you can't re-use that ISBN, you need to use another one.

2. Verify your publishing rights
This can sound daunting but it's really very simple. Do you have the right to publish the book? If you wrote it then of course you do!
Amazon Kindle Direct Publishing

3. Target your book to customers
This part is very important. You are allowed to choose up to two categories for your book, so list two categories. The more categories your book is listed under the better the chance someone is going to find your book when they do a search.

You are also allowed to give up to 7 keywords for your book. You don't have to, but you can. Again, the more keywords you list, the better your chances are that your book will come up when someone is doing a search. If you can't think of 7 keywords, think harder! You've written a whole book, this is the easy part!

4. Upload your book cover
Amazon says that this part is optional, but if you want to sell your book – and of course you do! – you have to have a cover. It doesn't have to be fancy, in fact I think that some of the best covers I've seen have been relatively simple.

When I was doing my cover someone gave me this tip: Look at the bestselling books that are the most similar to yours. Look at their covers and get ideas. You don't want yours to look exactly like any other book, but if, for example, you've written a romance book, there's a certain look most of those covers have and it would be nice if yours did too.

If you don't have any image editing software on your computer, Adobe Photoshop is wonderful, although both the learning curve and the price can be a bit steep – although Photoshop Elements costs less and has most of the functionality you'll ever need. Another great image manipulation program is Gimp (GNU Image Manipulation Program), and it has the advantage of being free! That said, the learning curve for Gimp can be a bit steep. To help you research this area, here's a review PCWorld did on Gimp. Also, here's an article from Top10Reviews.com that compares photo editing software programs.

5. Upload your book file
There's a lot packed in here, so let's take it one point at a time.
Amazon Kindle Direct Publishing

a. Digital Rights Management (DRM)
One of the things that caused me the most agony when I first looked at this form was whether I should enable DRM for Until Death. I decided not to. If I had enabled it then, for example, if you'd bought the book in kindle format you couldn't have converted it to another format.

For instance, although you bought and downloaded the book file from Amazon you might want to make a copy of it, convert it to the epub format, and read it on your Nook reader. Personally, I feel that if someone buys my book then I would be happy for them to make as many copies as they want for their own use. But that's me. Other people feel that DRM helps prevent folks from illegally distributing books. Personally, I doubt that DRM reduces piracy, but this is an issue on which good, intelligent, people can differ wildly in their opinions. To sum up: Do whatever feels right to you.

b. Upload the digital file of your book
This is it! This is where you transfer your book, your baby, up to Amazon's servers and put it out there for the world to see. Amazon recommends that your file be either a doc (.doc) or .prc (prc) file but – as of this writing -- it will accept epub (.epub), txt (.txt), mobipocket (.mobi or .prc), html (.zip, .htm, or .html), adobe pdf (.pdf) or rich text format (.rtf).

An entire book could be written on just this topic, and I'd like to recommend Zoe Winter's excellent book on the subject entitled Smart Self-Pubilshing: Becoming an Indie Author. Also, Mark Coker's style guide, Smashwords Style Guide, is a must read. Even though Coker's guide is written with Smashwords in mind – Mark Coker is, after all, the founder of Smashwords! – he gives excellent suggestions for how to format your Microsoft Word document that are just as applicable for Amazon.

Basically, if you are using Microsoft Word then don't use tabs, use paragraph styles instead, and keep any special formatting to a minimum.

Again, I highly recommend Coker and Winter's books, they were a great help to me when I did this and they saved me a lot of time and frustration.

6. Preview your book
At this point your book has been uploaded and the conversion was successful. Now it's time to preview it and make sure everything is in the right place. Often artifacts found in a document file can cause unexpected effects in the converted file. If this happens to you – it did to me – try not to get frustrated. Remember, there is no limit to the number of times you can do this conversion, just go back to your original file, fix what needs to be fixed, and upload it again.

Okay! We've done section one. Treat yourself, the hard part is over.

Section Two: Rights & Pricing
 
7. Verify your publishing territories

The choice here is between "worldwide rights" and "individual territories". For me this was easy. I hold the worldwide rights for Until Death so that's what I put. I don't imagine that the average author often sells just the rights for one or two territories, but I'm sure it comes up, otherwise Amazon wouldn't have given us this choice.

8. Choose your royalty
This is a topic that deserves its own bookshelf! Here is my condensed version: if you want a 70% royalty on the sale of your book then you have to price it between $2.99 and $9.99. Other conditions apply as well, but that's the big one. If, on the other hand, you want to sell your book for either under $2.99 – for instance, some people want to sell their book for 99 cents – or for over $9.99 then Amazon will only pay you a 35% royalty.

Your choice.

I opted to sell Until Death for 99 cents. I didn't want to discourage folks from trying out a new author and I thought it would be nice to make a little bit of money from the sale. So far I've been happy with the result, although I sometimes wonder if there is very much difference between the amount of sales made at the 99 cents price point and the $2.99 price point. But that's a topic for another post.

9. Kindle book lending
Here you must indicate whether you will allow your book to be lent out. If you check this box then a person can lend out your book to someone else for a period of 14 days. The buyer is only allowed to loan the book out once.

I allowed book lending. I have borrowed many of my friends books, and they've borrowed mine. It is one of the ways I was introduced to wonderful new authors and I wanted to continue that tradition. Actually, I wish Amazon would make it so I could decide how many times my book could be lent out.

That's it! All you have to do now is check everything over one more time and press the brilliant orange "Save and Publish" button. No worries, though, if you're not quite ready. There is also a white "Save for later" button.

I found the experience of publishing with Kindle Direct Publishing rewarding and hope you will too.

Good luck!

Related Articles:
How to self-publish on Barnes and Noble
How to write a query letter

Photo credit: Amazopia