Musing About Movies

This is a writing blog, not a movie blog, but I've always wondered why some movies--movies with the same stars in them--do well and some don't. For instance, Old School and Wedding Crashers cleaned up at the boxoffice but The Internship is struggling to compete.

Movies are just stories told with images and sound while books are stories told solely through language. At some level, a story's a story. All things being equal, we'd like to sell our stories, our books, as widely as possible, so understanding what readers/viewers like couldn't hurt.

If that's possible.

Google: Can Predict Box Office With 94% Accuracy

The finding that Google can predict box office with 94% accuracy indicates to me that, most of the time, the decision whether to see a movie is made solely based on marketing rather than word of mouth. That is, it's made before anyone sees the movie.

I wouldn't be surprised if it is similar in the book world. Readers want a book in a certain genre, or by a certain author, or one that's like another book.

I've been using Box Office Mojo to track movie stats; how much a movie was made for, how much it grossed, and so on. It looks like The Internship, the latest movie by comedy duo Vince Vaughn and Owen Wilson, is going to be lucky to break even.

Why?

Is it the subject matter? Was the subject matter of Vaughn's earlier movies, Old School and Wedding Crashers more primal? These earlier movies were about life transitions, marriage, death. But, in a way, so is The Internship. The movie explores the lives of two guys displaced by technology, two guys who are struggling to succeed in a rapidly changing world that deems them obsolete.

Well, when I put it like that, the movie seems a bit depressing! (grin)

What do you think is the biggest determinant of whether someone will see a movie or read a book?

Photo credit: "București #23" by Thomas Leuthard under Creative Commons Attribution 2.0.

Peter V. Brett Wrote Bestseller, The Warded Man, On The Subway

Peter V. Brett wrote The Warded Man, a novel which went on to sell 100,000 copies in 17 countries, on his commute to work.

[Peter V. Brett] wrote The Warded Man aka The Painted Man on the ‘F’ train riding from his home in Brooklyn to Time Square where he worked in medical publishing. Using his HP Ipaq 6515, a phone similar to a BlackBerry, he followed up with another book before quitting his day job to write full time.

Released as The Painted Man in Great Britain in 2008, Brett’s debut novel, The Warded Man, arrived from Del Rey Spectra in 20o9, and went on to sell 100,000 copies in 17 countries. The follow up, The Desert Spear, released in 2010 and is currently on bestseller lists. Four books are planned altogether in this Demon Cycle series, with the next chapter, The Daylight War, scheduled for a February 2013 release [...].

How did he do it? PVB says:

I write on Docs to Go on my iPad. It syncs wirelessly with my desktop, and I work in Word there. Shift back and forth constantly. Always, always music, though selections depend on my mood. I like to write on the subway. It is peaceful when the internet goes quiet. Takes getting used to, but now it is very natural. Anywhere I can put on headphones and not be bothered by anyone for thirty minutes or more works now.

. . . .

Now, the producers behind the Residential Evil Hollywood films franchise have taken an interest, calling a planned trilogy “the next Lord Of The Rings.” Brett has signed a lucrative deal and discussions and plans are underway to start filming later this year.

British producer Jeremy Bolt said the first film would have a budget of up to $100 million and be shot in 3D with director Paul W.S. Anderson attached. He couldn’t believe the book was typed on  a phone.

All information and quotations are from: One Novelist Composed His Best-Selling Novel on a Cellphone – While Commuting to Work on the Subway Every Day. Thanks to the Passive Voice Blog for the link.

* Sigh * I love reading success stories but they can be a tad demoralizing. In any case, The Warded Man seems like a great book--I wonder why I haven't read it all ready!--and I'll keep my eyes open for more news of the movie(s).

Other articles you might like:
- What To Write About: Fiction That Sells
- Indie Writers: 10 Things Not To Do
- 8 Tips For Blogging Success

Fright Night Director/Writer Tom Holland To Make Stephen King Movie

The Ten O'clock People

I loved the original Fright Night movie. It had thrills, it had chills and it had things you had to believe in if you didn't want to get eaten alive. I'm reading over what I just typed. It's amazing (to me) the layers of meaning there, layers I didn't detect when I first watched the movie all those many years ago.

Horror Buff and writer/director of Fright Night (1985), Tom Holland has enthusiastically agreed to make Stephen King's Ten O'Clock People into a feature film.

Here is more from the press release:

Tom Holland has signed on to adapt and direct The Ten O’clock People, a feature adaptation of a short story by Stephen King. Holland and King previously collaborated on The Langoliers and Thinner. Holland took an extended hiatus, then returned to directing in 2007 in the Masters Of Horror series for Showtime. He’s writing and directing Twisted Tales, a series of shorts for FearNet, and plans for The Ten O’clock People to be his first theatrical  since Thinner, which King wrote under the pseudonym Richard Bachman.

The Ten O’clock People comes from a short story published in King’s 1993 Nightmares And Dreamscapes collection. Set in Boston, the story follows Brandon Pearson, who in trying to kick his smoking habit uncovers a frightening aspect of reality that he plans to extinguish through extreme measures.


Holland said the tale was inspired by King’s own struggles with a smoking habit. “This was Stephen trying to deal with his cigarette jones and the fairly new no-smoking laws back in the ’90s,” Holland said. “This film will be a modernization of the original short story, a paranoid suspense piece.”

The film goes into production this summer, produced by Making Ten O’clock Productions and Holland’s Dead Rabbit Films with Nathaniel Kramer and E.J. Meyers producing.
- Stephen King’s ‘The Ten O’Clock’ People Gets Feature Treatment From Tom Holland

The last adaptation of King's work that I watched was Bag of Bones with Pierce Brosnan. I had big hopes for that mini series but--although I love King's stories and Pierce Brosnan's acting--was a bit disappointed. I think sometimes I underestimate the challenges involved in bringing one of King's stories to the screen.

From what I've read of this movie, though, my hopes for a great spine-chilling take of horror and redemption are very high.

Cheers.

Related Links:
- The Ten O'clock People is included in  Nightmares and Dreamscapes.
- Stephen King: 15 tips on how to become a better writer
- Quotes From The Master of Horror, Stephen King
- Stephen King's Doctor Sleep: Release delayed

Hugh Howey Writes About The Phenomenal Success Of Wool

Everywhere I turn I read about the phenomenal success of Wool, an indie published series which has garnered unprecedented sales in the very short time since its release. Wool has been picked up by Random House in the UK and Ridley Scott (Alien, Blade Runner, Gladiator) will be directing an upcoming blockbuster movie made by 20th Century Fox.

I don't know about you, but even when I'm daydreaming about hitting it big, I don't dream about hitting it this big. In a recent article for PW, Hugh Howey writes about his amazing success.

[A]n actual deal seemed a long way off, a fanciful dream. Who was I? A few months ago, I worked part time in the university bookstore, dusting the shelves and tackling shoplifters to pay the bills. How could someone like that, who spent his mornings and lunch breaks pecking away at his keyboard ever get mentioned in a press release along the likes of Scott and Zaillian?

Word of mouth, is how. Which is also the reason I've been able to quit that day job and write full-time. And it's why the film rights for that little story I wrote now lie in the hands of Hollywood giants.

Now, this is still new enough to me to leave me in a daze simply from typing the words, but it gets even better: The same book--self-published, mind you--has been picked up by Random House in the UK for a major hardback release. And while domestic publishers have made offers that would have had me swooning mere months ago, I have chosen to remain independent here in the States.

. . . .

My inbox lately has become sprinkled with missives from other independent writers asking me for any advice I might have. So I tell them what you have taught me: Please the reader. Write your best works for them; make those works affordable; interact with your fans; and take their feedback to heart. Without a single dime spent in advertising, a short story I wrote and didn't even work to promote climbed to the top of the Amazon charts. It drew the attention of Hollywood. It landed me an agent and half a dozen foreign book deals. All because of word of mouth. Because I happened to please you, and you told someone else, and they spread the word further.

The first WOOL story came out in July of last year. At just over 12,000 words, it qualified as a novelette, and not much more. I forgot about the story until it began garnering a slew of positive reviews that could muster only a single complaint among them: Where was the rest? They wanted more.

So I began writing more. I released the rest of the story in installments, something I'd always wanted to try, and I enjoyed the quick turnaround and the immediate feedback from readers. The entries grew as the series went along, until the fifth and final WOOL story was the length of a short novel. Once the tale was complete, I collected the five books into an Omnibus, which was when it began to really take off.

Read more here: How My Self-Published Book 'Wool' Became A Hot Movie Property

Further Reading:
- Wool: Indie bestseller to be made into blockbuster movie
- Ridley Scott’s Next Project Is Wool
- 20th Century Fox Takes Wool

Books:
- Wool

"Hugh Howey Writes About The Phenomenal Success Of Wool," copyright© 2012 by Karen Woodward.