Kristen Lamb a savvy writer on any social media topic, and her latest post is no exception. It is a must read for any writer, whether traditionally or independently published. Even if you're thinking of publishing your work, you'll want to read this article.
First, Kristen Lamb talks about different kinds of platforms:
The Traditional AuthorThe above is only a part of Kristen Lamb's excellent article, I would encourage you to read the entire thing. You can find it here: Beware the Social Media Snuggie -- One Size Does NOT Fit All.
If you are agented and likely to be traditionally published, you have the backing of a publisher, an editor, an agent and people hired to help your books succeed. Thus, the burden of sales and marketing doesn’t rest solely on your shoulders. Focus on writing the best book you can write.
But, is a good book alone enough? No. And it never has been. How can I say this? I like to cite the BEA statistics of 2006. 93% of all books published (traditionally and non-traditionally) sold less than 1000 copies. So, for traditional authors, even with all those people working in your favor, the failure rate can be sobering of you rely solely on a good book alone. Historically, a writer had no control over changing these odds. Now, we have social media so we can help spark word-of-mouth. We are no longer forced to gamble, and that rocks ;) .
Also, what we need to always keep in mind is that social media has changed demands placed on traditionally published writers. Many times the publisher will expect the author to help with her own marketing and promotion. This is easier to do if when your first book is published, you aren’t trying to pull a platform out of the ether.
For the traditionally published author, you don’t need to do as much. If you want to blog and tweet and Facebook, then go for it. I think the stronger your platform, the better. My opinion? Being traditionally published does have advantages.There really isn’t a need to have a social platform the size of a self-pubbed author unless you want one. A great author to follow who has THE BEST advice for the traditionally published author is Jody Hedlund. Another fountain of wisdom in this crazy world? Anne R. Allen. Bookmark their blogs and listen to every word they tell you. These ladies will keep your head straight.
The Hybrid Author
Some of you might fall into the traditional category. Ah, but you have a bit of a wild side that likes to write essays, poetry , short stories, death threats, or manifestos. Now, in the changing paradigm, there is finally a cost-efficient way of getting these types of works to the reader. Ten years ago, no publisher would have taken a second look at a book of poetry because it might only sell 500 copies. It just was a terrible investment with dismal returns for the publisher and even the author.
Now? Just e-publish. Those 500 copies that looked so depressing before, now are darn spiffy sales numbers if you’re keeping 100% and putting out only time, effort, and a minimal cash investment. So, if you are wanting to try your hand at selling some self-published items, you need to have a larger platform and a greater presence to drive those sales. Pay attention to Chuck Wendig. He makes the second-oldest-profession-in-the-world look good and is not above showing a little leg.
The Indie
Yes, for the sake of brevity I am lumping a lot of stuff together. Indie has a lot of different flavors and I highly recommend listening to Bob Mayer and Jen Talty. Take one of their workshops because they are the experts when it comes to all the different publishing options in the new paradigm.
If you are an indie author, you have the backing of a small independent publisher. There is the upside of not being completely all on your own. I am with Who Dares Wins Publishing and I am blessed with a lot of expertise I don’t even know if I have the smarts to learn.
But, we need to point of the pink elephant in the room.
As awesome as indie presses are, logic dictates that most of them won’t have the manpower to help us in promotion and marketing like Random House or Penguin. We don’t get book placement in major chain bookstores or WalMart or Costco. We need a VERY LARGE PLATFORM. Sure, the indie press will help, but the lion’s share of the burden is ours.
Many new writers are carving out a career path by starting indie in hopes it will lead to traditional publication. Yet, here’s the deal. NY will want to see high sales numbers. Our social media platform is critical.
The Self-Published Author
Some of you love being in control of all aspects of your career. Web design, book covers, uploading? No sweat. There have been some tremendous success stories that have come out of the self-publishing world—Amanda Hocking, H.P. Mallory and John Locke are three that come to mind. These folks didn’t already have a name branded by traditional publishing. They rose out of the nothing with their own hard work….but boy did they WORK.
I was blessed enough to meet H.P. Mallory and listen to how she sold a bazillion books in six months and I needed a nap. John Locke? He is a MACHINE. I read his How I Sold a Million Books in Five Months and I thought it could be retitled as How to Kill a Writer in Less than a Year. The amount of work, planning, strategy was incredible (and I say this with the utmost amount of respect awe and yes…jealousy).
Yet, I do need to point out that Hocking, Mallory and Locke have all since signed with traditional/larger publishers. I think there comes a point when the workload is too much to maintain alone and long-term, but that might just be my opinion. Would have to ask them.
Thus, when we start thinking about our writing career, we need to be really honest about how much work we can do. Too many new writers think that self-publishing is a panacea, that all they need to do is upload their genius and people will buy.
Um…no.
If we look at the self-publishing success stories, the harder they worked, the luckier they got. Same with indie. If you are considering any kind of publishing outside of the traditional route, then ask the hard questions.
Can you write and maintain a blog and a social media presence? Can you do guest posts and blog tours and contests and create groups? Can you do all of his without the quality of your books suffering? Can you keep writing more books? In indie publishing and self-publishing, it is becoming clearer and clearer that those writers who can turn out books and quickly create a backlist are the ones that are the most successful.
What is your background and what do you bring to the table? Do you already possess a lot of technical expertise? H.P. Mallory left a career in Internet sales. She built her own website and uploaded, formatted and designed covers for all of her own books. If you don’t have the tech savvy, do you have money to hire people to do it for you? John Locke did. What is your background? Both Mallory and Locke came from a background in sales. That is a driven and fearless personality.
If you are writing under three pen names because you fear your family will find out you want to be a writer, then this might not be the best path. Things like time, money, background and personality all need to be considered when it comes to tailoring the right platform to the right publishing choice.
It is a wonderful time to be a writer and the sky is the limit. There are all kinds of generous people willing to offer time, help and expertise. My favorites are Jane Friedman, Porter Anderson, and Bob Mayer. And if you are an unpublished writer?
Feel free to start with the Snuggie, but eventually? Yeah, you will have to hand it over lest it become your Lazy Blanket.
