Simon & Schuster's Archway Publishing: Is It Ethical?

The Dream

When I was a kid I had a dream. I wanted to tell stories. Great stories. Stories other people would listen to with bated breath, leaning forward to hear whether the hero would escape the deadly clutches of the monster.

Or something like that. When I was a kid there probably would have been a fairy somewhere in the mix.

Penguin Publishing was part of that dream. (Yes, I was an odd child.)

To my young imagination, Penguin was special. It was like heaven, but for stories. It was where stories got to go if they were very, very, good. I didn't even think about getting paid for my stories, my goal was just to create something awesome enough that, one day, Penguin would want to publish it.

It never occurred to me writing was a business--but then I was eight and I hadn't yet grasped the whole need-money-to-live thing.

When I grew up--well, I don't think I've grown up, I just got taller and older--I understood about needing money, but I still thought the folks at Penguin--as well the rest of the Big 6 publishers--were special. I thought they did what they did for the love of books, of stories, of that great vague amorphous category called literature.

I no longer think that.

The Big-6 are BUSINESSES pure and simple and, as such, are tasked with making money.

Period.

Making money, not publishing stories (heaven-worthy or otherwise) is their bottom line.

So why does it shock and dishearten me when yet another publisher goes to the dark side of publishing?

(To my mind, a publisher goes to the dark side when it tries to make money, not from selling stories, but off of authors. Money should flow to the author, not the other way around.)

Simon & Schuster's Archway Publishing

Here's what started my thoughts in this direction. Recently Simon & Schuster formed a partnership with Author House and created their own self-publishing portal, Archway Publishing. (See: Simon & Schuster Partners With Author House To Create Archway Publishing)

I had a conversation with a friend yesterday--we left friends, although barely--in which he shrugged and said, "Well, if Simon & Schuster thinks they can make money off authors, why shouldn't they?"

Thunderstruck at his defense of Simon & Schuster, I spluttered that publishers shouldn't make money from authors, they should make it from sales of books (something to do with the whole publisher thing).

But, once again, my friend shrugged and said, "As long as Simon & Schuster is making money, and it's legal, why should they care? Buyer beware."

I glared at him and wished I had a retort, but I didn't.

Is "ethical business" a contradiction in terms? And, even if it is, don't we want the people who publish our stories to CARE something about writers? I mean, it's not outrageous to suggest a business should treat its client base with respect.

Is it?

The Hook

One reason Simon & Schuster's creation of Archway Publishing bothers me is that new writers will take Simon & Schuster's close association with Archway as indicating endorsement. As in, "If you publish through Archway you'll have a better chance, one day, of being published by us."

It invites new writers to think of Archway as an (expensive) initiation experience, a testing ground to see if their story has what it takes. (By the way, publishing your story yourself on, say, Amazon would do the same thing; if you're shy, you could use a pen name and not tell anyone. If it doesn't sell, keep writing till one does. Show me a professional writer and I'll show you someone mule-stubborn.)

This perception is helped by statements such as this one, found in a FAQ on Archway's site:

[W]e will alert Simon & Schuster to Archway Publishing titles that perform well in the market. Simon & Schuster is always on the lookout for fresh, new voices and they recognize a wealth of talent in Archway authors.

But it doesn't stop there. Simon & Schuster will be referring any unsolicited manuscripts they receive to the Archway program. Writer Beware Blogs writes:

There's also this disturbing tidbit in PW's coverage of the launch: "S&S will refer authors who submit unsolicited manuscripts to the Archway program." I didn't find this in other news coverage, and I'm hoping it's not true--or if it is true, that S&S will re-think it. Such referrals are seriously questionable, since authors who receive them are likely to give them more weight because they come from a respected publisher. (Archway Publishing: Simon & Schuster Adds a Self-Publishing Division)

How is that not taking advantage of new writers? Imagine this:

You've finished your first manuscript, it's a 240,000 word paranormal novel set in the wild west. As you mail off your carefully worded query letter the butterflies in your stomach feel more like elephants doing the tango. Afterward, you joke with your friends and say things like, "Oh, well, I thought I'd start at the top".

Then, after obsessing about it for a month, you get a letter from Simon & Schuster. As you hold it you think: This could be it! Your hands shake so hard it takes a minute to get the envelope open. The white notepaper inside is a blur at first, then you read: Simon & Schuster has referred your manuscript to another publisher!

If that were me several years ago I would have started doing the (highly embarrassing) Scooby dance.

It sounds great, doesn't it? Simon & Schuster has referred your manuscript to another publisher. They believe in it. They believe in you!

That's quite the hook, especially for someone craving affirmation the way a drowning person craves air.

Money Should Always Flow Toward The Author

Archway Publishing doesn't just charge authors between $1,599 and $14,999 to  publish their manuscripts, they also take a hefty royalty. According to paidContent.org:

Archway will pay an ebook royalty of 50 percent of net sales, so if an ebook is distributed to Kindle, for example, an Archway author would receive 50 percent of the sale minus Amazon’s 30 percent fee. (Simon & Schuster launches self-publishing arm with Author Solutions)

I wouldn't be as upset about Archway Publishing if it just charged outrageous sums for helping writers publish their work but gave them 100% of their royalties, at least for ebooks.

I know some writers don't want to do everything themselves, and that's perfectly fine. Many businesses help with things like line editing, cover art, formatting, uploading, and so on, and they charge a flat fee for services rendered. Bookbaby for instance. This is fine.

Imagine your neighbor is selling his house. Imagine he pays someone $30 to mow his lawn and then, on top of that, gives them 50% of the money from the sale of his house. Wouldn't you be flabbergasted? I would! Then why give royalties to the person who formats and uploads a manuscript?

Do Publishers See Writers As Marks?

What do you think? Am I overreacting? I can hold my opinions passionately, but I'm open to other points of view.

What do you think about Simon & Schuster's partnership with Author Solutions? What should the bottom line be for publishers? Making money? They're businesses so it's not unreasonable, but then where do writers fit in? Where do stories fit in? (For Dean Wesley Smith's perspective on Archway Publishing, click here: New Way For Uninformed Writers to Spend Money.)

Perhaps I'm looking at this the the wrong way. Even if making money is the bottom line for a publisher, shouldn't that mandate treating writers well? After all, no writers, no stories. I'd like to see publishers turn a profit then!

... hopefully self-aware androids are a long way off.

Other articles you might like:

- Jim Butcher's Advice For New Writers: Write Every Day
- Using Pinterest To Help Build Your Fictional Worlds
- How To Record Your Own Audiobook: Setting Up A Home Studio

Photo credit: "There is always a bigger fish" by floodllama under Creative Commons Attribution 2.0.

Jim Butcher's Advice For New Writers: Write Every Day

In a recent interview with Sword & Laser, Jim Butcher described his Dresden Files series as "Buffy the Vampire Slayer starring Philip Marlow".

How perfect is that?!

As my title promises, Jim Butcher also gave great advice to new writers, but I'll save that for the end. Everything needs a hook, right?

Jim Butcher & Live Action Role-Play (LARP)

Want to meet Jim Butcher? Grab your cape and blasting-rod--a sentence I thought I'd never write!--and head out to Independence Missouri.

When he's not writing Butcher is an avid Live Action Role-Player, or LARPer, playing under the name of Longshot.

He invites fans in the vicinity of Independence Missouri to come out and kill some theoretical monsters, be beaten into theoretical unconsciousness and even be 'theoretically killed'.

The Idea That Started The Codex Alera Series 

Apparently the old saying, "Be careful what you wish for," applies to bets as well.

In 2004 Butcher was challenged by a member of the Del Ray online writers workship to write a good story based on a lame idea.

Jim took the bet and the challenger gave him the lame idea of a lost Roman legion and Pokemon.

The story Butcher wrote became the first book in the Codex Alera series.

I'd be interested how Jim pitched that series to his editor!

Jim Butcher's Advice For New Writers

You've been more than patient, so without further delay here's Jim Butcher's advice for new writers:

Question: Can you give advice to any new writers in our audience?

Jim Butcher's response:

Write every day.

Even if you only write a little bit, even if you only write a sentence or a word, write. Because, even if you've just written a word, you're one word closer to the end of the book than you were at the beginning of the day, and that's progress.

Writing is about momentum, so get that momentum, set your time aside every day and stay honest.

Awesome advice!

Jim Butcher shares great information in the interview--memories, anecdotes--that I haven't mentioned. The Sword & Laser (episode 16) video is well worth watching.

Thanks to K.B. Burnfield for sending out a link to this interview.

Other articles you might like:

- Making Time To Write
- Simon & Schuster Partners With Author House To Create Archway Publishing
- Editing: Make Sure Your Story's Bones Are Strong

Photo credit: "Super Troopers!" by JD Hancock under Creative Commons Attribution 2.0.

Making Time To Write

It's difficult to find time to write, that's why we have to make time. Here are 9 was to do just that:

1. Around the house always have a notepad or laptop near at hand in case inspiration strikes.

2. Install a writing app on your phone or tablet.

Top 9 Writing Apps
9 iPad Apps for Brilliant Writing
Prose on the iPad

3. Throughout the day, when you have a spare moment, write a sentence or two.

For instance, perhaps you're standing in line to order lunch. Instead of being bored write a few sentences.

 If you take the bus, use that time to write.

4. Write at work

To start, go in 10 minutes eary and spend the time writing. Stay an extra 10 minutes after work and write.

After you get used to doing this you can lengthen the amount of time you write.

Hugo award winning author, Jim C. Hines, writes during his lunch hour.

5. Write while watching TV

Write during the commercials.

6. Plan your stories beforehand

Writing isn't just stringing words together, first and formost it is the creation of stories.

We first imagine what we later write, so the clearer idea you have of your story the better.

Before you start writing a scene decide:

- Who will be in the scene, the main characters at least.
- What the point of view (POV) character wants, what is his/her goal.
- How your POV character will fail to reach his/her goal and what will happen instead.
- What problem does your POV character's failure raise for the protagonist in the next scene?

You can decide all of this while folding laundry or taking a shower.

7. Keep a waterproof tablet in the shower.

Some of my best ideas come to me in the shower. Strange but true.

8. Always think about your story

Write down your answers to the questions in #6, above, on a piece of paper and pin it on the wall or take a picture of them and make it your screen saver.

9. Before you go to sleep ask your unconscious mind to work on whatever problems--plot holes, and so on--have cropped up.

Some of these ideas are from Rob Parnell's article Becoming a better writer.

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NaNoWriMo Update: I'm done! Yea! Finished yesterday. * Whew! * Now onto editing. :-)

Other articles you might like:

- Simon & Schuster Partners With Author House To Create Archway Publishing
- Using Pinterest To Help Build Your Fictional Worlds
- How To Become More Creative: Nurturing Your Muse

Photo credit: "[ For Valentine's Hot Chocolate Lovers Everywhere! ] EASTWAY @ The AndaZ LiverpooL StreeT London, England, United Kingdom" by || UggBoy♥UggGirl || PHOTO || WORLD || TRAVEL || under Creative Commons Attribution 2.0.

Simon & Schuster Partners With Author House To Create Archway Publishing

Simon & Schuster Creates A Self-Publishing Portal

Just today Simon & Schuster announced it's partnering with Author Solutions to create Archway Publishing.

[Archway Publishing] will focus on self-published fiction, nonfiction, business and children's books. Digital technology has helped lead to the proliferation of self-published books, with Sylvia Day and Amanda Hocking among those becoming bestselling authors.

Archway will offer a range of services to budding authors beginning at $1,599.

Archway will offer a range of services, from a basic $1,599 package that includes "editorial assessment" and "cover copy review" to a $24,999 "Outreach" program for business books that features an "author profile video" and a reception at BookExpo America, the industry's annual national convention.

Why this is NOT good news for authors

I wrote about 1,000 words on this subject and then came across Carla King's article on Penguin's purchase of Author Solutions earlier this year: Why Self-Publishers Should Care That Penguin Bought Author Solutions. Yes, the article is about Penguin rather than Simon & Schuster but the same objections apply. Carla writes:

Smashwords founder Mark Coker is a longtime critic of Author Solutions, pointing out in his blog that they make more money from selling services to authors than selling authors' books: "Author Solutions is one of the companies that put the 'V' in vanity.  Author Solutions earns two-thirds or more of their income selling services and books to authors, not selling authors' books to readers ..."

Add to that Jane Friedman's comments:

Jane Friedman, in her Writer Unboxed blog, notes that ASI's acquisitions are "appearing more and more like a huge scramble to squeeze a few more profitable dollars out of a service that is no longer needed, that is incredibly overpriced when compared to the new and growing competition, and has less to recommend it with each passing day ..."

In my view this isn't a win for self-publishers, this is just another shark in already crowded waters.

Writer beware.

Other articles you might like:

- Editing: Make Sure Your Story's Bones Are Strong
- 11 Steps To Edit Your Manuscript. Edit Ruthlessly & Kill Your Darlings
- NaNoWriMo: The Homestretch & Kindling The Will To Write

Reference links:

- Writer Beware: The Return Of The Vanity Press
- Indie Authors: Don't Give Anyone Ownership Of Your Work
- Snake Oil Salesmen And The Indie Author
- Why Self-Publishers Should Care That Penguin Bought Author Solutions
- How a Traditional Publisher Could Harm a Writer's Career
- A Step-By-Step Guide to U.S. Copyright Registration for Self-Publishers
- Bookbaby: Get published Now! (Bookbaby does NOT take a royalty)

Photo credit: "Turkey Vulture (Cathartes aura)" by mikebaird under Creative Commons Attribution 2.0.

Editing: Make Sure Your Story's Bones Are Strong

For my second post I wanted to talk about the craft of writing since my first one had to do with editing but it seems I'm obsessed with editing today. (See: 11 Steps To Edit Your Manuscript. Edit Ruthlessly & Kill Your Darlings)

I read somewhere that clarity is not only the King and Queen of storytelling, but the whole darn court as well! I agree.

If we don't get the bones, the skeleton, of the story right then no matter how wonderful, how stunning, our prose, the story will sag. (Ugh. Not a good visual. Perhaps think of a tent without tent-poles instead.)

Here are a few things you might look for while re-writing your first draft.

1. Increasing Conflict

It may seem as though writers are fixated on conflict, but it is the engine that drives the story. No conflict, no readers. That's probably an exaggeration, but not by much. Of course, not everyone would agree. (See: Plot Without Conflict)

1a. How can you increase the conflict between your protagonist and your antagonist?

1b. How can you increase the conflict between your protagonist and his/her helper?

1c. How can you increase the conflict between your protagonist and his/her love interest? (Assuming they aren't the antagonist.)

1d. How can you increase the conflict between your secondary characters? If this is a romance, do you have other characters vying for the heroes, or heroines, hand? Or perhaps two secondary characters hate each other but both are essential if your protagonist's plan is to succeed.

 

1e. Is the conflict increasing throughout your story? There should be MORE conflict in the second half, especially toward the end, than in the first half.

2. Make Sure The Basics Are Clear

2a. Is your protagonists external goal clearly identified?

For instance, in The Firm, in the first half of the movie Mitch's external goal was to get rich and in the second half of the movie it was to escape the firm with his life, his wife and his ability to practice law, intact.

It helps if you can represent your protagonist's external goal by something visual. For instance, the Maltese Falcon in the film of the same name. (See: The MacGuffin: A Plot Device From Screenwriting)

2b. Is your mid-point marked by an identifiable point of no return? 

Different writers have different names for the mid-point but, generally, your protagonist will suffer a setback.

Often, there will either be a death at the mid-point or a symbolic death. In The Firm Mitch found out he had a choice: rat the firm's clients out to the FBI and break his professional obligation--not to mention having a hit taken out on him by the mob--OR throw in with the firm and have the FBI come after him. Either way his goose would be cooked.

2c. Is your 3/4 point marked by a major setback?

I know this can seem formulaic, but it's not easy creating a major setback (sometimes called the 'all is lost' point) that the majority of your readers would be surprised by! Just because there's a formula doesn't mean the story isn't complex and enjoyable. Take the Indiana Jones movies, for instance. Or the original Star Wars trilogy.

2d. Is the protagonists external problem clearly resolved at the end? 

Even if there are aspects of your story that aren't resolved and are intended to carry on into future books, (I think) your protagonists external goal has to have some sort of resolution. If it doesn't your readers will get cranky. (I know I do. :-)

Well, that's it for now! I'll be revisiting this topic again, soon. If you have any tips you'd like to share, please do!

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NaNoWriMo will soon be over but I liked the little update I gave at the end of my posts so I'm going to try an experiment. I'll continue it but instead talk about what I'm reading. My current addiction (that's how I read, in great uncontrolled gulps) is Jeaniene Frost's Night Huntress series. I'm on book number two: Halfway To The Grave. Isn't Bones great? Jeaniene's books are paranormal romance, but with a strong action/adventure backbone. Great storytelling.

Other articles you might like:
- 11 Steps To Edit Your Manuscript. Edit Ruthlessly & Kill Your Darlings
- How To Become More Creative: Nurturing Your Muse
- Using Pinterest To Help Build Your Fictional Worlds

Photo credit: "Flamingos Partying" by szeke under Creative Commons Attribution 2.0.

11 Steps To Edit Your Manuscript. Edit Ruthlessly & Kill Your Darlings

The Key To Good Writing Is Re-Writing

We're nearing the end of November and beginning to think abut life after NaNoWriMo. (When we'll actually have that thing known as spare time!)

Soon you'll have a (more-or-less) completed first draft of a novel or novella. (40,000 words seems to be the upper end for a novella, at least according to Ian McEwan, so you'd have to trim 10,000 words, but that would likely make your story stronger. (See: Ian McEwan Believes The Novella Is The Perfect Form Of Prose Fiction)

You've probably heard this expression before: The key to good writing is re-writing. That's not to say a writer couldn't get it right on the first draft. Some writers can sit down and produce a publishable story in one draft--or one draft and minor cleanup.

I admire them! But many of us--perhaps MOST of us--aren't like that. Stephen King for instance.

How Many Re-Writes Are Enough?

Many professional writers say that three re-writes does it for them. Stephen King writes:

Now let’s talk about revising the work—how much and how many drafts? For me the answer has always been two drafts and a polish (with the advent of word-processing technology, my polishes have become closer to a third draft).

You should realize that I’m only talking about my own personal mode of writing here; in actual practice, rewriting varies greatly from writer to writer. Kurt Vonnegut, for example, rewrote each page of his novels until he got them exactly the way he wanted them. The result was days when he might only manage a page or two of finished copy (and the wastebasket would be full of crumpled, rejected page seventy-ones and seventy-twos), but when the manuscript was finished, the book was finished, by gum. You could set it in type. Yet I think certain things hold true for most writers ... If you’re a beginner ... let me urge that you take your story through at least two drafts ... (On Writing, Stephen King)

Whatever works for you--whether it's 1 draft or 21, that's okay. The important thing is that we finish. As Neil Gaiman says, "You write./ You finish what you write (Advice to Authors).

Advice on Editing

An integral part of re-writing is editing. For advice on editing I've turned to Ray Morton and his wonderful article, Rewriting is Writing.

1. Walk Away

Ray writes:

The single most important tool you will need to do a successful rewrite is perspective—the ability to see your work for what it is, rather than what you hoped it would be. Perspective is impossible to attain when you are caught up in the frenzy of the creative process. So, once you have finished your initial pass, walk away from it for a week or two, or five. This break will ensure that when you return to your work, you will be able to view it with fresh, objective eyes.

Stephen King agrees. He writes:

Now let’s say you’ve finished your first draft. Congratulations! Good job! Have a glass of champagne, send out for pizza, do whatever it is you do when you’ve got something to celebrate. 

.  .  .  .

You’ve done a lot of work and you need a period of time (how much or how little depends on the individual writer) to rest. Your mind and imagination—two things which are related, but not really the same—have to recycle themselves, at least in regard to this one particular work. My advice is that you take a couple of days off—go fishing, go kayaking, do a jigsaw puzzle—and then go to work on something else. Something shorter, preferably, and something that’s a complete change of direction and pace from your newly finished book. (I wrote some pretty good novellas, “The Body” and “Apt
Pupil” among them, between drafts of longer works like The Dead Zone and The Dark Half.)

How long you let your book rest—sort of like bread dough between kneadings—is entirely up to you, but I think it should be a minimum of six weeks. During this time your manuscript will be safely shut away in a desk drawer, aging and (one hopes) mellowing. Your thoughts will turn to it frequently, and you’ll likely be tempted a dozen times or more to take it out, if only to re-read some passage that seems particularly fine in your memory, something you’d like to go back to so you can re-experience what a really excellent writer you are.

Resist temptation. (On Writing, Stephen King)

2a. Reread Your Script

I would add: DO NOT EDIT! Read it through once and take notes on what needs to be added, deleted and changed in a separate file or on a pad of paper. And NO going back or skipping forward. Read it through from first to last.

This can be painful. You'll see constructions that are, to say the least, infelicitous. Resist the urge to change them. Why? Because if you're anything like me once you start editing you just won't be able to stop and what you really need to do is re-load the entire story back into your head.

If you begin changing your manuscript before you've fully reacquainted yourself with the story you could make disastrous mistakes. For instance, once I forgot where I was going with a particular arc and wrote (what I thought was) a beautiful scene which took one of my main characters in a completely different direction. As a result I either had to change a major aspect of the plot or throw out one of the strongest scenes. I elected to put the book aside while I pondered the delemma. I still haven't picked it back up!

2b. Ask The Following Questions:

"Is the premise of the piece understandable and established early on?"

Ray writes:

The premise is the seed from which the rest of your narrative grows and must be clearly set up in the opening pages of your ... [novel]. If you have reached page 15 or 20 and it is still not obvious what your story is about, then you have some work to do.

"Does the ... [manuscript] tell the story that you intended it to tell?"

Ray writes:

When deeply immersed in the writing process, it’s easy for a writer to get carried away by subplots, wander off on tangents, and become enamored by a single scene at the expense of the overall narrative. If that happens, use the rewrite to get your tale back on track.

"Are there any elements in the ... [story] that do not directly support the central theme or narrative?"

Anything that does not serve the story gets cut. As Stephen King says: Kill your darlings!

"Is the protagonist’s primary goal clear and does his pursuit of that goal drive the narrative?"

Ray writes:

In dramatic storytelling, a protagonist has a strong objective that he/she sets out to achieve. All of the choices the protagonist makes, every action he takes and obstacle he overcomes should bring him closer to accomplishing that goal. If they don’t, then you must redirect him.

Is every single piece of backstory "vital to the narrative or theme of your piece"?

If not, you know what to do.

Is it the right genre?

Ray writes:

Does your story fulfill its genre expectations? In other words, if it’s a comedy, is it funny? If it’s a horror film, is it scary? If not, then a major rewrite is in order.

3. Revise Your Story

Now that you've reacquainted yourself with the story and you have a list of things that need to be deleted or changed, get to it!

4. Repeat Until Done

Just as you need a break between the first and second draft, so you need to take a break between the subsequent drafts, but perhaps not as long of a break. Take a day or so off then continue the editing process.

5. Get Feedback

Depending on your process, you might have let someone, or perhaps even a few people, read your manuscript after the first draft.

Regardless, at some point your manuscript will reach a finished stage and then you'll send it out to your beta readers. At this point I would give my manuscript to my critique group and to other writers I've met over the years and ask them for feedback.

Ray cautions:

Choose folks who can analyze your piece with an objective eye and who will give you honest and constructive criticism. Seek out fellow writers and industry colleagues—people with a grasp of the nuts and bolts of screenwriting ...

I would add that you should choose readers who are familiar with the kind of book you've written. For instance, if it's a paranormal romance, don't ask someone who only reads science fiction to critique it. They'll proably hate it, but that's okay, they'd probably hate the best paranormal romance.

This also goes for reviews. In general, you don't want a review from someone who dislikes, or who is completely unfamiliar with the genre your book is from.

Ray continues:

Once all of your analysts have responded, analyze their analysis. If one person takes issue with some aspect of your script, then it could just be that person’s problem. However, if a number of people have the same problem, then it’s likely that the fault lies with the script and will need to be addressed.

Excellent advice.

6. Listen The The Feedback

Feedback doesn't do any good if it's ignored.

7. Rewrite Again

Do another rewrite. By this time it'll probably be physically painful to go back to your book and make changes, but you're almost done.

8. Hold a Reading

Ray is giving advice to scriptwriters but I'm passing it on because most of it applies to novelists. Most of it, this is one thing that's different. A screenwriter can throw a party and ask his friends to each take a part and help read the script, but this would be more difficult for a writer to do. For starters, novels are generally much longer than screenplays!

9. Proofread

Get someone else to proofread your manuscript. If you can afford it hire a copy editor to look for grammatical mistakes, logical errors, typos, misspellings, etc. If you absolutely cannot afford a copy editor then strike a deal with one of your writing friends, get them to line edit your manuscript and in return you can line edit theirs.

10. Don't Rush

Ray advices:

[T]ake your time and put as much care into the rewriting of your work as you put into the initial writing. It may take more time in the short run, but the long-term rewards will be worth it.

11. Celebrate!

I added this point. As soon as you've either sent your manuscript off (whether to your editor or to a self-publishing platform) you owe it to yourself to relax and celebrate your achievement.

Well, that's it! If you only remember one thing from this post I hope it's this: Whatever happens, even if you think it's hopeless, finish your story. Later you'll be glad you did.

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NaNoWriMo Update: Only 900 and some words to go! My manuscript is at 49,104 words so I'm hoping to be finished tonight. Yes!! So happy. :-)

Other articles you might like:
- NaNoWriMo: The Homestretch & Kindling The Will To Write
- Using Pinterest To Help Build Your Fictional Worlds
- How To Become More Creative: Nurturing Your Muse

Photo credit: "Bialetti Robot" by _Zeta_ under Creative Commons Attribution 2.0.

NaNoWriMo: The Homestretch & Kindling The Will To Write

We're pulling into the homestretch of NaNoWriMo!

Exhaustion is setting in. I feel like a marathoner nearing the end. I've seen pictures of runners near the finish line reaching out for a tiny paper cup of cold water, dumping it over their heads with an expression of ... well, not ecstasy, but close.

That shock of cold gives them the impetus they need to keep going, to find the will to finish.

This morning I found my impetus in the form of Kathy Steffen's article, 10 Quick Tips to Get Your Writing Back on Track! It gave me the jolt I needed to keep putting one word after another.

Below are 5 of Kathy's 10 tips:

3. Print out motivation quotes or writing affirmations and tape them to your computer so you will see inspirational words every day. We all can use a cheering section. Make your own.

6. Collage your book or your writing goals. Visuals can be inspirational and bring a different motivational aspect to your writing. Don’t like glue stick? Have you tried Pinterest? It’s more than pinning recipes. I use Pinterest to make WIP boards. This one comes with a warning. It can be a huge time drain, but only if you let it. Just be sure to set a timer and limit your time on the site, and stick to your WIP board. Later, as a reward for writing, give yourself a little “fun” Pinterest time.

I love this tip! Just yesterday I wrote about using Pinterest to help organize research for your work in progress. (See: Using Pinterest To Help Build Your Fictional Worlds)

7. Make a writing sound track. Whether it’s for a specific book or just music that inspires you to write, make the soundtrack and play it! And write.

Kim Harrison is someone who does this, she can tell you what sort of music each of her major characters from the Hollows likes. She's even made playlists for them! (See: Writing To Music: Knowing Your Characters)

8. Set a timer for ten minutes and write a journal entry about what writing means to you. Inspire yourself by putting words on a page and remember what writing brings to your life. Remember why you love to write and write about it.

This exercise is how I worked through a particularly bad case of writer's block. Well, this one is similar. All I did is write for four pages or 8 minutes, whichever came first. In my imagination I re-entered the first scene of my last story and wrote about what I saw. That's it. The damn burst and words spilled out of me. (See: Vanquishing Writer's Block)

9. Hook up with a critique group or partner. Being accountable is a terrific motivator and a deadline every week  (or even every month) will keep your eyes on the prize, as they say. A group or partner will force you into writing consistently, and before you know it, sitting down to write will be second nature! This one keeps providing motivation, long after you’ve begun.

Great advice! I speak from experience. Here is what Kim Neville has to say about it: Lessons learned: Why I love giving critiques.

Kathy's article was published on the How To Write website. If you haven't visited them yet I'd highly recommend it. They have great articles about every aspect of the craft of writing.

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NaNoWriMo Update: As of last night my manuscript was at 47,025 words. Only two NaNoWriMo writing times to go!! :-)

Other articles you might like:
- Using Pinterest To Help Build Your Fictional Worlds
- How To Become More Creative: Nurturing Your Muse
- For NaNoWriMo: 10 HarperCollins Books On Writing For $1.99 Each

Photo credit: "Mumbai Marathon -011" by through my eyes only under Creative Commons Attribution 2.0.

Using Pinterest To Help Build Your Fictional Worlds

I love Pinterest. I mean, who wouldn't? If only it wasn't a lethal time-sink! I love looking at beautiful pictures and chatting with friends. Since Pinterest combines both it's like visiting a virtual art gallery with dozens of your best buds and getting to curate your own collection.

I figured out a LONG time ago that I needed to limit my time on Pinterest if I wanted to get anything done.

That's why I was surprised when I came across Daniel's article, Using Pinterest For Your Novel. It never occurred to me that The Great Timesink could be harnessed for good.

Who knew?

Pinterest Right-Click

Before I say anything more about using Pinterest to help organize your novel I'd like to talk about how to get a plug-in for your browser that will allow you to right-click on any picture you find on the web and pin it to one of your boards.

I use Firefox so that's the browser I talk about, but I'd be surprised if similar plug-ins don't exist for your favorite browser.

Pinterest Right-Click is the name of an add-on you can get that will help you collect images from the web and pin them to one of your boards. After you install the add-on all you have to do is right-click on an image. You'll be asked which board you'd like to pin it to and that's it! Quick and convenient.

Organize Your Research With Pinterest

Pinterest provides and great way to visually organize your research for a novel.  For instance, you could have one board for pictures of locations, one board for pictures of casting choices for your characters and one board dedicated to the music that not only inspired you as you write your novel but which your characters like to listen to.

But that's just the beginning! You could have boards for what their homes look like, their wardrobes, landscape features such as gardens, where they like to go on vacation, what their families look like, what they dream about, and so on.

Here's my Pinterest board for my NaNoWriMo novel: NaNoWriMo 2012.

Locations

When I draft a story I tend to think visually. What a great idea to use a Pinterest board to hold miscellaneous images you come across on the web, images that remind you of various locations, or possible locations, in your novel.

In my NaNoWriMo novel one of my characters, a mage, lives in an ice fortress (no, he's not superman!) and I have an image in my mind of what it looks like. I just Googled "ice fortress", found lots of great pictures that ... while none of them was  exactly like the image I have in my mind, they're fairly close and evocative in their own way.

Using Pinterest Right-Click I easily created a new board "NaNoWriMo 2012" and pinned those photos to my board.

Your Characters - What They Look Like

Although it changes, in the beginning I have certain ideas about what my characters look like. Though perhaps it's only partial. Perhaps I'll know that the antagonist has long thick black flowing hair that gleams in sunlight. It's fun to use Google images to help fill out the picture.

I just went through and pinned a few images of how my characters could look and found out something valuable. Apart from Robyn, my protagonist, I'm not sure how the other characters look, especially her friend and side-kick Jane. Good to know! That's something I'll have to work on in the second draft.

Music - What Would Your Characters Listen to?

Since Pinterest is a visual medium the best we can do is pin pictures of albums, concerts, songs, magicians, and so on. Though it would be be great if we could pin the actual songs!

Before this moment this isn't something I've thought about for my characters, what kind of music they'd like. It's good to think about, though. This helps bring out other aspects of their personality. At the moment all I know is that Robyn likes classical music. That might change, though, as I get to know her better.


I'm finding there are a multitude of creative ways to use Pinterest. If you have one you'd like to share, please do! :)

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NaNoWriMo Update: Hurray! 45,025 words. Only one caffeinated writing jag away from the end. Not that I think that's going to happen, though it would be nice to finish tomorrow! Still, I think I'll continue to take it slow and steady so, if I keep my current pace, I'll be finished Monday. Which works out perfectly, since I wanted to be done before Jim Butcher's Cold Days comes out on the 27th.

I hope I didn't just jinx myself! lol

Other articles you might like:

- How To Become More Creative: Nurturing Your Muse
- For NaNoWriMo: 10 HarperCollins Books On Writing For $1.99 Each
- Robert J. Sawyer: Showing Not Telling

Photo credit: "Brown Bear having fun, rolling in the grass on his back with paws up" by Beverly & Pack under Creative Commons Attribution 2.0.

How To Become More Creative: Nurturing Your Muse

If the first rule of writing is "writers write" then a close second is "writers read".

I haven't been reading. Sure, there are reasons--too busy, don't want to use it to procrastinate, haven't found a book I love, and so on--but for the past few days getting my 2,000 words a day for NaNoWriMo has been like an exercise in self-torture.

Yesterday I had one of those 'light bulb' moments where I realized my problem might be that I haven't read enough, so I downloaded a book from my local library and started reading. Or, to be precise, listening.

Perhaps I shouldn't admit this, but I stayed up till 7 am listening to that book! I just couldn't stop. I think my muse was starving.

Nurturing Your Muse

This is why, for my second post today, I want to talk about ways to nurture the muse within us all.

The following is from a post over at The Creativity Post called 101 Tips on How to Become More Creative by Michael Michalko.

1. Take a walk and look for something interesting.

3. Open a dictionary and find a new word. Use it in a sentence.

6. Create the dumbest idea you can.

7. Ask a child.

10. Create an idea that will get you fired.

11. Read a different newspaper. If you read the Wall Street Journal, read the Washington Post.

14. What is your most bizarre idea?

15. List all the things that bug you.

16. Take a different route to work.

22. Doodle

24. Go for a drive with the windows open. Listen and smell as you drive.

40. Daydream.

50. Eat spaghetti with chopsticks.

51. Make the strange familiar.

52. Make the familiar strange.

55. Wear purple underwear for inspiration

63. When you wake write down everything you can remember about your dreams.

69. Talk to a stranger.

75. Change your daily routines. If you drink coffee, change to tea.

85. Learn to tolerate ambiguity.

86. What have you learned from your failures? What have you discovered that you didn’t set out to discover?

87. Make connections between subjects in different domains. Banking + cars = drive in banking.

90. Hang out with people from diverse backgrounds.

96. Sit outside and count the stars.

99. Cut out interesting magazine and newspaper pictures. Then arrange and paste them on a board making a collage ...

I hope your muse is well-fed and willing to help spin your tales! If you have any tips you'd like to add, please do. :-)

Other articles you might like:
- For NaNoWriMo: 10 HarperCollins Books On Writing For $1.99 Each
- Writers: How To Use Permanently Free Books To Increase Sales
- The Nature of Creativity: Science And Writing: Don't Edit Yourself

Photo credit: "untitled" by 416style under Creative Commons Attribution 2.0.

For NaNoWriMo: 10 HarperCollins Books On Writing For $1.99 Each

I read about this sale over on Kim Harrison's site but it's such a great deal I wanted to post about it too. There are few things Writers like more than reading books on Writing, especially during NaNoWriMo!

I tried some of the links on HarperCollins' site but the books don't seem to be discounted at every retailer. For instance, Amazon doesn't have all these books on for $1.99, at least not when I checked.

Here are links (all go to Barnes & Noble) to 10 books on writing on sale for $1.99 in honor of NaNoWriMo:

1. Write For Your Life, by Lawrence Block

I haven't read this book but if it's by Lawrence Block it's going to be good. I love, and still use, his book How To Tell Lies For Fun and Profit.

2. On Writing Well: An Informal Guide to Writing Nonfiction, by William Zinsser

I've read this and re-read it many times. An excellent book to have in your reference library.

3. Write Away: One Novelist's Approach to Fiction and the Writing Life, by Elizabeth George

I love reading books on writing that have been written by prolific bestselling authors such as Elizabeth George. Ms. George wrote the series that the BBC's Inspector Lynley Mysteries is based on.

4. Reading Like a Writer, by Francine Prose

I just started reading this book, and I think it's brilliant! Here's an excerpt:

Can creative writing be taught? ....

[I] answer by recalling my own most valuable experience, not as a teacher but as a student in one of the few fiction workshops I took. This was in the 1970s, during my brief career as a graduate student in medieval English literature, when I was allowed the indulgence of taking one fiction class. Its generous teacher showed me, among other things, how to line edit my work. For any writer, the ability to look at a sentence and see what’s superfluous, what can be altered, revised, expanded, or especially cut is essential. It’s satisfying to see that sentence shrink, snap into place, and ultimately emerge in a more polished form: clear, economical, sharp.

Anyone who can write like that is worth reading!

5. Elmore Leonard's 10 Rules of Writing, by Elmore Leonard

This is a short book, but you don't need a lot of space to communicate the essentials. For instance, "Never use an adverb to modify the verb 'said'." Stephen King would agree with that. I think many writer's regard it as some kind of sin; mortal not venal.

6. Escaping Into the Open: The Art of Writing True, Elizabeth Berg

I haven't read this one (yet!) but Elizabeth Berg has written enough books to know what she's talking about.

7. The Writing Life, by Annie Dillard

8. Unless It Moves the Human Heart: The Craft and Art of Writing, by Roger Rosenblatt

A different kind of book on writing since it's written more-or-less as an unfolding story about writing.

9. How to Write: Advice and Reflections, by Richard Rhodes

I think this is the only book on Writing I've ever read that was written by a Pulitzer Prize winner. Richard Rhodes has an impressive catalog of books to back up his musings.

10. How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them--A Misstep-by-Misstep Guide, by Howard Mittelmark, Sandra Newman

Well, that's it! I don't know exactly how long these books will be on sale for, on HarperCollins' site it just says "for a limited time" but since they're billed as NaNoWriMo books I'm guessing they'll be on sale through November.

It's not on sale, but the book that has pride of place on the self where I keep my reference books is Stephen King's On Writing. I can't recommend it highly enough.

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NaNoWriMo Update: Arrrrrrrrgh! Sometimes writing is easy and sometimes it's hard, for the last three days it's felt like I had to chisel words from stone! Bah! Still, I got my 2k done. My manuscript is now 43,018 words long. I hope to have 45k done by tomorrow. The end is in sight! :-)

Other articles you might like:

- Robert J. Sawyer: Showing Not Telling
- Creating Memorable Supporting Characters
- Using Permanently Free Books To Increase Sales: Part 2

Photo credit: "NaNoWriMo Calendar 2012 Fresh Ribbon A" by Monda@NoTelling under Creative Commons Attribution 2.0.