Character Archetypes

Here (see below) are two links to pages that have an amazing amount of information on character archetypes.

I'm working on the fourth segment on my Starburst Writing Method (I must have a sweet tooth!) and went looking for examples of archetypes. These pages were too good to keep to myself so I'm sharing them with you.

1) TV Tropes: Archetypal Character
This site not only gives a definition for each archetype but it gives examples from Anime and Manga, Comic Books, Film, Literature, Theater, and so on.

2) Christopher Vogler's Character Archetypes
Here we find a list of Vogler's seven archetypes as well as the 12 stages of the hero's journey. If you haven't read Vogler's book, The Writer's Journey, I highly recommend it, but this page serves as a very nice summary.

Cheers!

Photo Credit: Story Fanatic; The Matrix

Vanity Publishing for the rich: a ghostwritten book for 'only' $100,000

Want to write a book but can't find the time? Venture Press will set you up with a ghostwriter, edit and publish your book, for a mere $100,000 dollars. In case it wasn't obvious, my tongue is firmly in my cheek.

It's funny, I was watching Shark Tank, I can't remember which season, and someone made a pitch like this -- unsuccessfully I might add -- I wonder if it's the same person.

The Los Angeles Times has an article on Venture Press: Self-publishing for the 1%.

Thanks to Passive Guy for the link to the article.

Photo Credit: Spontaneous Combustion, Thoughts on Self Publishing

Links:
 - Venture Press
  - Self-publishing for the 1%

How To Start A Blog

Thinking of starting a blog? Great! Now all you have to do is choose a blogging platform, a topic, a name for your blog, register a domain name, design the look of your blog and post regularly. Don't worry though, you can do it, you just have to take things one at a time.

Blogging Platforms
What I hear from most bloggers -- okay, ALL of the other bloggers I've read or talked to about this -- is that Wordpress is, hands down, the best platform/content management system to use, whether Wordpress.com or Wordpress.org. That said, my blog is currently hosted on Blogger.com and I'm very happy with my choice. I've had good integration with search engines, which isn't surprising since Google owns Blogger. And Blogger is not only free to use but free of ads; you can choose to monetize your site and, if you do, you keep 100% of the proceeds. That said, many folks have had good experiences with Wordpress.com, which is also free, although you do have to pay if you'd like the site advertisement-free and if you'd like to use your own domain name.

To complicate matters, Wordpress.org and Wordpress.com are two different sites, each offering their own version of the same content management system (CMS). You can download the Wordpress CMS from Wordpress.org for free, but you have to host it on your own hosting site and install it yourself, or get someone to do it for you. If that seems daunting, you might be better off going with Wordpress.com, which is like Blogger in that you can easily and quickly get your website up and running. Also, for a reasonable fee, Wordpress.com will help you move your blog to your own hosting site, if you decide to do that in the future.

Another blogging platform is Tumbler. Like Wordpress.com and Blogger.com, Tumbler does not require a newbie to invest any money up-front. I don't currently have a Tumbler blog, but I've been meaning to start one just to see what it's all about. I've heard that it's a cross between Twitter and a traditional blog, so folks can make shorter blog posts more frequently. Also, it makes it easy to share photographs, audio files, and so on. (Update: I've created a tumblr blog, and had fun doing it!)

Other blogging platforms are MovableType, SquareSpace (not free), Posterous Spaces (free), Joomla! (free, but you need a hosting site). I'm sure there are many more blogging platforms out there, but these are the ones I've come across most often.

For anyone interested in reading a more in-depth article about the different blogging platforms, take a look at, Five Best Blogging Platforms, by Lifehacker.

Choose A Topic
If you already know what you're going to blog about, great! If not, keep in mind that you'll want to choose something that you will be interested enough in to blog about for, possibly, years to come. If you are thinking about becoming a professional blogger, the situation becomes more complex and I'll leave that for another blog post.

Choose A Name
The agony! Nothing about starting a blog is harder than choosing a name. I don't know why it's so hard, but it has always taken me ages to decide on a blog name. (You may be wondering what could be so agonizing about using my name as the title of my blog; okay, this blog was the exception!).

A good blog name is short, unique and witty. Keep in mind that you'll likely want to create a Twitter account using your blog name, or parts of it, and a Twitter user name can be no more than 15 characters long.

Register Your Domain Name
After you've chosen a name, quick! Register it. Although I don't use it for this blog, I've had a hosting account at 1and1.com since 2000 and I couldn't be happier. Also, and more to the point since we're talking about domain names, 1and1 sells .com and .net domain names for $10.00 a year. (And, no, I'm not part of 1and1's affiliate program, so I won't benefit if any of you sign up.)

If you're looking for a hosting site, I've already mentioned 1and1, but I've also heard good things about BlueHost and WebHostingHub. Additionally, Wordpress.org has a page of recommended hosts: WordPress Web Hosting.

Web Design and The Absence of Ugliness
When you first start a blog you might not want to spend money to hire a designer. It may sound odd, but one thing I keep in mind when I design something is that I don't want it to look ugly. To me that means I strive for simplicity. That may sound underwhelming, but it has served me well in the past. Ultimately, though, I think the best advice is to do what works for you, what expresses your unique personality.

Post Regularly
You don't have to post every day, or even every week, but if you want to build up an audience you do have to post regularly. Even if you only post once a month, make sure that you post at the same time each month.

As I write this I'm reminded I stopped blogging for a few months due to the illness and eventual passing of my father. So, like all advice, take this with a grain of salt. A blog shouldn't be a ball and chain. Some bloggers are up-front about not having a blogging schedule. They blog whenever they are inspired to do so, and that seems to work out well for them. Perhaps the important thing is to be up-front with your readers about your schedule, even the absence of one.

Above all: Write!
Being a blogger is another way of being an author, a writer. Most folks have heard about the 10,000 hour rule, that to be successful in any field takes about 10,000 hours of practice. Well, blogging is excellent practice! The more you write, the better you'll be at it.

Some folks I've talked to don't want to put up anything on their blogs because they're worried that future agents or editors will come by, see their flawed early efforts, and judge them unworthy of attention. Of course this could happen but, personally, I think that most folks would be forgiving of the occasional typo or grammatical gaffe.

At least, one can hope!

Now I have to practice what I preach and work on part 4 of my Starburst Writing Method series.

Thanks for reading!

Terry Gilliam's New Movie: The Wholly Family

A few years ago I watched Monty Python: Almost the Truth -- Lawyer's Cut, and can't recommend it highly enough to anyone who enjoys Monty Python, as well as to anyone who is thinking of sending their own work out into the world, hoping to make a go of it financially. It helps to learn that even the talented individuals in Monty Python had bad luck, critics and setbacks.

I decided to check out what Terry Gilliam has been up to lately and discovered that he is pushing the envelope of digital publishing. He has written and directed a short 20 minute movie, The Wholly Family. According to IMDB it is about "An American family in the streets of Naples." Gilliam's daughter, Amy Gilliam, was a producer for the project.

Here's a description of The Wholly Family from IMDB:

About half a year ago, Terry Gilliam started shooting in Naples. The little boy Jake in the film was played by a child who went to the same school as me in Rome. Because I knew him, I was able to snag a DVD copy of the film when it was released.

When a troubled family of three take a vacation to Naples, it will take the efforts of the Pulcinella to show the family just how special they really are.

The main actors all do a fine job in portraying a family that has been torn apart, but the supporting actors shine as the inhabitants of Naples. The abundance of actors familiar with their location all help it to be more believable. Obviously the real star is Terry Gilliam, and this short if full of his trademark wide-angle shots, surreal visuals, and dark humor. Not all of it is to be taken seriously, but certain images presented in this film are sure to leave an impression. The scene where the Pulcinella carry Jake on the bridge cutting into the sea is something I probably won't forget any time soon.

Overall, if you ever manage to find a copy of this short film, I highly recommend giving it a view. It's very entertaining, and might be the best short film Gilliam has ever directed. I give it four Ben 10 action figures out of five.

(Keep an eye out for two small baby-masks from Brazil during the baby doll scene).
- by Nickolas-Devito

This was the first time I'd heard about an artist exclusively distributing their own film from their website, but apparently I'm behind the times. In 2007 Radiohead published and distributed their 7th album, In Rainbows, as a digital download that customers could order for whatever amount they wished to pay.

Comedians Louis C.K. and Aziz Ansari have followed in Radiohead's footsteps. The choice to offer a digital download from his website paid off for Louis C.K. since he made a million dollars in the first 12 days!

So far, the business experiment has paid off, with C.K. making $1 million in sales within 12 days, which he split between production costs ($250,000), bonuses to staffers ($250,000) and donations to charities ($280,000), keeping just $220,000 for himself. And now other comedians are following C.K.'s digital footsteps by applying the small-business model to their comedy acts, skipping the middleman and shaking up the studios and corporations that have traditionally profited from these comedy specials.
- Louis C.K. Video Inspires New Business Model For Comedians

You can also read about Louis C.K.'s financial success on the website where he is selling his digital download: Louis C.K.'s digital download.

The success of these artists makes me think that perhaps established authors would do well to offer a book or two from their websites.

Thanks for reading.

Links:
- Terry Gilliam's new movie: The Wholly Family
- The Wholly Family on IMDB
- Monty Python on IMDB
- Terry Gilliam on IMDB
- Louis C.K.'s comedy special: Live at the Beacon Theater
- Aziz Ansari: Dangerously Delicious

How To Use Your iPad to Subscribe to a YouTube Channel

I love my iPad, and I love watching YouTube videos, so naturally I wanted to use my iPad to subscribe to channels I liked. It seemed as though it should be simple, but for months exactly HOW to do this eluded me. Finally I figured it out.

Imagine you're watching a YouTube video, perhaps one of John and Hank Green's Truth or Fail videos, and you decide you want to subscribe to the channel. How would you go about doing this?

1) Press the blue "Done" button in the top left-hand corner of the screen.

2) Press the "More From" menu button in the top right of the screen (it's beside "Related" and "Comments")

3) Just under the "More From" button you'll see "Move Videos from " and then a "Subscribe" button.

Thanks it!

Thanks for reading.

7 Laws of Productivity

1. Don't hesitate. Don't get bogged down in the planning phase. Act and you'll get valuable feedback that only comes with DOING.

2. Start Small. Start small, test your idea/concept out, work out some of the bugs, get more funding, THEN go big.

3. Avoid project creep. At the beginning of your project set out what you want to accomplish. Don't add things! Do what you set out to do and then move on to the next project.

4. Maintain momentum. Work on your project a little bit each day. It can also help if you work on your project at the same time each day.

5. Don't try to do it all at once. If your project is going to take years to accomplish -- for instance, writing a novel -- break your project up into phases and just concentrate on finishing one phase at a time.

6. Don't slavishly follow any set of rules, even these. Know when you need to take a day off and do your own thing. You need experiences to feed your creative side and renew your will to finish your projects. Experiences stoke our creative energy.

7. Have fun!

My seven points were inspired by Behance Team over at 99% and her article, the 10 Laws of Productivity.

Photo Credit: bornstoryteller

Adobe Story: From Script to On Set Production

Ever wanted to write a script and, magically, have a list of shots generated from it? That's the promise of Adobe Story. And, better yet, it's free! At least for now.

If you want to take Adobe Story out for a test drive head on over to the Adobe Site and, if you don't have one already, create an Adobe ID. After that you can begin using the program. There's an online component -- this allows you to collaborate with other screenwriters on the same script -- and there's software you can download to your desktop.

If you're interested, get the software now since it's only free for a limited time.

Links:
Adobe Story
List of training videos for Adobe Story

Writing: The Starburst Method, Part 3

Today we are going to continue our discussion of what I've been calling the Starburst Method. Previously, we formulated a one or two sentence description of the story and expanded it into five sentences which roughly follow the 3-act structure of a play. For your convenience, here are links to part 1 and part 2:

The Starburst Method, Part 1: Creating a one sentence summary
The Starburst Method, Part 2: Developing our one sentence summary
The Starburst Method, Part 3: Creating a five paragraph summary
The Starburst Method, Part 4: Developing characters
The Starburst Method, Part 5: Creating a five page summary
The Starburst Method, Part 6: Developing scenes
The Starburst Method, Part 7: The character grid
The Starburst Method, Part 8: The rough draft and narrative drive

3.Turn each of your five sentences, or mini-paragraphs, into individual paragraphs.
Keep the following points in mind:
3.1. Each paragraph should contain conflict.
3.2. The first four paragraphs must end with a problem, something that creates conflict.
3.3. Have last paragraph tell how the story ends.

I love it when other people give examples, so I'm demonstrating these steps by writing a short story. I'm a bit self-conscious about putting my writing out there, but this is just an example and it has been rather fun to do. Perhaps a few of you will follow along and write your own stories with me!

Here are the five sentences I came up with in part two:

1) A wealthy English aristocrat dies of a heart-attack after breaking the seal on the tomb of a long-dead Egyptian pharaoh. The aristocrat's death is quickly followed by the death of two men who were with him when the seal was broken: A wealthy American financier and the financier's nephew.

2) Afraid that her son will be the next casualty, the aristocrat's wife hires a private detective to uncover the true cause of the deaths, whether it is an ancient Egyptian curse or something more mundane. The detective accepts the commission and he and a college travel to Egypt to investigate.

3) As the detective arrives at the camp a renown archeologist, one who was present when the seal on the tomb was broken, dies in the most agonizing of ways. The man, an Egyptologist, was competing with an equally renown colleague from another institution. Could his rival have taken advantage of the situation to off his rival and blame it on the curse?

4) Although everyone discounts the possibility of an ancient Egyptian curse being the cause of the deaths, they spurn the detective's efforts to arrive at the truth. Did these men die from natural causes or from an ancient curse, or perhaps someone among on expedition is systematically killing people.

5) In the end, the detective uncovers the cause of the deaths: greed. The greed of someone who stood to inherit a great deal of money from the nephew, and sole surviving heir, of the wealthy financier. The archeologist was killed as a red herring.

Now I need to expand these mini paragraphs.

1) Sir Henry Winthrop, a wealthy English aristocrat leading an expedition in The Valley of the Kings, dies of a heart attack after breaking the seal on the tomb of a Egyptian pharaoh. The locals believe the man triggered an ancient curse and now the entire party is under a death sentence. For the most part, the scientists in the expedition do not believe the murmurings of doom – Sir Henry was elderly and in a state of excitement before he died, not the best thing for a man with a bad heart -- and put talk of a curse down to local superstition. After a day or two life around camp begins to return to normal. Then Mr. Kevin Reid, one of the men who broke the seal on the tomb and the money behind the project, takes ill and dies. Once again, the cause of death is, apparently, natural – septicemia. But what lies behind the disease itself? Something natural or, perhaps, supernatural?

2) Afraid her son will be the next casualty, Sir Henry's widow hires a private detective, Hexanon Pennystripe, to uncover the true cause of the deaths, whether it be an ancient Egyptian curse or something considerably more mundane. Her only interest is the well being of her son and only child. The detective accepts the commission and prepares to travel to Egypt with his intrepid colleague, Dean Armandale, to investigate. Before our crime fighting duo travels to meet up with the expedition in The Valley of the Kings, Armandale flies to New York to speak with Mr. Martin Reid, the nephew of the recently deceased Mr. Kevin Reid, and his sole heir. Upon arrival he finds himself too late, for Mr. Martin Reid has taken his own life. Has the ancient curse of the pharaoh claimed yet another life?

3) Haxanon and his sidekick, Mr. Armandale, arrive in the Valley of the Kings just in time to witness the agonizing death of renown archeologist, Dr. Paisley Blue. Dr. Blue had contracted Tetanus some days ago and nothing Doctor Brian White used in treatment was effective. Dr. Blue, a world renown Egyptologist, had been competing with Dr. Marie Bruster for the prestigious chair of antiquities at Yale. Was this really a job to kill for?

4) Most people on the expedition publicly discount the possibility of an ancient Egyptian curse causing of the deaths and view Hexanon's willingness to entertain the possibility with distain. In fact, the one thing that seems to unite the expedition is their distrust of Hexanon Pennystripe and his good friend and colleague Dean Armandale. They are the newcomers, the outsiders. Hexanon wonders whether it is simply that those on the dig do not appreciate strangers in their midst asking impertinent questions, or whether it is something more sinister. Are these deaths all from natural causes, as they appear, from an ancient curse, or is there an all too human hand behind everything?

5) At the end of the story Hexanon uncovers the cause of the men's deaths: greed. The greed of someone who stood to inherit a great deal of money from the nephew, and sole surviving heir, of the wealthy financier. Sir Henry died of natural causes, Mr. Kevin Reid was killed and his money passed to his nephew, Mr. Martin Reid. Martin committed suicide and the money was set to pass to the murderer. The archeologist was killed as a red herring. The murderer was medical doctor, Dr. Brain White. He was the common thread between the men. He was the one who infected Dr. Paisley Blue with Tetanus.

Notes: There are several things I need to do:
- I need to develop the background of Doctor White and make it clear that he was at school with Mr. Martin Reid, nephew of the wealthy Mr. Kevin Reid. I also need to hint at the incident that led Martin to leave all his worldly possessions to the good doctor.
- I need to put more emphasis on the role of the detective.
- Most important of all: Thing of a better name for the detective!

In Part 4 we will flesh out the characters we've created.

Thanks for reading!

Photo credit

Writing: The Starburst Method, Part 2

Yesterday (see Writing: The Starburst Method, Part 1) we looked at crafting a sentence that summarizes your story and which has all the elements of your story in it, only compressed. Today we are going to expand that sentence into five sentences which embody the 3-act structure of a play.

2. Expand your one sentence into a five sentence paragraph.
There are two provisos here:

2.1. Take NO MORE than an hour to do this.
2.2. Have your paragraph mirror the 3-act structure of a play.

The 3-Act Structure of a Play
Let's discuss the 3-act structure of a play. Briefly, in the first act the reader is introduced to the world of the story and the characters who populate it, especially the main character, or protagonist. In the second act, or at the very end of the first act, the protagonist encounters an obstacle they must overcome and in the third act the protagonist overcomes the obstacle and enjoys their reward.
Of course that is a stark oversimplification – for starters, there can be, and often is, more than one main character and he or she does not always overcome their obstacle. But you get the idea.

There are many excellent books on screenwriting that discuss the three act structure of a play (and it isn't always three acts). Here are two I have read and enjoyed:

Save The Cat! The Last Book on Screenwriting You'll Ever Need

The Writers Journey: Mythic Structure for Writers, 3rd Edition

There are oodles of screenwriting books on the market, but these are two that I've read and can recommend. The Writers Journey is perhaps a bit more tailored toward novel and short story writers as opposed to screenwriters.

So, let's begin! Here, again, is the sentence I put together in the first step:

The death of a wealthy English archeologist sparks talk of a curse when two other people involved with the expedition die from seemingly unrelated causes.

Here's my first attempt at expanding my sentence into a paragraph:

A wealthy English aristocrat dies of a heartattack after breaking the seal on the tomb of a long-dead Egyptian pharaoh. The aristocrat's death is quickly followed by the death of two of the men who were with him when he broke the seal: A wealthy American financier and the financier's nephew. Afraid that her son will be the next casualty, the aristocrat's wife hires a private detective to investigate the possibility that there is a curse at work and to protect her son from whatever is happening. The detective accepts the commission and he and a college travel to Egypt to investigate. As the detective arrives at the camp a renown archeologist, one who was present when the seal on the tomb was broken, dies in the most agonizing of ways. Although everyone discounts the possibility of an ancient Egyptian curse being the cause of the deaths, people seem united in their desire for the detective to find out whether the deaths are all from natural causes or whether someone among on expedition is systematically killing people. In the end, the detective uncovers the cause of the men's deaths: greed. The greed of someone who stood to inherit a great deal of money from the nephew, and sole surviving heir, of the wealthy financier.

Okay, that's nine sentences, not five, and it doesn't mirror the 3-act structure of a play.

Here's what we need:

1st sentence: Sets the stage.
2nd sentence: 1st conflict of novel
3rd sentence: 2nd conflict of novel
4th sentence: 3rd conflict of novel
5th sentence: Gives the outcome.

Let's give this another try:
I didn't do this sentence by sentence, but here are my five sentences:

1) A wealthy English aristocrat dies of a heart-attack after breaking the seal on the tomb of a long-dead Egyptian pharaoh. The aristocrat's death is quickly followed by the death of two men who were with him when the seal was broken: A wealthy American financier and the financier's nephew.

2) Afraid that her son will be the next casualty, the aristocrat's wife hires a private detective to uncover the true cause of the deaths, whether it is an ancient Egyptian curse or something more mundane. The detective accepts the commission and he and a college travel to Egypt to investigate.

3) As the detective arrives at the camp a renown archeologist, one who was present when the seal on the tomb was broken, dies in the most agonizing of ways. The man, an Egyptologist, was competing with an equally renown colleague from another institution. Could his rival have taken advantage of the situation to off his rival and blame it on the curse?

4) Although everyone discounts the possibility of an ancient Egyptian curse being the cause of the deaths, they spurn the detective's efforts to arrive at the truth. Did these men die from natural causes or from an ancient curse, or perhaps someone among on expedition is systematically killing people.

5) In the end, the detective uncovers the cause of the deaths: greed. The greed of someone who stood to inherit a great deal of money from the nephew, and sole surviving heir, of the wealthy financier. The archeologist was killed as a red herring.

Our expanded sentence is not perfect but now at least we see the skeleton of a story begin to emerge. In the next post in this series we will transform each of our five sentences – or, in our case, mini-paragraphs – into individual paragraphs, keeping in mind that each paragraph should itself reflect the three-act structure of a play.

Thanks for reading!

The Starburst Method, Part 1: Creating a one sentence summary
The Starburst Method, Part 2: Developing our one sentence summary
The Starburst Method, Part 3: Creating a five paragraph summary
The Starburst Method, Part 4: Developing characters
The Starburst Method, Part 5: Creating a five page summary
The Starburst Method, Part 6: Developing scenes
The Starburst Method, Part 7: The character grid
The Starburst Method, Part 8: The rough draft and narrative drive

Photo Credit

Writing: The Starburst Method, Part 1

We've all developed our own writing methods. If there's a million writers in the world then there's AT LEAST a million methods. No one method is better than another, just different. This method might suit you and it might not. My hope is that you'll find something in it you find useful.

A few months ago I sat down at my writing desk after a particularly grueling shift at my day job and tried to write but the words wouldn't come. I asked myself, "How do I write a story?" How do I approach the initial idea and transform that into a story? That's when I began putting this method together. If you like it, try it out!

THE STARBURST METHOD

There are about 10 steps to this method so, to keep the size of my posts manageable, I'll roll it out over the next several days. Today, we'll take a look at the first step.

1. Formulate a one sentence description of your story

This comes from two screenwriters, Blake Snyder author of Save The Cat! The Last Book on Screenwriting You'll Ever Need, an iconic book on screenwriting, and Michael Hauge, author of The Hero's 2 Journeys. One thing these men have in common is the advice that, before you do anything else, formulate a log-line or a one-line; a sentence that summarizes your story.

Why do this? Why start from a one-sentence summary of your story? For one thing, it will help prevent you from straying from your initial idea and drifting off point. That said, if you intentionally decide to change your story's focus because you discover the idea isn't working for you, that's fine.

Also, and this is from Save The Cat, you need to make sure that your idea for a story creates a "compelling mental picture". In order to do this it needs to have all the elements of the story in it, only compressed.

Now, I'm not sure that Blake Snyder meant exactly this, but one of Nathan Bransford's posts was enormously helpful to me in understanding this technique, specifically his excellent post Query Letter Mad Lib. Here is Mr. Bransford's formula for how to compose your one sentence description:

[protagonist name] is a [description of protagonist] living in [setting]. But when [complicating incident], [protagonist name] must [protagonist's quest] and [verb] [villain] in order to [protagonist's goal].

For instance:

Hexanon Pennystripe, a man who describes himself as the greatest detective on earth, has just accepted a case no one believes he can solve -- including himself. But when an ancient curse takes another man's life, Hexanon knows he must put his vanity aside and capture the killer in order to restore order to the world.

or

The death of a wealthy English archeologist sparks talk of a curse when three other people involved with the expedition die from seemingly unrelated causes.

Now, I'm sure you can do much better than either of those examples, but you get the idea.

Next time we'll talk about the next step: expanding your sentence into five sentences that, taken together, mirror the 3-act structure of a play.

Thanks for reading!

Links:
The Starburst Method, Part 1: Creating a one sentence summary
The Starburst Method, Part 2: Developing our one sentence summary
The Starburst Method, Part 3: Creating a five paragraph summary
The Starburst Method, Part 4: Developing characters
The Starburst Method, Part 5: Creating a five page summary
The Starburst Method, Part 6: Developing scenes
The Starburst Method, Part 7: The character grid
The Starburst Method, Part 8: The rough draft and narrative drive