Forget NaNoWriMo: How To Write A Novel In A Weekend

Writing 85,000 words in a weekend gives a new meaning to the phrase "weekend novelist". Honestly, I hadn't thought it possible to write that many words in three days. I'm reminded of the scene in The Shining where Jack Nickleson writes oodles of pages a day but they all say the same thing: All work and no play makes Jack an dull boy.

I could do that. Of course I'd probably develop an unnatural affection for kitchen knives by the end.

Brian Keene did just this, he holed up in his house and wrote 85,000 words over the span of three consecutive days. No, it wasn't a publicity stunt, he had deadlines looming and he needed to write 85,000 words in three days. And, miraculously, he did.

Here's how he did it:

1) No distractions
Pretty much the only thing Brian did for the entire weekend was sleep, eat and write. He didn't do housework, he didn't visit friends, he just wrote. He writes:

All I did was write. And when I got tired, I slept. And when I woke up, I wrote some more. Did my wrists hurt? Sure. Did I give myself carpal tunnel? It certainly seems like it. Do I feel bad that I missed out on things? Of course. But did I accomplish what I set out to do? Absolutely.

2) Know exactly where the story is going
Brian didn't have an outline, but he knew exactly where the story was going. He writes:

Had these been novels I was starting from scratch, or had the subject matter been something I didn’t feel as intimate or close to (Sundancing), or simply frivolous and fun to write (The Lost Level) there’s no way I would have written that many words in a day. Indeed, there have been times (Dark Hollow, Ghoul, and Take the Long Way Home come to mind) when the subject matter was heavy enough that I was lucky if I wrote 1,000 words a day. And you’ll have novels and stories like that. But you’ll also have ones that you absolutely can’t wait to get down on paper (or onto a laptop screen), and it is my personal experience that those types of tales seem to write themselves a lot faster.

3) Quantity over quality
The 85,000 words were for two first drafts. 40,000 words went to the first draft of a novel and 20,000 were of a novella. They are just "the basic foundations of the books to come."

Consider the words I wrote this weekend to be a just-built house. Now, I’ll go back and start the second draft, which is when I’ll run the electrical wires and the plumbing, and hang the drywall and the vinyl siding. Then I’ll do a third draft, which is when we pick out carpet and furniture, and make it ready to show to buyers. But what I did this weekend is just unpainted lumber. It’s raw materials. It looks like a house, but you wouldn’t want to live there… yet.

Brian concludes with some excellent adivce we can all follow:

The important thing to remember is this — writers get too hung up on word counts. It doesn’t matter if you produce 1,000 words per day or 10,000 words per day. What matters is that you produce words. Novels and stories don’t write themselves. Ass in chair, fingers on keyboard, repeat as necessary is the best method I know. If you’ve written 1,000 words today and someone else has written twice that amount, it doesn’t matter. What matters is that you’ve written. Be proud of what you’ve produced.

And now I’m off to dip my hands and wrists in a big vat of Ben Gay…

Basically Brian did NaNoWriMo in a weekend, plus 35,000 words. I stand in awe.

Read Brian's account of his harrowing experience here: How To Write 80,000 Words In A Weekend. Thanks to David Gaughran for the link.

Related reading:
- NaNoWriMo: Why write a 50,000 word manuscript in a month?
- NaNoWriMo: Write A Novel In 30 Days
- SiWC 2011: Character and POV: The Voice of Your Story, by Bob Mayer

Penelope Trunk Discusses Time Management

A few months ago a friend sent me the link to Penelope Trunk's blog and I've been reading it ever since. This is easy to do since Penelope only posts every few days. Her articles are long and rambling, but in the best of ways. They are the kind of posts/stories you don't read so much as fall into. She has the knack of making you feel as though she's speaking right to you and, though I don't agree with everything she says--wouldn't that be boring?--I at least find it interesting.

This morning I realized I hadn't checked her blog in a couple if weeks and was pleasantly surprised to find a few new articles. I love it when she writes something relevant to writers, or that is relevant to me, and since I'm a writer, I hope it'll interest others.

One of the Penelope's new articles was on time management (Time management tips that'll work for your life). It's excellent. I think I like it so much because it's filled with what I think of as common sense. For example, she writes:

Tim Ferriss, (who I have complained about in the past) also, provides the fastest, easiest way to lose weight. He’s a time management guru and he’s extended that to weight loss. You don’t have to spend time at the gym. Instead, you can do stuff like eat in extremely restricted ways and binge one day a week. But how do you do this with a family? What do you tell your kids when you’re eating like a crazy person?
- Time management tips that’ll work for your life

The text I just quoted was written about her first point which was: Experiment in ways that won't risk the sanity of the people around you. Too few people say things like that.

As I read this I thought of some of the nutty things writers do. Sure there's the quasi-normal things like staying up all night to meet a deadline and sitting in front of a computer monitor typing away non-stop on a little keyboard for hours each and every day--I mean, students do this all the time. But we do other things, things like trying to write a novel in a month--whether for NANOWRIMO or not (and I don't meant to bash Nano! I think it's terrific.) But many of the things we do routinely could be said to risk the sanity of those around us.

The rest of Penelope's article is good too, and I'd encourage you to read it for her time management advice, although she does say more about what not to do than how to make it all work, but I'm not sure anyone can do that. I did especially enjoy her post about what it's like to have a film crew come and stay for a few days and film a reality TV show (it's called How to choose a new career).

Well, I'm off to get some grist for my writing mill by visiting a local Farmer's Market. Isn't research great?

I hope the weather is gorgeous where you are and that you can get out to enjoy it. Cheers!

Related articles:
- The secret to making a living as a writer: work for free
- Pixar: 22 Ways To Tell A Great Story
- Henry Miller's 11 Writing Commandments
- Penelope Trunk's Blog

Kristen Lamb: Are you butchering your creativity?

Kristen's blog is on the (rather long) list of things that I love, and her last blog post is an excellent example of why.

Not too long ago one of my biggest problems (as a writer at least!) was that I killed my voice during the editing process. I pounced on any deviation from English Grammar -- for instance, a sentence fragment -- and either deleted it or re-worked it. But the result never had as much oomph as the original. My critique group helped set me straight, but if you don't have one, or if you just need a reminder, Kristen's post is a must read!

Kristen Lamb writes:

Premature editing is very dangerous for three reasons:

1. Premature Editing Uproots Subconscious Seeds—Our subconscious mind is an amazing machine. It sees the big picture in ways the conscious mind cannot. As we write, our subconscious mind is planting seeds that, when viewed in a microcosm of one or three chapters, will likely seem to make no sense. Duh. That is like an acorn trying to envision life as a 100 foot tall oak tree.

These seeds need time to gestate. When we edit prematurely, all we see is a hunk of something smooshy. We don’t realize that a possibly mind-blowing idea is trying to germinate and take root in the fertile soil of our story. By editing too early, we can possibly cripple our novel. By the end of the first draft, however, we will be able to look back and see sprouted weeds, which we can feel free to uproot. But the sprouts will be mature enough to distinguish from seedlings that need to be nurtured to their full potential.

This is especially true for those of you who did at least a basic plot of your main narrative points. When we do this, we have basically told our subconscious we need to make it from Point A to Point B (Inciting Incident to Turning Point Act One). Sometimes, our subconscious will want to show off and can dazzle us with how creatively it can make the trip.

So let it alone. Your subconscious could surprise you.

2. Premature Editing Makes Us Mistake Busy Work for Real Work—Premature editing indulges our fears. Many times we writers do not continue forward due to subconscious fear. Deep down we might know our original idea is flawed, or not strong enough, or convoluted, or unclear. We may know that we don’t have a solid outline or framework to support a 100K words. We may realize our characters have problems, but it is going to take work and honesty to fix them. Or all of that might be just fine, but we fear failure or even success. We fear writing the gritty stuff because it leaves us exposed and vulnerable, or we fear writing real conflict because our human nature is to avoid it.

Premature editing gives us a false belief that we are being productive, when in fact it is sabotaging our work and reinforcing our fears by permitting us to procrastinate. Fears can only be conquered by facing them, and premature editing keeps us “busy” and gives us justification to stay mired.

3. Premature Editing Can Discourage and Keep a Writer from Finishing—This is another reason that traditional critique groups can be counter-productive. Again, other writers are seeing our work in a microcosm, and that limits how well they can critique. This is why I suggest using the techniques we discussed earlier. Just make notes.

Our fellow writers are invaluable, but we have to appreciate that they are seeing our work from a limited point of view. Their opinions may be dead-on (We HATE your protagonist and hope he dies), but they could be far off-base and serve only to uproot those subconscious seeds we discussed.

If we continue to go back changing things chapter by chapter, changing, changing, changing, either due to critique group feedback or our own self-edit, what happens is that we KILL our forward momentum with a big ol’ red-penning, back-spacing bone saw. Do that long enough, and it becomes hard not to be discouraged and ultimately give up. If you have been reworking the first act of your book for months, it can very easily end up in the drawer with all the other unfinished works.

When it comes to NaNoWriMo, the point is to write 50,000 words in thirty days. That’s it. You can’t do this if you over think your work. If you hit a wall, just keep writing. Sometimes our brains are like water pumps. We need to prime them and get through the goo before the creativity flows. Just write. You can fix it later. Or, you can start over.

Doesn’t matter.

This is an excerpt of Kristen's article, which I would encourage you to read in its entirety here.

NaNoWriMo: Write A Novel In 30 Days

Today is the first day of a month of insanity, when normally sane(ish) writers decide to work their day jobs and write about 2,000 words a day.

Can anyone say Red Bull?

This is my first year participating in NaNo, and so I've scoured the internet for tips and advice. Here is what Nathan Alderman from Macworld.com has to say:

Think Small
50,000 words sounds like a big, scary goal—until you realize that it breaks down to just 1,667 words a day, about an hour or two’s worth of steady typing. Rather than keeping your eyes on the distant finish line, use your program’s word-count targets to work toward the end of your latest paragraph, scene, or chapter. Those words will add up faster than you think. To keep track of your progress, you can enter your word count for each day in a box on the NaNoWriMo site, and compare it with those of your friends in the contest. And the site’s Word Count Widgets let you show off your progress on your own Web site.

Everybody Wants Something
Are your characters just sitting there like deadweight? Figure out what they want. Frodo Baggins wants to destroy (or, in darker moments, keep) the One Ring; Gully Foyle wants revenge on the spaceship that marooned him; Scout Finch wants to solve the mystery of Boo Radley. The simplest goals can create conflict and suspense, propelling your story forward. Screenwriter and playwright Todd Alcott’s terrific blog, What Does the Protagonist Want?, dissects popular movies to reveal their characters’ driving desires; check out his “Screenwriting 101” and “Spielberg” series of posts.

Keep Moving Forward
Writing is an adventure, and adventures always involve plenty of mistakes and wrong turns. For now, silence your inner critic, and stop caring whether what you’re writing is any good. Just keep writing. And don’t go back to tinker with your existing text, either. If you start editing when you should be writing, you might lose momentum and end up stuck. Besides, revisiting your prose in the cold light of December (or, better yet, February) will make you a much better judge of what works and what doesn’t.

Don’t Overplan
A fellow NaNoWriMo participant once showed me her elaborate spreadsheets filled with specific character details and breakdowns of her daily writing output, and then complained that she was stuck because her characters weren’t doing what she wanted them to. Keeping a few notes on your characters, settings, or overall story arc is a good idea. But half the fun of writing is seeing your characters do something you never expected. Too much planning can squelch that improvisational spirit.
- Advice from a noveling veteran

Okay, got it? Good! Now let's write.

My Birthday, NaNoWriMo and Dragonvale: a warning

Okay, I've spent a couple of hours doing things like answering emails and reading posts and now I have half an hour to compose a blog post. Can I do it?

Yes I can! By talking about three things that seemingly have nothing to do with one another.

It was my birthday last week and thank you to everyone who said happy birthday, I really appreciate it! I worked on my birthday -- I'm talking about my day job -- so my friends are taking me out today to celebrate. I'm going to Society.

That's later, in a few minutes I'm heading off to a NaNoWriMo luncheon and information session. I'm excited! As I've said too many times, this is my first year doing NaNo and the 'bright shiny' hasn't worn off. I talk to other, veteran, NaNoers and they look at me pityingly with memories of beery, bloodshot eyes and waking up at their desk, gripping a half-empty can of Red Bull.

I'm time-starved right now so I know something is going to have to give. Sleep, of course. Showering ... hmmm, probably try to keep that one. One thing that's probably going to fall by the wayside is Dragonvale, a delightfully addictive game featuring ... er ... dragons. You get to mate them and build them houses and feed them. Okay, it doesn't sound super addicting but, trust me, it is.

Okay, gotta run!

NaNoWriMo: Why write a 50,000 word manuscript in a month?

Why go through the insanity of NaNoWriMo? Here are the answers according the MuseInks:

1. It's invigorating.
It gets you out of the not-so-creative rut you may be in.

2. It's just what the doctor ordered. You know that manuscript? The sick one? The one you've been meaning to make some chicken soup for, take to ER, and rub its back till it feels better? NaNo gives you a whole month to indulge the headachy, snot-filled, fever-ridden work-in-progress. After 30 days of caregiving, you'll know beyond the shadow of a doubt whether or not the patient can be saved.

3. It will force you to look at things from a new vantage point. With NaNo, there's precious little time for second-guessing. Or editing. Or proofreading, for that matter. It's a write-like-your-life-depends-upon-it undertaking. Which makes you overlook things that may have slowed you down in the past. Every new NaNo day marks uncharted territory. There is no time to revisit what you did yesterday. Get ready to be bumped out of your comfort zone!

4. Try something daring. Has your writing become rote? Complacent? ~ahem~ By-the-book (pardon the pun)? NaNo gives you permission to throw away your crutches and safety nets. Try something you'd never normally do. Go ahead: it won't kill you!

5. You discover your personal writer's work ethic. No matter how supportive your cheerleaders, no one can write your book for you. (Technically, that's not true. Ghostwriters can. But that kind of negates the whole "I'm going to write a novel this month" thing...) NaNo shows you exactly what it takes to shoulder the book-writing load and git 'r done.

Sounds good to me! :) Read the entire post here: Top 5 Reasons You Should Do NaNoWriMo This Year. The original post has wonderful photos; I love the one of the dog trying to eat water.