Monday, January 23

4 Ways to Choose a Blog Topic Your Readers Will Love

4 Ways to Choose a Blog Topic Your Readers Will Love


One of the most difficult things about blogging is deciding exactly what to blog about. To be honest, I think picking a topic is something of a dark art. For years, it was a source of agony but then I developed a few strategies.

I’ll confess that I was stumped about what to write about today (it was difficult to rip myself away from working on my book!), but instead of going through this process myself—which I do on a regular basis—I thought I’d share the process itself.

I find that, often, creativity needs a nudge. Like an oyster needs a spec of sand around which to form a beautiful pearl, so writers often need inspiration to get their ideas flowing.

In any case, if I don’t have a topic in mind to write about, then here’s how I choose one. But, before I get to that, let me show you what I affectionately think of as, ‘The Test.’

The Test


In order for a topic to get the green light it has to pass two checks:

A. Would my readers be passionate about this topic?
B. Am I passionate about this topic?

You are wildly interested in a topic but your readers? Not so much. 


Let’s face it, if your readers aren’t interested in a particular topic then, even if you’ve written the most erudite article, why torment them? Do write the article, but publish in another venue!

You think your readers would love to read about a certain topic but you’re not passionate about the topic.


I’ve had this happen. A few years ago I received several requests from readers to write about how to record an audiobook, and I thought that was a great idea for a blog, or even a series of blog posts.

But, for whatever reason, when I sat down to write the darn article it felt like I was trying to eat sawdust! I had to force myself to pick up and move the pen and the time stretched on and on and on and ... well, you get the idea. (I did eventually write the post, and I enjoyed doing it! Often our muses just need time to figure out how to make a topic our own.)

Sometimes a topic will sound great—perfect!—but you are so profoundly uninspired by it that it would take you ages to write it. That’s not making efficient use of your time. There are many topics that will inspire both you and your readers. Write about those and be happy! ;)

1. Podcasts.


Here’s what I do: As I’ve mentioned before (see: 6 Inspirational and Informative Writing Podcasts), I love listening to podcasts! And quite a few of my favorites are about writing.

One thing I do when I’m looking for topics my readers might love is to go to the podcast’s home on iTunes and sort the episodes by popularity so that the most popular podcast episodes are at the top. I then read the top 5 or 10 podcast titles and run them through The Test (see above).

2. Buzzsumo.com


What Buzzsumo does is show you a site’s most shared blog posts. Plug in a domain name and up will pop that particular site’s most shared blog posts. I use the free version and so can only see the 5 most popular posts, but that’s enough!

Select your five favorite sites and run their domain names through Buzzsumo. Look at the titles produced and Test them to see if any would be a good topic for you.

3. Your most popular Tweets.


One of the many nice things about Twitter is that it tells you which of your tweets and retweets were the most popular. This is a terrific way to see what topics your readers like to share!

4. Your most popular posts.


Practically any blogging platform will give you statistics; at the very least, it will tell you how many times a certain blog post has been viewed. If you’ve linked your blog to Google Analytics you’ll also be able to see, for example, how long visitors stay on the page. This will give you a more accurate idea about what viewers prefer, but if you don’t have Google Analytics, use whatever you have.

In what follows I’m going to talk about several ways you can get blog ideas from your own most popular posts.

a. Write a part two.


Many times I’ll come to the end of a blog post knowing there’s much more I could have written. When I go back and take a look at the most popular posts I ask myself, could I write a part two? You don’t have to call it part two, just blog about it and link back to the older post.

b. Give a detailed example.


You could give a detailed example that deals with a topic you wrote about in one of your more popular posts. For example, let’s say you wrote about how to write a Create Your Own Adventure story. You could create an outline and write the beginning of a small adventure then, for the blog post, share the materials and step through what you did to create them.

c. Write about the X most popular Y.


Let’s say your 3 most popular blog posts have to do with the same topic, say, “How to select a vacation spot snorkelers will enjoy.” Since you’ve got 3 posts about this as it is, maybe you don’t want to write a 4th! That’s okay, vary the kind of blog post. For example, “4 Snorkeling Paradises For Your Bucket List.”

d. Curate posts: your 5 favorite blog posts that week.


If you’re a blogger, chances are you read a number blogs. If a few posts stand out as being well written, then include them in a “best of the web” post.

For each article you use, give the title, the authors name and be sure to link back to the article itself (that’s important!)—in other words, attribute the article. This is also a good way of meeting other bloggers, I’ve had a number of folks whose material I’ve reviewed leave comments thanking me!

Those are my ideas, I’d love to hear yours! How do you choose a blog post?



Every post I pick something I love and recommend it. This serves two purposes. I want to share what I’ve loved with you, and, if you click the link and buy anything over at Amazon within the next 24 hours, Amazon puts a few cents in my tip jar at no cost to you. So, if you click the link, thank you! If not, that’s okay too. I’m thrilled and honored you’ve visited my blog and read my post.

Today I’m recommending a TV show: Lucifer

Lucifer is filled with lighthearted irreverence, I find it a wonderful way to unwind. Rotten Tomatoes gives it a critical rating of 75% and an audience score of 89%. It's is based on the DC comic of the same name.



That’s it! I’ll talk to you on Wednesday. Till then, good writing!

Saturday, January 21

The Tropes of Supernatural

The Tropes of Supernatural


I have a confession: I’m a super-fan of Supernatural. I’ve rewatched the entire series—twice! Each time something new would pop; I’d get a fresh insight into the rhythm, the patterns, the complex web of conflicting character desires.

For those who’ve never seen Supernatural, it’s ...

“an American fantasy horror television series created by Eric Kripke. It was first broadcast on September 13, 2005, on The WB .... Starring Jared Padalecki as Sam Winchester and Jensen Ackles as Dean Winchester, the series follows the two brothers as they hunt demons, ghosts, monsters, and other supernatural beings. (Supernatural, Wikipedia)”

I’ve watched Supernatural from the very first episode way back in 2005. So, in honor of supernatural's upcoming 13th season, I thought I'd take a look at the tropes used in the show.

About tropes: The way I see it, just because a show uses tropes doesn’t mean it’s bad. It all depends on how the tropes are written.

Knowledge Broker


A Knowledge Broker “is the person who always seems to have the dirt on everybody. The person who runs an information-gathering system, with a network of informers.” The Knowledge Broker may seem “nearly omniscient. He/she always seems to have just the right tidbit of information for whoever is willing to pay their price. For the most part, he remains impartial despite his vast influence, and most people know to stay on his good (or at least indifferent) side.” (TVTropes, Knowledge Broker)

Examples:

- Ice Pick from Magnum, P.I.
- Sam Axe in Burn Notice.
- Mycroft on Sherlock.

Related tropes:

- The Barnum
- Freudian Excuse
- Default to Good

Monster of the Week


A Monster of the Week story is one in which “characters fight a villain and the whole story is wrapped up at the end, never to be dealt with again.”

Cool fact: Did you know that the phrase, “Monster of the Week” comes from the writing staff of the Outer Limits (1963)?

Examples:

- The Twilight Zone
- The Outer Limits
- Marvel’s Agents of  S.H.I.E.L.D.

Related tropes:

- One-Shot Character
- Mystery of the Week
- Monster Munch

Walking the Earth


This is one of my favorite tropes! From TVTropes:

“Footloose and fancy-free, we set off among the Adventure Towns, seeking the next place, rather than our fortunes. / ... The character has no home (or he/she/it in progress of finding one), no job, no money, no identification, no friends, and no visible means of support, yet is always healthy, well-fed, clean, and welcome wherever he goes.”

“When one is forced to walk the earth against one's will, this trope becomes the much darker Flying Dutchman. / If a character walking the earth has a strict code of honor and spreads justice in his wake, he's a Knight Errant. Same code of honor (and wanderlust) usually results in passing the ‘Leave Your Quest’ Test.”

Examples:

- Doctor Who 
- The Fugitive
- Hercules: The Legendary Journeys

Related tropes:

- Adventure Towns
- In Harm's Way
- The Drifter

Myth Arc


A Myth Arc is basically a story arc—often a very LONG one. In the case of Supernatural the Myth Arc encompasses a soon-to-be 13 seasons of the show!

Cool fact: “Myth Arc” and “mythology episode” originated with the writers on the X-Files!

Examples:

- Babylon 5
- X-Files
- Heroes

Related tropes:

- Continuity Lock-Out
- Story Arc
- Chris Carter Effect



Every post I pick a book or audiobook I love and recommend it. This serves two purposes. I want to share what I’ve loved with you, and, if you click the link and buy anything over at Amazon within the next 24 hours, Amazon puts a few cents in my tip jar at no cost to you. So, if you click the link, thank you! If not, that’s okay too. I’m thrilled and honored you’ve visited my blog and read my post.

Today I’m recommending Writing a Novel with Scrivener, by David Hewson. I use Scrivener to write everything, including these posts!

From the blurb: Bestselling “author David Hewson, creator of the successful Nic Costa series, offers a personal, highly-focussed guide to using this powerful application to create a novel. .... Hewson, a Scrivener user for years who's written five of his popular novels in the app, takes users through the basic processes of structuring a full-length novel, writing and developing the story, then delivering it either as a manuscript for an agent or publisher or as an ebook direct to Kindle or iBook.”



And that barely scratches the surface! If you want to look at more tropey goodness:

Character profiles from the Tabletop Game: Monster of the Week. Here’s another list. Lots of great character ideas!

That’s it! I’ll talk to you again on Monday. Till then, good writing.

Cheers!

Wednesday, January 18

Story Structure and The Hollywood Formula

Story Structure and The Hollywood Formula
Okay! I had planned to write about the structure of an episode of Supernatural just for fun, because I’m a huge fan. I’ve rewatched the series from the start and noticed many things I completely missed the first time around.

And I still want to do that! But in the process of researching that post I discovered a slightly different way of looking at story structure that I hadn’t known existed! Yes, I’m a happy story nerd. :-)

So, instead of talking to you about the structure of an episode of Supernatural, I’m going to quickly introduce The Hollywood Formula, tell you a little bit about it and sketch out how it differs from other ways of looking at story structure.

Update: My next book


I’ll come back to The Hollywood Formula in a moment, I just want to give you all a quick update on the book I blogged during NaNoWriMo. At the moment I’m spending all my time finishing it and am glad to report it’s almost done! If I keep up my current pace everyone subscribed to my newsletter will receive an announcement in about a week (around January 25th). My plan is to make the book available to my newsletter subscribers for free as a thank you for reading my blog. :-)

I’m not sure how I’ll make the book available. Perhaps I’ll make a .mobi file available offline and you folks can go download it. It would be a limited time offer, but I’d make the book available for three or so days so everyone who wants to should have ample time to download it.

Another way I could get the book to my newsletter subscribers would be to run a promotion through Amazon and offer the book for free. It might be easier if you downloaded the book from Amazon since that way you’ll have access to it forever, even if you delete it from your electronic device! Also, if I update the book, you’ll be able to download the updated file for free regardless of what it's currently selling for.

What do you think? Any particular preference?

Okay, enough of that! Now let’s take a quick look at The Hollywood Formula.

Where The Hollywood Formula is From


The Hollywood Formula, this particular permutation of it, was created by Dan Decker and outlined in his (wonderful!) book Anatomy of a Screenplay. I first learned about it through TVTropes.org. That website helpfully pointed me to one of the episodes (season 6, episode 18) of a podcast I love, Writing Excuses. This one was helpfully entitled The Hollywood Formula. It is excellent, I highly recommend you download it and give it a listen.

The Hollywood Formula: A Summary


In what follows I do my best to answer two questions. First, just what is The Hollywood Formula? Second, how does it differ from other structures, structures such as the Monomyth?

1. Nuts and Bolts


The Hollywood Formula has to do with screenplays, but can readily be adapted to a novel. Here, though, I’ll present it as I heard it.

Keep in mind that this formula is based on a two hour film where one page of screenplay takes one minute. This comes out to 120 pages.

Act One: Pages -> 1 to 30
Act Two: Pages -> 31 to 90
Act Three: Pages -> 91 to 120

Pages 1 to 10: Introduce the three main characters. 


When the characters are introduced show what they want.

Characters to be introduced: 


The protagonist: 

- The protagonist has a concrete goal/objective. The objective could be a person (e.g., the man/woman the protagonist wants to marry), it could be an object (the grail, a championship, etc.). Two things need to be the case: (a) The objective must be easily understood. (b) The objective must be visual.

- The first person to make a decision in the story. Note that this decision isn’t perfect but it does characterize the protagonist. It will be a ‘yes or no’ decision. Also, the decision should result in the character doing something that goes against what readers know about the nature of the protagonist. For example, a shy girl stands up to a bully to save the boy she likes. The idea is to (a) show what the protagonist wants as well as (b) how badly she wants it.

- The protagonist’s motivation is either (a) redemption or (b) growth.

The antagonist: 


- The antagonist places obstacles in the protagonist’s way. If the antagonist achieves his goal then the protagonist cannot and vice versa.

- “In order to identify the Opponent in a movie, you must first identify the Main Character, and the Main’s Objective. Only then can you ask why the Main Character can’t get his or her Objective. The answer to that question is: the Opposition.” (Dan Decker, Anatomy of a Screenplay)

The relationship character


- The relationship character accompanies the protagonist on her journey.

- The relationship character has wisdom to communicate to the protagonist. She’s been there, done that. This character generally has experience the protagonist lacks.

- The relationship character is the person TO WHOM or FROM WHOM the theme of the film is articulated. Either the relationship character will state it themselves or a secondary character will state it in conversation with the relationship character.

Pages 11 to 13: Fateful Decision


The protagonist must make a choice. This is where the protagonist receives the Call to Adventure.

Pages 1 to 60: Protagonist Asks Questions


At page 60 (the Midpoint Crisis) the protagonist stops asking questions and starts answering them.

Pages 60 to 90: Protagonist Answers Questions


Page 90: Protagonist’s Lowest Point


The protagonist has gone as far from her goal it is possible for her to be.

Pages 90 to 120: The journey from the low point to the end.


This more-or-less maps onto the Race to the Finish.


END OF STORY


At or around the Climax three things must happen:


  • The protagonist achieves his goal.
  • The protagonist defeats the antagonist.
  • The protagonist reconciles with the relationship character.


Note: The closer these three events are to each other the more emotional impact the story will have.

2. How does The Hollywood Formula differ from other structures?


I’ll have more to say about this when I have more time and I’ve done more research, but from what I’ve seen so far, THF is much more character centered. Most story structures tend to group the protagonist and antagonist together, something which makes all the other characters feel secondary. With The Hollywood Formula, in contrast, we have three main characters. My first impression is that this makes a lot of sense because the relationship character (e.g., Donkey in Shrek) is clearly an essential character for telling the story.



Every post I pick a book or audiobook I love and recommend it. This serves two purposes. I want to share what I’ve loved with you, and, if you click the link and buy anything over at Amazon within the next 24 hours, Amazon puts a few cents in my tip jar at no cost to you. So, if you click the link, thank you! If not, that’s okay too. I’m thrilled and honored you’ve visited my blog and read my post.

Today I’m recommending Dan Decker’s excellent book, Anatomy of a Screenplay. Here’s a quotation: “A mainstream American screenplay tells a story, about a character, in search of an objective, in the face of opposition, with an underlying theme, in a clearly defined genre, and has an emotionally satisfying resolution.”



That’s it for today! I’ll talk to you again on Friday. Till then, good writing!