Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Tuesday, October 28

What Makes A Story Terrifying?

What Makes A Story Terrifying?

I love Halloween. Always have. Perhaps that’s why I love a good horror story.

The first horror story I heard was a spine-tingling tale of betrayal and dismemberment told around a dying fire. I remember it like it was yesterday. The flames flickered lazily over black husks of logs and faintly illuminated the shadowed faces of my nearest and dearest. But then as I looked at them something happened. In the space between two heartbeats they appeared transformed, hollow, their darker halves exposed.

Then someone laughed uneasily and the spell was broken. The monsters—or at least my recognition of them—melted away, sinking into my unconscious were it remains, the fuel of nightmares. 

Mm-wha-ha-ha. ;-)

What Makes A Scary Story A Horror Story?

What are the essential bits of a scary story, one that makes us imagine horrors under the bed so vividly we dare not dangle our toes over the edge?

I’ve accepted a challenge to write a scary story (ideally under 1,000 words, but in my case that’s SO not happening) and post it this Saturday as part of a special #SaturdayScenes challenge

I’ve thought of a story, but I wondered: is this story scary? Or, to put it another way, even though this story of mine has scary bits, is it really a horror story. So I took my question to Google and came up with an answer courtesy of Stephen King:

“The three types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it’s when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It’s when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there’s nothing there …” [1]

The Gross-Out, The Horror, The Terror

Although I’m sure it’s not as simple as this, let’s say that as long as a story has at least one of these three in it—the gross-out, the horror or the terror—that the story can, without undue fear of contradiction, be called a horror story.

Of course a horror story is, above all, a story and so (all things being equal, which they never are) should have a protagonist who wants something desperately. There should also be a force—a person or monster or supernatural entity—that opposes her achieving her goal. And there should be stakes. For more on this see:

What is horror? Terror? What gives rise to those emotions?

Let’s return to discussing the horror story. I’ve been reading Stephen King lately to pick up a few pointers, mostly his tome on terror: Danse Macabre. He writes:

“I believe that we are all ultimately alone and that any deep and lasting human contact is nothing more or less than a necessary illusion [...] the feelings which we think of as “positive” and “constructive” are a reaching-out, an effort to make contact and establish some sort of communication.”

“Horror, terror, fear, panic: these are the emotions which drive wedges between us, split us off from the crowd, and make us alone.”

“The melodies of the horror tale are simple and repetitive, and they are melodies of disestablishment and disintegration... but another paradox is that the ritual outletting of these emotions seems to bring things back to a more stable and constructive state again.”

“The closest I want to come to definition or rationalization is to suggest that the genre exists on three more or less separate levels, each one a little less fine than the one before it. The finest emotion is terror, that emotion which is called up in the tale of [...] “The Monkey’s Paw.” We actually see nothing outright nasty [...] there is the paw, which, dried and mummified, can surely be no worse than those plastic dogturds on sale at any novelty shop. It’s what the mind sees that makes these stories such quintessential tales of terror.”

Terror is psychological. Mental. I’m reminded of a piece of flash fiction posted over at Creepypasta (that site is NOT safe to browse at work). Here’s the story, entitled "Bad Dreams":

‘Daddy, I had a bad dream.’

You blink your eyes and pull up on your elbows. Your clock glows red in the darkness — it’s 3:23. ‘Do you want to climb into bed and tell me about it?’

‘No, Daddy.’

The oddness of the situation wakes you up more fully. You can barely make out your daughter’s pale form in the darkness of your room. ‘Why not, sweetie?’

‘Because in my dream, when I told you about the dream, the thing wearing Mommy’s skin sat up.’

For a moment, you feel paralyzed; you can’t take your eyes off of your daughter. The covers behind you begin to shift. [2]

We don’t see anything horrific, there is no gore. The terror is that someone who we thought we knew well, someone who is intimately entwined with our life, isn’t who we thought they were. We have invited the dangerous outsider into our lives and now nothing is to stop them from doing their worst. 

Or, as in “The Monkey’s Paw,” the terror could be that someone we know and love has been, through no fault of their own, transformed into a dangerous outsider.

King concludes that, at its heart, terror is about “secrets best left untold and things best left unsaid.” And what does the writer of horror do? They “promise to tell us the secret.”

That’s it! I was going to say something about horror and ‘the gross out,’ but I think we’ve probably got a handle on both of those. Remember, good horror, like all good fiction, is about the truth inside the lie.


1. This quotation is attributed to Stephen King and it does read like something he would write. The Writer’s Digest article (The Horror Genre) doesn’t attribute the quotation to a specific work, but elsewhere it is said to come from King’s book “Danse Macabre,” which I can believe. After all, that book is King’s take on Horror, what it is, what it means, and so on. BUT I’ve searched my digital copy of the book and haven’t found it. I thought perhaps the quotation came from an updated version of the book but this morning I read the new forward to the 2010 edition in it’s entirety (courtesy of Google Books since I don’t want to buy the newer version) and didn’t find the quotation. Perhaps I simply missed it, but I thought I would note this minor mystery. If anyone comes upon the quotation in King’s work, I would appreciate it if you would tell me where it’s found. Thanks!

2. Creepypasta, over at

Photo credit: "Evil Min-ja" by JD Hancock under Creative Commons Attribution 2.0.

Wednesday, October 31

The 10 Best Halloween Films

The 10 Best Halloween Movies
"Pumpkin carving" by Kennymatic under CC BY 2.0

Okay, maybe not the 10 best films, just 10 of my personal favorites. :-)

Tomorrow NaNoWriMo begins and free time will be a fond memory. I propose we take a break tonight. Feed the trick-or-treating monsters then go to a Halloween party or settle in for your own film festival.

1) Fright Night (1985)

I saw Fright Night on TV when I was a kid and fell in love with the idea of vampires. I must have watched that movie 20 times. (Kids can be a little obsessive.)

2) Bram Stoker's Dracula (1992)

The only thing I didn't like about this movie was that Dracula dies at the end. I would have had Mina transform and the two of them live happily ever after. Literally!

Gary Oldman gives, as always, a great, eminently memorable, performance.

3) Something Wicked This Way Comes (1983)

I LOVED this book. The movie wasn't bad, but there's no way anyone could do justice to Ray Bradburry's book. That book swallowed me whole and changed the way I experienced Fall. He made it magical.

4) Tim Burton's Sleepy Hollow (1999)

Awesome movie and awesomely creepy. (Yes, I know, like Dean Winchester, I overuse that word!) I need to watch this movie again. Soon.

5) Army of Darkness (1992)

Complete cult hit. I love horror with a little (or a lot) of humor.

6) Tucker and Dale versus Evil (2010)

Originally this list was going to be of my 5 favorite movies, then I realized I hadn't mentioned Tucker and Dale versus Evil so the list became my 10 favorite movies. :p If you haven't seen this movie, I urge you to. It's hilarious. Especially the first half.

7) The Cabin In The Woods (2011)

I can't believe I waited until a few months ago to see this film. If you haven't seen it GO WATCH IT NOW! Especially if you like Joss Whedon's work. Harkens back to hemes in Buffy and especially Angel.

8) Big Trouble in Little China (1986)

John Carpenter directed Big Trouble in Little China and, if I remember correctly, it was his last big-budget film. Roger Ebert did not like this movie, but it stands out for me as one of the most entertaining two hours I ever spent. (Well, more than two, since I've re-watched it many times over the years.)

9) Scream (1996)

A modern--or maybe not so modern--classic. It takes a tongue-in-cheek attitude toward its subject matter while still scaring the bejeebers out of you. Well, okay, out of me.

10) The Amityville Horror (1979)

There are so many movies I wanted to list but I have to mention the very first horror story I ever ... well I didn't read it. In grade 4 my teacher read The Amityville Horror to my class before lunch.

It was great!

Of course I never told my parents, they would have been appauld.

I'm not saying it was the best story or the best movie, but it as a special place in my heart because it was my first horror.

Okay, one more movie then I'll stop:

The Princess Bride (1987)

Hands down my favorite movie of all time. If you've never seen it you really must. Orson Scott Card used The Princess Bride as a text in his freshman composition and literature class the year he taught at Notre Dame (Orson Scott Card, Characters & Viewpoint). Not to mention that it's the funniest, freshest most heart warming, vengeful, (Hello. My name is Inigo Montoya. You killed my father. Prepare to die), movies. Period.

Okay, that's it. Go out and celebrate your freedom for tomorrow we write!

Happy Halloween!! :-)

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