Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Wednesday, February 8

14 Tips On How To Create Your Own Urban Legend

14 Tips On How To Create Your Own Urban Legend


This would have been a great thing to do for Halloween! Oh well, better late than never. Today I want to talk about something that has fascinated me for ... well, for as long as I remember: urban legends.

As I’m sure you know, an urban legend “is a form of modern folklore consisting of fictional stories, often with macabre elements deeply rooted in local popular culture. (Wikipedia)”

Generally, urban legends spring up on their own, but there’s nothing to say that we can’t create our own! Why would we want to create one? Well, to scare the pants off our readers! And because it’s kind of fun. :-)

The Ingredients of an Urban Legend:


Antagonist: A proper villain.

Protagonist: An ordinary, more-or-less innocent person. Everyman/woman.

1. Fear of strangers. The bad guy is a foreigner, an outsider, a stranger.


This is a primal fear. The thing that waits in the darkness outside the ring of firelight. Closely related is the idea that one of the people huddled around the fire isn’t what they seem. They are a monster wearing a human face.

2. Importance of ritual and rule-following.


This is generally part of the moral: Follow the rules and you’ll be okay, break them and the monsters will get you. Or, which is more-or-less the same, behave morally, resist temptation and the boogyman will pass you by. Give in and you’ll be monster food.

3. The author is anonymous.


The event itself is said to have happened to a friend or a friend of a friend, but the author herself doesn’t give a name or any way to trace her down.

4. Vague. No specific examples are given, nothing that can be definitely traced.


Sometimes it’s said that the information came from “an advisor close to the president” or perhaps even a prominent person is named, but in such a way that it’s difficult to pin down anything concrete. Public officials say many things, do many things, and it’s not always easy to trace them.

5. Electronics don’t work.


It seems that whenever the supernatural is involved—and most urban myths I’ve read include some sort of supernatural element—anything electronic dies a spectacular death.

6. The protagonist is alone.


This is classic storytelling. When the protagonist confronts the Big Bad they are (almost) always alone. Let’s face it, if the protagonist had help the stakes wouldn’t be as high, it wouldn’t be as interesting.

7. It is said to be a true story.


We all know urban legends aren’t true, but they’re interesting precisely because a small part of us thinks, or wants to think, that it COULD be. That’s what happens when a story aggressively puts itself forward as being true, as being just another story about something that happened to a friend.

8. Event is said to have happened locally.


I think this point is connected to the fact that we tend to prefer the stories of our friends. What happens locally has the potential to affect us.

9. Event is said to have happened recently.


Events that happened a few years ago or last decade, even sensational ones, aren’t as interesting to us as those that happened earlier today, or yesterday, or a few weeks ago.

10. The event happened to someone the teller knows. Or a friend of a friend.


I think that, rightly or wrongly, we tend to put more weight in the stories our friends tell us, even friends of friends.

11. The event is macabre, horrific, sensational.


In your own life, what scared you the most? We’ve all been scared. When I was a kid I ate pizza too fast and started choking. Lucky for me my dad knew the Heimlich maneuver and I was okay. For a few weeks after that, though, I was terrified of choking.

In itself fear of choking is a bit tame, but I suppose it depends on WHAT the person chokes on.

12. Give it a moral.


I think this is implied by some of the above, but it’s so important it deserves its own point. Urban legends have a moral. For example, take the urban legend “The Hook.” From Wikipedia:

“The basic premise involves a young couple parking at a lovers' lane. The radio plays while they make out. Suddenly, a news bulletin reports that a serial killer has just escaped from a nearby institution. The killer has a hook for one of his hands. For varying reasons, they decide to leave quickly. In the end, the killer's hook is found hanging from the door handle.”

Here, since the couple left lovers’ lane, they get to live. If they hadn’t stopped their ‘activities’ and left, though, things would have turned out bloody.

13. I say this tongue-in-cheek: It helps if a blurry photograph is involved!


Self-check: Would your urban legend disturb you personally IF it were real?

Something to try if you’re looking for inspiration: Make your own urban legend by taking the beginning of one and melding it with the ending of another. Here’s a list of urban legends.



Every post I pick something I love and recommend it. This serves two purposes. I want to share what I’ve loved with you, and, if you click the link and buy anything over at Amazon within the next 24 hours, Amazon puts a few cents in my tip jar at no cost to you. So, if you click the link, thank you! If not, that’s okay too. I’m thrilled and honored you’ve visited my blog and read my post.

Many writers have sung the praises of this book: Write Your Novel From The Middle: A New Approach for Plotters, Pantsers and Everyone in Between, by James Scott Bell. Personally, I start from the ending, but to each their own. Bell’s approach has been something of a revelation.

From the blurb: “What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to #1 bestselling writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process. Bringing together years of craft study and personal discovery, Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.”



That’s it! I’d love to read your urban legend. Share it in the comments ... if you dare (cue scary music). Or post it on your webspace and leave a link. Whatever you do, good writing! I’ll talk to you again on Friday.

Cheers!

Wednesday, December 28

Flash Fiction Writing Prompt: What Scares You The Most? Describe Yourself Confronting It.

Happy Holidays! How was your Christmas? I hope it was filled with love, laughter and great food.

I'm feverishly working on my new book, on track for a soft launch by January 3. SO! Today I thought I would share a writing prompt, something to keep our collective muses happy as we head into the New Year.

Writing Prompt: What Scares You The Most? Describe Yourself Confronting It.


The Challenge: In 250 words or less write about:

What scares you the most? Describe yourself confronting it.

 That's it! Please share your creative scribblings.



Every post I pick a book or audiobook I love and recommend it. This serves two purposes. I want to share what I’ve loved with you, and, if you click the link and buy anything over at Amazon within the next 24 hours, Amazon puts a few cents in my tip jar at no cost to you. So, if you click the link, thank you! If not, that’s okay too. I’m thrilled and honored you’ve visited my blog and read my post.

Today I would like to recommend the book that inspired today's writing prompt, 642 Things to Write About: Young Writer's Edition, by 826 Valencia. This book is one of the few paper reference books on my shelf and I use it regularly. I love these prompts! They're fun; I think of them as candy for creatives.



Thursday, August 4

Writing Prompt: You Are Lost


Before I jog, I warm up by stretching. Before I begin my writing day, I often warm up by completing a writing prompt. For a year or so I posted a prompt a day on Google+. I loved reading the responses folks shared as much as I enjoyed crafting my own.

I decided to continue the practice by posting the occasional writing prompt, starting with this one:
You go for a hike and become irrevocably lost. It's twilight. The sounds of the forest turn from enchanting to ominous. A twig near you snaps, the sound echoing through the trees like a gunshot.

What do you do?
(My apologies. I said that today I would write about Stephen King's best advice for writers. At present I'm going through the slow torture of moving and life has become barely controlled chaos. I will write about Stephen King's advice on Monday.)

Want more writing prompts? Try these:

 642 Things to Write About, by San Francisco Writers' Grotto
1,000 Awesome Writing Prompts, by Ryan Andrew Kinder

Friday, June 15

Conflict Creation: The Needs Of Your Characters

writing character motivation needs
A Character's Needs

Every character has needs, otherwise they'd be about as interesting as drying paint. So, here are a few points about needs:

1. The bigger and more urgent the need the better
Reading about someone who is slightly thirsty has zero drama, but reading about someone who is on the verge of dying from thirst gives a scene more immediacy. Be sure the solution to the character's problem, the thing that will erase his need, is both clearly described and difficult to attain.

2. Have your character's needs conflict
Let's say that our character--let's call him Joe--needs to drink water in the next hour or he'll die. He knows there's an oasis over the next hill, if he can only reach it before he collapses he'll be okay.

In this scenario we could throw all sorts of obstacles at our character--he trips and twists his ankle, a poisonous snake pops up out of the ground in front of him, and so on--but after a snake or two pops up to bar his way, what next?

How about giving our character a conflicting need? On his way to the oasis--Joe can see it now, shimmering in the air--he meets a damsel tied to a bomb. Joe can defuse the bomb but that will mean he won't be able to get the water he needs to stay alive.

I've provided a hackneyed example, but you get the idea.

3. Give your character different KINDS of needs
Last year I had the pleasure of hearing Michael Hauge speak; if you ever get the chance I highly recommend it. He talked about inner and outer needs. I'm calling them needs but we could also talk about motives or goals. Whatever it is that gets the character out of bed in the morning and doing something, preferably something interesting.

In our example, Joe has obvious outer needs: don't die of thirst, get water, diffuse the bomb. But what about his inner needs? Here's where things can get tricky because it works out best if (see 2, above) the inner need conflicts with Joe's most pressing outer need.

Perhaps Joe falls in love with our conveniently placed damsel. The problem: if he frees her he'll die of thirst and won't be able to enjoy her love or appreciation. Now we have a situation fraught with tension. This particular example is silly of course, but you get the idea.

Thanks for reading! And remember, keep writing.

Cheers.

Books on writing I recommend.

Recommended Reading:
- Call For Authors: Write a DEAD MAN Novel
- Indie vs. Traditional Publishing, Which Should You Choose?

Photo credit: Peak Oil Blues