Today I discuss Jack Bickham's advice about how to transform your story ideas into a novel. All quotations are from Mr. Bickham's excellent book, Scene & Structure.
The Game Plan: How to develop your story ideas into a novel
Let's dive right in.
1. "Consider your story materials as presently imagined. Look for and identify, in terms of days, weeks or months, that briefer period of time when 'the big stuff happens.' Plan to eliminate virtually everything else."
I've had these kinds of big-picture ideas. Not only do you know what's going to happen to your protagonist--what she wants, what opposes her, her motivation, and so on--but you know the history of the entire story world! The hard part: Where do you start? Where do you begin telling the story?
Jack Bickham says: Start when 'the big stuff' starts happening to your character.
In Star Wars IV the big stuff started happening when Darth Vader boarded Princess Leia's shuttle while she was on a diplomatic mission.
In American Beauty the big stuff starts to happen when Lester Burnham sees his daughter's friend, Angela Hayes, shake her pom-poms (literally!).
In Breaking Bad the big stuff starts to happen when Walter White discovers he's dying from cancer.
2. "Think hard about your most major character and what makes him tick – what his self-concept is, and what kind of life he has built to protect and enhance it."
In Star Wars IV Luke Skywalker wanted to travel, to see the galaxy, and to become a pilot; he loved flying. In Luke's case what was notable was the contrast between the life he lived (a life of duty) and the life he dreamt of living.
In American Beauty Lester used to see his life through the eyes of his wife, his friends, his boss, his neighbors, his colleagues. He bought the kind of house they would envy, he has the kind of job that lets him fit in well at dinner parties and barbecues.
Then something happens, a crazy event that shatters everything. It's as if a mischievous cherub shot him through the heart and he does something massively inappropriate, he falls madly in love with his daughter's friend, Angela.
As a result of this intoxicating experience, Lester's life re-orients. No longer does he see himself through the eyes of his wife or his neighbours, or his friends. No. He sees himself and everyone else through the eyes of his beloved: a sixteen year old child. As a result he sets about destroying his old life and erecting a new one in its place, one that he hopes will meet with Angela's approval.
At the beginning of Breaking Bad Walter White is the guy with the enormous brain and the small life. Other people make his decisions for him. He's safe. Predictable. Then Walter White discovers he's dying and he, in his words, "wakes up." Rather than passively accepting money for his treatments he gets the money himself. His way.
3. "Identify or create a dramatic situation or event which will present your character (and your reader) with the significant, threatening moment of change."
Everyone is going to have their own opinions about this, but in Star Wars IV I think this moment of change came when Luke stood in front of the smouldering ruins of his uncle's home and saw the charred skeletons of his aunt and uncle. That was the moment of change, the moment that Luke went from child to adult and took up his own quest.
In American Beauty the moment of change was bizarre: Lester fell head-over-heels in love with his daughter's teenage friend. It seemed like a perfectly ordinary moment in a perfectly ordinary day. And then, wham! Lester's life changes forever. There's no smoking skeletons, but his old life, his old world view, is just as thoroughly transformed.
In Breaking Bad their was more than one moment of change, but, arguably, the big moment happened in the oncologist's office as Walter White was told he had a short time to live.
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I'm going to end here but Jack Bickham continues to list another five points, but I encourage you to pick up a copy of his book, Scene & Structure, or get it out of the library.
All the best to you as you work diligently on your WIP!