Book Outlines: Helpful or Harmful?

To outline or not to outline. There are few questions more contentious in the writing world -- and writers (God bless us!) can be a rather contentious bunch.

Here is my tl;dr answer: Ultimately, I think whether you should use an outline depends on the writer, and everyone is different, so there is no one definite answer. That said, I think everyone should try outlining at least once. Otherwise, how could you know whether it works for you?

Stephen King: Reject the Tyranny of the Outline

As you likely know, Stephen King doesn't like outlining. He writes:

“I’d suggest that what works for me may work equally well for you. If you are enslaved to (or intimidated by) the tiresome tyranny of the outline and the notebook filled with “Character Notes,” it may liberate you. At the very least, it will turn your mind to something more interesting than Developing the Plot.” (On Writing, Stephen King)

I think I might talk about Stephen King too much but he is one of my favorite writers. And he’s straightforward, one of the traits I appreciate most in a person. I don’t always agree with King but what he has to say is well thought out and has worked for him over the course of decades, so it’s worth taking seriously.

Stephen King is exceptionally talented. His story, ‘It’ is one of my favorites -- after I read it I couldn’t use the washroom without fear for a couple of decades (especially at night). But, on the positive side, he gave me worlds to live in, he gave me characters I love and who have stayed with me. This may seem like an odd way of putting it, but it’s true: he gave me the gift of his thoughts.

I’m writing about Stephen King here because I think he is one of the best defenders, one of the best advocates, of pantsing.

Pantsing vs Plotting

Broadly speaking, there are two ways of constructing stories:

1. Plot a story 

Let’s talk about plot. In most stories the hero starts off in the Ordinary World, doing what he usually does every day. He wakes up, brushes his teeth, goes to school, wishes he was brave enough to ask Betty to the dance, gets bullied for his lunch money, etc.

This is where you show your readers your character’s soul, often by giving her a mini-adventure (think of any Bond film you’ve ever seen).

Then there’s a Call to Adventure (which is often rejected). The protagonist will be given a foreign dictator to subvert, or tasked with retrieving nuclear weapons from a sexy despot. Etc. Etc. Etc.

Often, the hero meets a mentor who gives him a gift that will aid him on his Journey into the Special World of the Adventure (Obi Wan Kenobi gave Luke the lightsaber that had belonged to his father). And so on.

There’s nothing wrong with a strongly plotted story. For one thing, it can help you determine early on whether the story works.

I’d like to make another point before I go on to the next section. You can have an outline without having a strongly plotted story. It all depends on whether an outline describes what is already in your story or whether it describes what you want to have in your story but isn’t there yet. I’ll talk more about this, below.

2. Pants a story

This is the idea that if you develop strong characters that the plot will spring from their actions. You put strong characters in a particular situation and then you say: What would these characters do in this situation? And then you write your answer down. That’s your story.

I wish I could remember where I read this, but years ago I read an article by Thomas Harris where he described writing his book, Red Dragon. His story emerged from what he saw his characters doing, from what he heard them saying. Psychologically, they were living, independent, entities. I think Harris is on the extreme end, he is an extreme pantser, but that’s the idea.

You don’t actually have to see and hear your characters for this technique to work! (Though it would help.)

My Experience

There are innumerable ways of writing a story, and I don’t think one way is intrinsically any better than another, it all depends on the writer using it, what is best for him or her.

When I pants a story -- when I start writing with a few characters and only a couple of ideas rattling around in my head -- I’ll often first write what I like to call a vomit draft. (Sounds nice, doesn’t it! ;)

The vomit draft is just that, I vomit up thoughts, thought fragments -- whatever -- onto the page. I ignore spelling, grammar, research, facts and good taste. No one will ever see one of my vomit drafts but me, it would be like walking out of the house naked.

I use a writing journal and so I scrawl this all out longhand, and that gives me the opportunity to incorporate images out of old magazines if they … how do I describe it? Sometimes an image will pop out at me. For example, I’ll see a woman’s hairstyle and I’ll realize, Yes! That’s what the protagonist’s hair looks like, so I'll cut the image out and paste it into my writing journal. (Yes, my journals look like something out of the film 'Se7en')

When I begin writing a story I try to write the story straight through and to be as brief as possible. If I realize I have to change something at the beginning of the story (e.g., the protagonist’s hair needs to be brown rather than blond), I'll make a note of that, but I’ll keep going.

Okay, my point is that at the end of this messy process I’ll have a pretty good idea of the story, of its shape. From that I can easily put together an outline. So … am I a plotter or a pantser?

For me, an outline is just a snapshot of where the novel is at, not necessarily where the novel needs to go. One of the HUGE advantages of using an outline is that it’s easier to come back to the novel if I have to break off working on it for a bit.

Just Do It

If you haven’t already found a method that works for you, for instance if you’re just starting out and wondering whether you should outline, then outline. At least try it out. Even Stephen King has tried it -- which is one reason he can confidently say it’s not for him.

An outline doesn’t have to be complicated. Just tell the story as briefly as possible and then break it up into sections. Identify the Call to Adventure, the confrontation at the Midpoint, the Final Showdown. Even if you only have those three things it can be a help. Or not.

If you find outlining doesn’t work for you, if you find you don’t need it, then fine!

As always, have a good writing day and I’ll talk to you again soon. :-)

Could an Artificial Intelligence Write a Book?

I want to do something a bit different in this post. I’ve gotten more into programming lately (Python) and I’ve wondered: Could an artificial intelligence (AI) write a good novel?

Back in the day -- say 20 years ago -- we talked about AI but now we’re also discussing AGI, Artificial General Intelligence. That’s what we humans have.

If we create an AGI, and if this AGI can do pretty much everything a human can, will writers be out of work? [5]

(By the way, if anyone disagrees with anything I say here, please set me right! I find the field fascinating, but I’m not a data scientist. You can contact me on Twitter (@woodwardkaren) or leave a comment, below.)

Here’s the question I’m going to try to answer: Right now, is there a text generation program that could write a story that readers couldn’t tell was computer generated? And, if so, what would this mean? Would it put me out of business or, possibly, would it make my job easier?

Deep Tweets

Let’s get specific. Could an AI read all the books by a particular author -- say Stephen King -- and write a book that a group of Stephen King’s fans could not distinguish from Stephen King’s work? And I don’t mean sometime in the future, I mean right now.

Well, something like this has happened. Lex Fridman trained the text generation program GPT-2, created by OpenAI, on the tweets of several well-known people and then asked it to complete this sentence, “The meaning of life is …”

I encourage you to read the article, DeepTweets, it’s fascinating. The program nailed it. Not only did it give an accurate answer but it answered more-or-less in the voice of the person in question. [4]

For example, Fridman trained a neural network on Richard Dawkins’ tweets and asked it to complete the prompt, “The meaning of life is …” Here’s what it came up with:

“The meaning of life is complex and Darwinian. Evolution is a FACT.”

That’s creepily good. I think that's very close to what Dawkins would actually say.

OpenAI and GPT-2

But a tweet is one thing, writing a short story -- a good short story -- is quite another.
To reiterate, we want to know if a text generation program, one available to the public right now, could produce text that not only doesn’t look computer generated but closely resembles the work of a specific author. Specifically, could such a program write a book in the voice of Stephen King that would be so authentic that a panel of die hard fans couldn’t tell the difference between the fake and a real story by King?

I’ve done a bit of research and from what I can tell (perhaps I’m wrong, and if I am please let me know) at the present time the answer is: No.

That said, I think we’ll get there one day.

GPT-2

GPT-2 is, I think, the most advanced model we have right now, at least that has been made available to the public.

GPT-2 was created by OpenAI. To give you an idea what OpenAI’s intentions are, here is their (very short!) mission statement:

“OpenAI’s mission is to ensure that artificial general intelligence (AGI)—by which we mean highly autonomous systems that outperform humans at most economically valuable work—benefits all of humanity. We will attempt to directly build safe and beneficial AGI, but will also consider our mission fulfilled if our work aids others to achieve this outcome.”

As I mentioned, the program that generated this text, GPT-2, was created by OpenAI, a nonprofit lab initially backed by Elon Musk and other tech entrepreneurs. BUT this isn’t the most powerful version of the program.

OpenAI felt it would be too disruptive to release the most powerful, trained, model because it could be used to, for example, post comments or reviews that could not be distinguished from those submitted by a human author. That could become a problem.

Although the fully trained model of GPT-2 has not been released, OpenAI did release one that was almost good enough to use to generate text that couldn’t be differentiated from human generated text.

Here’s a prompt that was given to the program, for it to finish:

“In a shocking finding, scientist discovered a herd of unicorns living in a remote, previously unexplored valley, in the Andes Mountains. Even more surprising to the researchers was the fact that the unicorns spoke perfect English.”

This is what the program wrote:

The scientist named the population, after their distinctive horn, Ovid’s Unicorn. These four-horned, silver-white unicorns were previously unknown to science.

Now, after almost two centuries, the mystery of what sparked this odd phenomenon is finally solved.

Dr. Jorge Pérez, an evolutionary biologist from the University of La Paz, and several companions, were exploring the Andes Mountains when they found a small valley, with no other animals or humans. Pérez noticed that the valley had what appeared to be a natural fountain, surrounded by two peaks of rock and silver snow.

Pérez and the others then ventured further into the valley. “By the time we reached the top of one peak, the water looked blue, with some crystals on top,” said Pérez. 

That’s not all! If you’d like to read the rest of the story GPT-2 produced, check out the article. My take on reading this is that it's not bad! But I don't think it's a thread to writers.

Could AI Help Writers?

At the moment, AI isn't going to put us out of work, but can it help us?

The other day I came across this article from Vox: How I’m using AI to write my next novel, by Sigal Samuel. [2] He writes:

"While some artists worry that AI will put them out of a job — just as it’s expected to do for, say, truck drivers and factory workers — I’ve been more inclined to see it as a collaborator than a competitor. I don’t think AI will be good enough to write a superb novel on its own, but I do think it can be very helpful in a novelist’s creative process."

Samuel has been using GPT-2 to help him get over writer’s block. I could see that working! I’m glad he’s found something to help him keep writing.

If you’d like to download the latest version of CPT-2, there’s the link.

Notes:

It took me longer than I thought it would to finish this post and I ended up not using some of the research I did. BUT, I decided to leave these notes in because the articles are interesting and I thought you might want to check them out.

1. The rise of robot authors, published by TheGuardian. 

2. How I’m using AI to write my next novel, by By Sigal Samuel over at Vox.

3. GPT-2: 6-Month Follow-Up. Published August 20th, 2019 on OpenAI.com.

4. DeepTweets: Generating Fake Tweets with Neural Networks Trained on Individual Twitter Accounts, by Lex Fridman.

5. The way I’m thinking about it, an artificial general intelligence would be able to tell jokes, it would have ideas about whether a certain stock is going to go up or down, and it could write a fabulous blog post! Basically -- and sorry to use a reference that might be a little dated -- an artificial general intelligence would be a lot like Data from Star Trek: Next Generation.

6. Here's something interesting: Hugging Face.

Rules for Writing: Helpful or Harmful?

Hi! This is the first article in a series: Helpful or Harmful? Thanks to everyone on Twitter (all three people!) who helped me choose a name. Seriously, much appreciated.

Each post in this series will examine a different rule for writing. I’ll tell you if I think it’s a useful rule and why. I don’t think any rule is 100% helpful, there are almost always exceptions (at the end of this article I will write about a rule I think always applies).

I’ll also look at my favorite authors’ work to see if THEY follow the rule. If Stephen King, Margaret Atwood and Neil Gaiman don’t follow a particular rule, I suspect it is not a rule worth following.

Are There Rules For Writing?

As you may know, all my life I’ve been curious about what separates a riveting, can’t-put-it-down, stay-up-until-3am story from one you put down after reading two pages.

Now, if you’re thinking: “Writing is art! There are no rules.” You’re right! If one is writing purely for oneself (for instance, in a journal) then, seriously, do not worry about writing any particular way. Look into your heart, be honest, and you can’t go wrong.

Also, if you’re writing a first draft, do not worry about rules. Some writers have reached the point where certain ‘rules’ have become imbedded within them, it’s as though they have a muse who sits on their shoulder as they write, a muse which they ignore at their peril. But, in general, save the rules for the second or third draft.

Finally, if you are doing this as a hobby (you are happy never to make any money from your work) and feel that if others read your work, that’s fine, and if they don’t, that’s fine. If that’s the case, then great! I have known several writers like this and they are gainfully employed in other ways and very happy. I admire them.

BUT, if you want people who are grumpy and starved for time and have a lot of other things to do when they’re not working at a job they hate, if you want these kind of people to read your story from beginning to end, then it’s a good idea to craft your story to be easy to read. It’s a good idea to make your story exciting. 

Yes, I’m talking about popular fiction.

I’m talking about the kind of stories that, when told around a campfire, captivate your audience. You know what I’m talking about. Sometimes when you’re telling a story -- if it’s a good story -- they’re transfixed. They lean forward and look intently at you, they don’t interrupt -- and if someone does interrupt your audience tells them to please shush. You have them on the edge of their seats. THAT’s the kind of story I want to read. And write.

Bricklayers have rules that tell them how to do their job well. So do nurses. So do surgeons. So do writers. There ARE things that differentiate an entertaining story from a boring one.

That said, what rules can never do (and I know I’ve said this, above, but it’s worth repeating) is tell you how to write a great story because that comes from the heart. That’s magic. The rules are never for the first draft, they are never for that first burst of inspired messiness you scrawl across a blank page, bringing characters into being, creating new worlds. They are for the (oh so many) drafts that come later.

A Qualification

BUT, that said, I think I agree with Anne Rice that no one set of rules fits all writers. Each writer, each one of us, has a different style. No one set of rules is right for us all.

And, really, in that sense, there are no hard-and-fast rules.

Here’s an example of a rule that isn’t 100% correct. We are often advised to use simple, short sentences. And that’s good advice. But it doesn’t apply across the board. For example:

“I wonder which is preferable—to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you’re depleted of all that was once as precious to you as hoarded gold, as close to you as your skin—everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone—and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you?” Margaret Atwood, The Blind Assassin

That’s a great sentence! [1] When it comes to writing, if writing is magic, Margaret Atwood is a master wizard.

But, on the other hand, I think there are some rules -- at least one rule -- that applies for all writers all the time: don’t be critical of yourself, of your work, as you write your first draft. 

Your First Draft: Just Finish The Story

When you’re working on your first draft, just write. Maybe your work isn’t grammatical, maybe it isn’t even factual! (Please don’t misunderstand, research is essential, but it should wait until a later draft. Trust me, you’re going to cut a LOT of things from the first draft and it would not only halt the creative process to go and ask Google but it could be a waste of time.)

Your first draft might not even be coherent! Midway through your story your main character might go from having brown hair to having blond hair. His/her name might change. It doesn’t matter. Until you finish the first draft DO NOT GO BACK AND FIX ANYTHING! (And, yes, that needs to be shouted!)

Yes, of course, grammar needs to be correct, characters need to be consistent, and you’ll do that. But in the second (third, fourth, etc.) draft.

When you write the first draft of a story, don’t be critical, just write until the story is done. 

I’m writing this as a person who has fallen short of this particular target many times. But when I didn’t finish a story it made it that much easier not to finish the next story. It became easier to abandon a story midway because I was afraid it wasn’t going anywhere. Don’t do that to yourself. When you begin a story, finish it. Remember, it’s a first draft, it probably isn’t going to be a great story, not yet. Finish your story and then, on each successive draft, make it better. 

Or not. After you’ve written your first draft you may decide to inter it in a shoebox that lives under your bed. Your writer’s trunk. All writers have stories that they would never try to publish. That’s okay! You explored an idea, a theme, and it didn’t work out. That’s fine. Take what you’ve learned from your attempt and start writing your next story.

I hope that didn’t come across as preachy, I have no right or desire to preach to anyone. But I do want to encourage you to write, and to write stories a lot of other people will want to read. I want you to write stories that will inspire others, or perhaps just make them feel cosy on a lonely winters night.

All the best, good writing, and I’ll talk to you again in my next blog post.

Notes:

1. I found this sentence by writing a small, short, simple Python program that gobbles up a book and finds the longest sentence.